Feel the passion of Antonio Canova in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Antonio Canova in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Antonio Canova
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Antonio Canova

These artworks are particularly popular with our customers.

Psyche Revived by the Kiss of Cu...
Undated | marble

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Psyche Revived by the Kiss of Cu...
1787 | marble

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Pauline Bonaparte, Princess Borg...
Undated | marble

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Venus and Adonis by Antonio Cano...
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Discover more artworks by Antonio Canova

Discover more artworks by Antonio Canova

196 artworks found
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Antonio Canova
Woman playing castanets by Anton...
Undated |

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Antonio Canova
Tomb of the Archduchess Maria Ch...
Undated | marble

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Antonio Canova
Tomb of Pope Clement XIII (1693-...
1783 | marble

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Antonio Canova
Theseus and the Minotaur, 1782 (...
1782 | marble

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Antonio Canova
Theseus and the Centaur, 1804-1819
1804 | marble

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Antonio Canova
Psyche revived by the kiss of Love
Undated | oil on canvas

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Antonio Canova
Three Graces (marble)
Undated | marble

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Antonio Canova
Maria Christina of Austria funer...
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Antonio Canova
Daedalus and Icarus by Antonio C...
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Antonio Canova
Theseus slaying a centaur (marble)
Undated | marble

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Antonio Canova
Napoleon as Mars the Peacemaker ...
Undated | marble

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Antonio Canova
Cupid and Psyche, 1796 (marble)
1796 | marble

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Antonio Canova
Portrait bust of Napoleon Bonapa...
Undated | marble

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Antonio Canova
Cupid and Psyche
Undated | oil on canvas

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Antonio Canova
Cupid and Psyche, 1796 (marble)
1796 | marble

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Antonio Canova
Amor and Psyche, 1808.
Undated | marble

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Antonio Canova
Napoleon Bonaparte (1769-1821) R...
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Antonio Canova
Sleeping Nymph, c.1820-24 (marble)
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Antonio Canova
Hercules and Lycas by Antonio Ca...
Undated | painting

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Antonio Canova
Daedalus and Icarus (marble)
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Antonio Canova
Paolina Borghese as Venus Victri...
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Antonio Canova
Pronaos, Canova Temple (Tempio C...
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Antonio Canova
 
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Antonio Canova
Daedalus and Icarus by Antonio C...
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Antonio Canova
Male Nude, Damoxenos of Syracuse...
1794 | pen and grey ink over graphite on white paper

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Antonio Canova
Venus Italica, c.1822 (marble)
Undated | marble

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Antonio Canova
Psyche Revived by the Kiss of Cu...
Undated | marble

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Antonio Canova
Cupid and Psyche, 1794 (plaster)
1794 | plaster

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Antonio Canova
Paris, 1808-1812.
Undated | marble

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Antonio Canova
 
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Antonio Canova
Monument to Titian by Antonio Ca...
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Antonio Canova
The Penitent Magdalene, by Anton...
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Antonio Canova
Study of male nude seated on pod...
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Antonio Canova
Venere Italica (Venus) - Marble ...
Undated | Sculpture

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Antonio Canova
Venus Crowning Adonis, by Antoni...
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Antonio Canova
Hebe by Antonio Canova (1757-182...
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Antonio Canova
Pauline Bonaparte as Venus Trium...
Undated | marble

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Antonio Canova
Daedalus and Icarus (marble)
Undated | marble

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Antonio Canova
Hercules Firing Arrows at his Ch...
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Antonio Canova
Cupid and Psyche (drawing)
Undated | drawing

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Antonio Canova
 
Undated | marble

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Antonio Canova
Pauline Bonaparte as Venus Trium...
1805 | marble

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Antonio Canova
 
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Antonio Canova
Socrates Drinks the Cup of Hemlo...
Undated | pen and ink with sepia wash on paper

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Antonio Canova
Cupid and Psyche (marble)
Undated | marble

