Feel the passion of George Morland in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of George Morland in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
George Morland
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of George Morland

These artworks are particularly popular with our customers.

Inside a Stable
Undated | oil on canvas

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Horses in a Stable, 1791
1791 | oil on canvas

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The Approaching Storm, 1791
1791 | oil on canvas

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Seashore: Fishermen Hauling in a...
1791 | oil painting

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The most popular works of George Morland

These artworks are particularly popular with our customers.


Discover more artworks by George Morland

Discover more artworks by George Morland

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George Morland
The Reckoning, c1783-1804, 1912.
1912 |

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George Morland
 
Undated |

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George Morland
Horses in a Stable, 1791
1791 | oil painting

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George Morland
Friend (oil on wooden panel)
Undated | oil on wooden panel

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George Morland
Horses in a Stable
Undated | engraving

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George Morland
The Angler's Retreat (chromolitho)
Undated | chromolithograph

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George Morland
The Farmers Stable, 1791 1901
1901 |

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George Morland
The Artist in His Studio and His...
1802 | oil on canvas

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George Morland
A Tea Garden, engraved by Franco...
1790 | colour engraving

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George Morland
Boys Bathing,
Undated | oil on canvas

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George Morland
The Shepherd's Rest
Undated | oil on board

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William Ward
Moeder bezoekt haar kindA Visit ...
Undated | paper

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William Ward
Moeder bezoekt haar dochter op d...
Undated | paper

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William Ward
Mannen in een herberg Ale-house...
Undated | paper

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George Morland
The Fruits of Early Industry and...
Undated | chromolithograph

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William Ward
Familie voor een herberg The Dr...
Undated | paper

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George Morland
The Inside of a Stable, 1791, c1915
1791 | oil painting

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John Rathbone
Landscape with Figures Crossing ...
Undated | oil painting

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George Morland
The Deserter"s Farewell, 1792
1792 | oil on canvas

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George Morland
Guinea Pigs, engraved by Thomas ...
1796 | stipple engraving

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George Morland
Pigs, late 18th century.
Undated |

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William Ward
Jagers en jachthonden met hun bu...
Undated | paper

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George Morland
The Death of the Fox (oil on can...
Undated | oil on canvas

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George Morland
 
Undated | oil on canvas

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George Morland
The Gipsies Tent, engraved by Jo...
Undated | coloured engraving

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George Morland
A maid ironing, 18th century.
17th century |

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John Rathbone
Landscape with Fisherman and Was...
Undated | oil painting

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George Morland
 
Undated | Hand colored mezzotint

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George Morland
The Wreckers, c.1790
Undated | oil on canvas

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John Raphael Smith
Afrikaanse familie wordt geschei...
Undated | paper

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George Morland
 
Undated | Black chalk on medium, slightly textured, cream laid paper

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George Morland
A Woman Called Anne, the Artist'...
Undated | oil on canvas

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George Morland
Smugglers, engraved by James War...
1793 | Mezzotint engraving

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George Morland
 
Undated | oil on canvas

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George Morland
Dogs Fighting (oil on canvas)
Undated | oil on canvas

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William Ward
Rustend gezin in een bos Gipsie...
Undated | paper

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George Morland
The Effects of Extravagance and ...
Undated | chromolithograph

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George Morland
Winter Landscape with Men Snowba...
1790 | oil on canvas

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George Morland
The Anglers' Repast, engraved by...
1789 | Mezzotint engraving

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George Morland
The Smugglers, 1792
1792 | oil on canvas

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George Morland
African Hospitality, engraved by...
1791 | mezzotint

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George Morland
A Farrier's Shop (or The Farrier...
Undated | oil on canvas

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George Morland
Landscape with figures at the do...
Undated | oil on canvas

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George Morland
The Warrener, engraved by Willia...
1806 | Mezzotint engraving

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George Morland
Dancing Dogs, c. 1800
Undated |

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William Ward
Mannen en schoenmaker voor een h...
Undated | paper

