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Passionate Customer Service Museum Quality Art Prints Customization Options Available.jpg "Two Men Carrying an Old Woman by Melchior Lorck")
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.jpg "The Fishmongers by Bartolomeo Passarotti")
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.jpg "Portrait of a Lady with a Dog by Bartolomeo Passarotti")
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.jpg "Old Matron and Young Woman by Bartolomeo Passarotti")
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.jpg "Pope Pius IV by Bartolomeo Passarotti")
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.jpg "An Anatomy Lesson for Artists by Bartolomeo Passarotti")
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.jpg "Anatomy lecture given by Michelangelo Buonarroti (Michelangelo) by Bartolomeo Passarotti")
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.jpg "The Botanist, 1570 by Bartolomeo Passarotti")
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.jpg "The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist by Bartolomeo Passarotti")
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.jpg "Portrait of Man by Bartolomeo Passarotti")
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 - (MeisterDrucke-145919).jpg "The Anatomy Lesson by Bartolomeo Passarotti")
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.jpg "Lute Player by Bartolomeo Passarotti")
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.jpg "The Astrologer by Bartolomeo Passarotti")
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.jpg "Pope Gregory XIII, 16th century by Bartolomeo Passarotti")
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 - (MeisterDrucke-50303).jpg "Portrait of Torquato Tasso by Bartolomeo Passarotti")
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.jpg "Portrait of Guidubaldo II della Rovere, Duke of Urbino by Bartolomeo Passarotti")
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.jpg "Studies of a Sculpture of a Male Nude, Vertebrae, and Gesturing Figures by Bartolomeo Passarotti")
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.jpg "Portrait of a Young Man by Bartolomeo Passarotti")
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_-_(MeisterDrucke-1440506).jpg "Portrait of the Doctor, Carlo Fontana by Bartolomeo Passarotti")
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.jpg "Portrait of a Notable by Bartolomeo Passarotti")
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.jpg "Portrait of Pope Pius V, c.1566 by Bartolomeo Passarotti")
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.jpg "Portrait of a Notable by Bartolomeo Passarotti")
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.jpg "The Presentation of Mary by Bartolomeo Passarotti")
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.jpg "Double Portrait of Musicians by Bartolomeo Passarotti")
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.jpg "Visitation by Bartolomeo Passarotti")
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.jpg "Portrait of the Four Monaldini Brothers by Bartolomeo Passarotti")
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.jpg "Portrait of Count Sertorio by Bartolomeo Passarotti")
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_-_(MeisterDrucke-1092706).jpg "Self portrait in old age, with simulated enframement by Bartolomeo Passarotti")
_-_(MeisterDrucke-1092706).jpg)
.jpg "Allegorical Portrait of Ulisse Aldrovandi by Bartolomeo Passarotti")
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_-_(MeisterDrucke-911412).jpg "Portrait of a scribe in a red doublet and white ruff by Bartolomeo Passarotti")
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_-_(MeisterDrucke-1107299).jpg "Portrait of a Young Man, c.1585 by Bartolomeo Passarotti")
_-_(MeisterDrucke-1107299).jpg)
_-_(MeisterDrucke-1091033).jpg "Madonna and Child Enthroned with Saint Anthony by Bartolomeo Passarotti")
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.jpg "Portrait of Pope Gregory XIII, Three-Quarter Length, Seated in an Armchair by Bartolomeo Passarotti")
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.jpg "Portrait of a Man with a Sword or Portrait of an Armourer by Bartolomeo Passarotti")
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.jpg "Two Market Women and a Boy with Poultry and Vegetables by Bartolomeo Passarotti")
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.jpg "Self-Portrait by Bartolomeo Passarotti")
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.jpg "Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile, and Nude Figures by Bartolomeo Passarotti")
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.jpg "Study of an Eagle by Bartolomeo Passarotti")
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.jpg "Draped Model, with One Hand Outstretched by Bartolomeo Passarotti")
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.jpg "Ideal Bust of a Woman by Bartolomeo Passarotti")
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.jpg "Standing Putto Seen From the Back by Bartolomeo Passarotti")
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.jpg "Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr by Bartolomeo Passarotti")
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.jpg "Offering by Bartolomeo Passarotti")
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.jpg "Saints Jerome and Francis of Assisi Adoring the Trinity by Bartolomeo Passarotti")
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![Aeneas and Anchises [?] by Bartolomeo Passarotti](/kunstwerke/300px/Bartolomeo_Passarotti_-_Aenes_og_Anchises_-_(MeisterDrucke-1262631).jpg "Aeneas and Anchises [?] by Bartolomeo Passarotti")
![Aeneas and Anchises [?] by Bartolomeo Passarotti](/kunstwerke/400w/Bartolomeo_Passarotti_-_Aenes_og_Anchises_-_(MeisterDrucke-1262631).jpg)
.jpg "Saint John the Evangelist by Bartolomeo Passarotti")
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.jpg "Saint Andrew by Bartolomeo Passarotti")
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Bartolomeo Passarotti had gained an important reputation as a painter and etcher in Renaissance Italy. He is particularly regarded as a protagonist of the cinquecento as a way of depicting the concept of beauty typical of the period in painting.