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Antonio Canova
Hebe by Antonio Canova (1757-182...
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Tommaso Piroli
Death of Priam Dood van Priamus
Undated | whole: paper deck paint

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Antonio Canova
Pauline Bonaparte (1780-1825) as...
Undated | marble

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Antonio Canova
The Muse Calliope and Homer. Tem...
Undated | tempera

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Antonio Canova
The Genius of Death , 1789.
Undated | marble

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Antonio Canova
Danae of Correggio by Antonio Ca...
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Antonio Canova
Funerary stele of Ottavio Trento...
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Antonio Canova
Penitent Magdalene by Antonio Ca...
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Antonio Canova
Cupid, 1793-1794.
Undated | marble

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Antonio Canova
Dancer, 1811-1812.
Undated | marble

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Antonio Canova
Socrates leaving his family, 178...
1787 | plaster

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Antonio Canova
Venus and Adonis by Antonio Cano...
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Antonio Canova
Pauline Bonaparte as Venus Trium...
1805 | marble

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Antonio Canova
 
Undated | marble

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Antonio Canova
Detail of the statue of Ferdinan...
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Antonio Canova
Funerary monument of Maria Chris...
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Antonio Canova
Achilles delivering Briseis to A...
1787 | plaster

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Antonio Canova
Venus and Adonis by Antonio Cano...
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Antonio Canova
Venus, lateral view, 1810 (marbl...
1810 | marble

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Antonio Canova
Three Graces, 1812-16 (marble) (...
Undated | marble

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Antonio Canova
 
1794 | pen and grey ink over graphite on white paper

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Antonio Canova
Dancer with finger on chin (plas...
Undated | plaster

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Antonio Canova
Three Graces, 1812-16 (marble) (...
Undated | marble

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Antonio Canova
Paolina Borghese as Venus Victri...
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Antonio Canova
Monument to Vittorio Alfieri (ma...
Undated | marble

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Antonio Canova
Three Graces, 1812-16 (marble) (...
Undated | marble

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Antonio Canova
Eurydice by Antonio Canova (1757...
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Antonio Canova
Venus and Cupid, 1798-99 (terrac...
1798 | terracotta

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Antonio Canova
Cupid and Psyche by Antonio Cano...
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Antonio Canova
Self Portrait, 1790
1790 | oil on canvas

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Antonio Canova
The return of Telemachus, 1787-9...
1787 | plaster

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Antonio Canova
Hecuba offering the peplum to Pa...
1790 | plaster

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Antonio Canova
Cupid Amorino Campbell, 1787-1789.
Undated | plaster

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Antonio Canova
Hebe (marble)
Undated | marble

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Antonio Canova
Eurydice by Antonio Canova (1757...
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Antonio Canova
Portrait bust of Francis I (1708...
Undated | marble

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Antonio Canova
Venus, frontal view, 1810 (marbl...
1810 | marble

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Antonio Canova
Study of male nude leaning on pl...
Undated |

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Antonio Canova
Venus crowning Love by Antonio C...
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Antonio Canova
The muse Urania and Thales. Temp...
Undated | tempera

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Antonio Canova
Ideal Head, 1816 (marble)
1816 | marble

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Antonio Canova
Venere Italica. Marble sculpture...
Undated | Sculpture

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Antonio Canova
Eve and Abel, detail from Adam a...
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Antonio Canova
 
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Antonio Canova
Crito closing the eyes of Socrat...
1790 | plaster

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Antonio Canova
Surprise, by Antonio Canova (175...
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Antonio Canova
Venus Italica, by Antonio Canova...
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Antonio Canova
The Hope, 1792 (plaster)
1792 | plaster

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Antonio Canova
Socrates drinking the cup of hem...
1787 | plaster

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Antonio Canova
Venus with mirror by Antonio Can...
Undated |

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Page 1 / 2



Antonio Canova

Antonio Canova seemed to have been born into the artistic world. After the death of his father, he went into the care of his grandfather, both stonemasons. The latter introduced him to the art of sculpture. At the age of ten he already began to make models out of clay and marble. At the age of twelve, Canova apprenticed in Venice to Giuseppe Bernardi, already an important sculptor at the time, where he put the finishing touches on his skills. Within a few years, he graduated from the Academy of Fine Arts in Venice, where he won several awards and eventually opened his own studio. An anecdote says that at a dinner in noble company, Canova engraved the figure of a lion with outstretched wings in butter so close to reality that it astonished the guests present almost in disbelief.