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George Morland
 
1785 | oil on canvas

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George Morland
Gypsies, c. 1800.
Undated |

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George Morland
Guinea Pigs, c.1789
Undated | oil on canvas

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George Morland
Trepanning a Recruit, c. 1790.
Undated | oil painting

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George Morland
The Wreckers
Undated | oil on canvas

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William Ward
Melkmeid en twee boerenknechten ...
Undated | paper

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George Morland
Pigs, 1775-1800
1775 | oil on canvas

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George Morland
A cricket match, 18th century 1912.
1912 |

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George Morland
A Game of 'Blind Man's Buff', c....
Undated | watercolour on paper

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George Morland
A Party Angling (chromolitho)
Undated | chromolithograph

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George Morland
A farmyard, 1792
1792 | oil on canvas

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George Morland
Woman wringing washing
Undated |

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George Morland
Shooting Sea Fowl, 1795
1795 | oil painting

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George Morland
Indian girl
1793 | oil on canvas

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George Morland
The Tea Garden. 1790
Undated | oil on canvas

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George Morland
 
1790 | oil on canvas

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George Morland
The Deserter Pardoned, 1792
1792 | oil on canvas

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George Morland
Autumn
Undated | oil on canvas

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George Morland
 
Undated |

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George Morland
A Woodland Scene, c1795
1795 |

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George Morland
Donkey foals (charcoal on paper)
Undated | charcoal on paper

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George Morland
Old horses with a dog in a stable
1791 | Oil on panel

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George Morland
Visit to the child at nurse, c.1...
Undated | oil on canvas

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George Morland
Hare Shooting engraved by C. Cot...
Undated |

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George Morland
The Unlucky Sportsman, 1792
1792 | oil on wood

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George Morland
Gentleman and woman in a wintry ...
Undated |

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John Raphael Smith
Afrikaanse mensen helpen Britse ...
Undated | paper

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George Morland
 
1788 | oil on canvas

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William Ward
Mannen in gesprek bij een herber...
Undated | paper

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George Morland
Paying the Hostler, engraved by ...
1805 | Mezzotint engraving

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George Morland
'The Weary Sportsman', c1803
1803 | engraving

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George Morland
 
Undated | etching

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George Morland
The Bell Inn, late 1780s.
Undated |

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George Morland
A Fall on the Ice (oil on canvas)
Undated | oil on canvas

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George Morland
Pheasant Shooting
Undated | oil on canvas

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George Morland
Unbekanntes Bild
Undated |

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George Morland
Indian Girl, 1793 (oil on canvas...
1793 | oil on canvas mounted on panel

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George Morland
Gipsies resting with Donkey, 1795
1795 | oil painting

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George Morland
A Man Lifting a Trunk, Two studi...
Undated | Graphite, black chalk, and red chalk on medium, slightly textured, cream wove paper

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George Morland
Paying the Ostler
Undated | oil on canvas

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George Morland
 
Undated | oil on canvas

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George Morland
Two Pigs in Straw (Barn with Pigs)
Undated | oil on wood

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George Morland
 
Undated | oil on canvas

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George Morland
Morning, or the Benevolent Sport...
1792 | oil on canvas

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George Morland
Interior of a Country Inn
Undated | oil on canvas

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William Ward
Moeder bezoekt haar kind A Visi...
Undated | paper

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George Morland
 
Undated | Graphite on medium, slightly textured, cream laid paper

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George Morland
The Pigsty, 1792 (pencil with re...
1792 | pencil with red and white chalk on paper

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George Morland
A Party Angling
Undated | oil on canvas

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George Morland

George Morland

  June 26, 1763
  October 29, 1804
   •   Nonclassified artists   •   Wikipedia: George Morland

George Morland was the son of portraitist Henry Robert Morland and the grandson of genre painter George Henry Morland. His education began at a very young age. Morland painted already at the age of 3 years. He was allowed to exhibit his first drawings at the Royal Academy at the age of 10. His father Henry Robert is said to have been very strict and forbade the boy everything that could have somehow hindered his creative development. When he was not on long drawing excursions or painting at home, he was only allowed to read or practice the violin. The father's strict upbringing was not supposed to have been altruistic. Morland had to make countless copies of various painters for his father. He stayed with his father until 1784. Then he obviously had enough of being patronized, because Morland broke with his father and moved in with an art dealer. But even here the desired independence failed to materialize, for his patron exploited him at least as much as his father. About a year later, Morland was finally able to free himself from the awkward situation. He moved to another city to work as a portraitist.