There is almost no information about the centuries of Bartolomeo Passarotti's youth; the first evidence of his career dates back to 1551, when he left his birthplace Bologna to study and work in Rome with the late Renaissance architect Jacopo Barozzi da Vignola and the Mannerist painter Taddeo Zuccari. At that time, he was influenced by the architect's structured approach as well as his focus on individual artistic style with a capricious and tense style. Returning to Bologna, Bartolomeo Passarotti opened his own large workshop in 1565. In painting, he cultivated the style of the so-called Venetian school with a special focus on colouring. Among other artists, Passarotti trained the painter and engraver Agostino Carracci. At the same time he painted still lifes, portraits and religious motifs, which today can be seen mainly in Bologna's churches, for example in the Basilica of San Giacomo Maggiore.
Passarotti's portraits are regarded as an expression of the incipient Baroque in art, which is nevertheless based on the traditions of the Renaissance. At this time Passarotti was artistically influenced by Girolamo Francesco Maria Mazzola, called Parmigianino and by Antonio da Correggio. It was precisely his portraits that helped Bartolomeo Passarotti to gain the reputation of being the most important portraitist of Bologna in the late 16th century. He made use of a particularly charming use of colour - what became characteristic, however, was the extremely lively art of characterisation, an outstanding feature of the cinquecento in the Italian art of that time.
In his representations the master cultivated the concept of beauty of the Italian Cinquecento. The cinquecento style is regarded as a further development of the quattrocento with its austere, modest depictions to radiantly elaborated motifs. Thus Bartolomeo Passerotti devoted himself on the one hand to mythological and religious themes and on the other hand to a true-to-life portrait art with the representation of folk types taken from real life. The certain pathos with which the representational was understood cannot be overlooked. A characteristic feature of his later portrait painting is, among other things, a lively play of the hands. It enlivens the action up to the dramatic. In addition, Bartolomeo Passarotti captivates with his carefully worked-out physiognomy, both in the religious depictions and in the characterizing images of the people of his time.
Bartolomeo Passarotti had gained an important reputation as a painter and etcher in Renaissance Italy. He is particularly regarded as a protagonist of the cinquecento as a way of depicting the concept of beauty typical of the period in painting.
There is almost no information about the centuries of Bartolomeo Passarotti's youth; the first evidence of his career dates back to 1551, when he left his birthplace Bologna to study and work in Rome with the late Renaissance architect Jacopo Barozzi da Vignola and the Mannerist painter Taddeo Zuccari. At that time, he was influenced by the architect's structured approach as well as his focus on individual artistic style with a capricious and tense style. Returning to Bologna, Bartolomeo Passarotti opened his own large workshop in 1565. In painting, he cultivated the style of the so-called Venetian school with a special focus on colouring. Among other artists, Passarotti trained the painter and engraver Agostino Carracci. At the same time he painted still lifes, portraits and religious motifs, which today can be seen mainly in Bologna's churches, for example in the Basilica of San Giacomo Maggiore.
Passarotti's portraits are regarded as an expression of the incipient Baroque in art, which is nevertheless based on the traditions of the Renaissance. At this time Passarotti was artistically influenced by Girolamo Francesco Maria Mazzola, called Parmigianino and by Antonio da Correggio. It was precisely his portraits that helped Bartolomeo Passarotti to gain the reputation of being the most important portraitist of Bologna in the late 16th century. He made use of a particularly charming use of colour - what became characteristic, however, was the extremely lively art of characterisation, an outstanding feature of the cinquecento in the Italian art of that time.
In his representations the master cultivated the concept of beauty of the Italian Cinquecento. The cinquecento style is regarded as a further development of the quattrocento with its austere, modest depictions to radiantly elaborated motifs. Thus Bartolomeo Passerotti devoted himself on the one hand to mythological and religious themes and on the other hand to a true-to-life portrait art with the representation of folk types taken from real life. The certain pathos with which the representational was understood cannot be overlooked. A characteristic feature of his later portrait painting is, among other things, a lively play of the hands. It enlivens the action up to the dramatic. In addition, Bartolomeo Passarotti captivates with his carefully worked-out physiognomy, both in the religious depictions and in the characterizing images of the people of his time.
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.jpg "Study of an Eagle by Bartolomeo Passarotti")
.jpg "Male Nudes Fighting by Bartolomeo Passarotti")
.jpg "Naked man pulling on his hose (after Marcantonio Raimondi and Michelangelo Buonarroti) by Bartolomeo Passarotti")
.jpg "Merry Company by Bartolomeo Passarotti")