Later, when he was intensively engaged in Italian and Greek mythology and the classics, Canova created numerous statues and sculptures in Rome, which today are highly regarded in the art world. It is not without reason that Canova is considered one of the main figures of Italian classicism and is sometimes hailed as the greatest sculptural genius since Michelangelo, whose works he himself greatly admired. His dancing, light-footed movements, feminist grace, and flowing, graceful forms made him an outstanding artist of his time. He was in some ways a perfectionist, as evidenced by the fact that he lit his works by candlelight at night to highlight their uniqueness and beauty in a mythical light and to impress guests and collaborators. The first visitors who saw his exquisite works were quite surprised that they were contemporary art and not original ancient masterpieces.

Because of his attained high reputation, many monarchs and princes brought him to their courts and Canova received commissions from all over Europe. However, he refused to go to the French imperial court as a leading sculptor. In his last years in Rome, he even traveled across the continent as a papal commissioner and, moreover, brought back to Italy the works of art that had been carried off during the Napoleonic Wars, which he succeeded in doing, after which the pope bestowed upon him the title of "Marquis of Ischia" in recognition. The esteem in which this extraordinary artist is held is also evident from the fact that his mortal remains are preserved in a parish church of his own design in his hometown of Possagno, and in Venice his heart is preserved in the Basilica di Santa Maria Gloriosa and his right hand in a vase in the Academy of Fine Arts.

Antonio Canova

Antonio Canova seemed to have been born into the artistic world. After the death of his father, he went into the care of his grandfather, both stonemasons. The latter introduced him to the art of sculpture. At the age of ten he already began to make models out of clay and marble. At the age of twelve, Canova apprenticed in Venice to Giuseppe Bernardi, already an important sculptor at the time, where he put the finishing touches on his skills. Within a few years, he graduated from the Academy of Fine Arts in Venice, where he won several awards and eventually opened his own studio. An anecdote says that at a dinner in noble company, Canova engraved the figure of a lion with outstretched wings in butter so close to reality that it astonished the guests present almost in disbelief.

Later, when he was intensively engaged in Italian and Greek mythology and the classics, Canova created numerous statues and sculptures in Rome, which today are highly regarded in the art world. It is not without reason that Canova is considered one of the main figures of Italian classicism and is sometimes hailed as the greatest sculptural genius since Michelangelo, whose works he himself greatly admired. His dancing, light-footed movements, feminist grace, and flowing, graceful forms made him an outstanding artist of his time. He was in some ways a perfectionist, as evidenced by the fact that he lit his works by candlelight at night to highlight their uniqueness and beauty in a mythical light and to impress guests and collaborators. The first visitors who saw his exquisite works were quite surprised that they were contemporary art and not original ancient masterpieces.

Because of his attained high reputation, many monarchs and princes brought him to their courts and Canova received commissions from all over Europe. However, he refused to go to the French imperial court as a leading sculptor. In his last years in Rome, he even traveled across the continent as a papal commissioner and, moreover, brought back to Italy the works of art that had been carried off during the Napoleonic Wars, which he succeeded in doing, after which the pope bestowed upon him the title of "Marquis of Ischia" in recognition. The esteem in which this extraordinary artist is held is also evident from the fact that his mortal remains are preserved in a parish church of his own design in his hometown of Possagno, and in Venice his heart is preserved in the Basilica di Santa Maria Gloriosa and his right hand in a vase in the Academy of Fine Arts.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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