After a short stay in France Morland returned to London. There he lived near his friend and colleague William Ward. The closeness to Ward and his family brought stability to Morland's life, which his difficult childhood had driven to alcohol and other debauchery. He married Ward's sister Anne. One month later Ward married Morland's sister Maria. The two couples lived together in a house after the wedding. But after only 3 months there were already disputes between the two women, so that the common household had to be dissolved. For some years the married life could prevent Morland's escapades. The nights he spent in pubs and in dubious company seemed to belong to the past. But the long illness of his wife after the stillbirth of their first and only child threw Morland off course again. He began to drink, which put an increasing strain on the marriage. The couple finally separated.

At first, however, the alcohol addiction seemed to have little effect on his work. Morland is said to have done 1 or 2 paintings a day. In the course of his career he created more than 4000 works. But at some point the income was no longer sufficient to finance his decadent lifestyle and he became a hunted man with creditors breathing down his neck. He hid out with various friends and in taverns until he was finally arrested in 1799. Morland was initially able to negotiate a kind of open prison sentence. But this did not improve his situation, because he drank as much as he worked. In the end he was hardly able to keep his colour palette due to paralysis. When he ran up debts again, he was sent to prison, where he died at the age of 41.

George Morland

George Morland
  June 26, 1763
  October 29, 1804
   •   Nonclassified artists   •   Wikipedia: George Morland

George Morland was the son of portraitist Henry Robert Morland and the grandson of genre painter George Henry Morland. His education began at a very young age. Morland painted already at the age of 3 years. He was allowed to exhibit his first drawings at the Royal Academy at the age of 10. His father Henry Robert is said to have been very strict and forbade the boy everything that could have somehow hindered his creative development. When he was not on long drawing excursions or painting at home, he was only allowed to read or practice the violin. The father's strict upbringing was not supposed to have been altruistic. Morland had to make countless copies of various painters for his father. He stayed with his father until 1784. Then he obviously had enough of being patronized, because Morland broke with his father and moved in with an art dealer. But even here the desired independence failed to materialize, for his patron exploited him at least as much as his father. About a year later, Morland was finally able to free himself from the awkward situation. He moved to another city to work as a portraitist.

After a short stay in France Morland returned to London. There he lived near his friend and colleague William Ward. The closeness to Ward and his family brought stability to Morland's life, which his difficult childhood had driven to alcohol and other debauchery. He married Ward's sister Anne. One month later Ward married Morland's sister Maria. The two couples lived together in a house after the wedding. But after only 3 months there were already disputes between the two women, so that the common household had to be dissolved. For some years the married life could prevent Morland's escapades. The nights he spent in pubs and in dubious company seemed to belong to the past. But the long illness of his wife after the stillbirth of their first and only child threw Morland off course again. He began to drink, which put an increasing strain on the marriage. The couple finally separated.

At first, however, the alcohol addiction seemed to have little effect on his work. Morland is said to have done 1 or 2 paintings a day. In the course of his career he created more than 4000 works. But at some point the income was no longer sufficient to finance his decadent lifestyle and he became a hunted man with creditors breathing down his neck. He hid out with various friends and in taverns until he was finally arrested in 1799. Morland was initially able to negotiate a kind of open prison sentence. But this did not improve his situation, because he drank as much as he worked. In the end he was hardly able to keep his colour palette due to paralysis. When he ran up debts again, he was sent to prison, where he died at the age of 41.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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        support@meisterdrucke.com
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