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Feel the passion of Gustave Le Gray in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Gustave Le Gray
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Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Gustave Le Gray

1820   -   1884
Photography

Light, clouds, water. A gnarled oak, sunbursts on boulders in the light forest. In the mid-19th century, photography was a condescendingly ridiculed craft that tried to keep up with painting, that wanted to use machines to depict the world. And an art that performed the miracle of seeing the world in black and white gray.

A life like from a novel that serves all the usual romantic artist clichés. Frenchman, artist, bon vivant, inventor, tinkerer ... Gustave Le Gray (1820-1884) fits there, in his time and in France, where he was born and learned painting, in Rome and Italy, where the young man, as in the classical Bildungsroman and like Byron or Stendhal, approached the "great art", fell in love with the Italian Palmira Maddalena Gertrude Leonardi (whom one imagines involuntarily like Sophia Loren; in fact, she looks rather shyly cute in the photograph preserved of her), married her and fathered six children with her. He fits in Paris in the middle of the 19th century, where he turns to the brand-new photography, develops technical procedures as one of its pioneers, is a successful court photographer of the French king, of European nobility and bourgeoisie, opens a "photo studio", goes bankrupt with it - the cliché of an artist - and - the life cliché does not stop! - leaves his wife and children, flees from creditors to the south, travels around the Mediterranean with Alexandre Dumas and works as a war photographer for the French in Syria. His wife struggles to earn 50 francs a month in alimony. How does one imagine the last twenty years, his time in Cairo? A - in Le Gray's imaginary world - modest existence as an art teacher and photographer, past the "great" time as a celebrated photo artist, a few commissions from the Egyptian Viceroy, a liaison with nineteen-year-old Anaïs Candounia, the son of the two is born a year before Le Gray's death.

He became internationally famous for his photographs of the sea: Surf, waves, piers, sailing ships under and in front of a sky streaked with clouds and broken by sunlight, sun glow on the sea - photographs that could not really have existed at the time. Le Gray photographed with collodion wet plates, a precursor to analog celluloid film. The wet glass plate, coated with a collodion compound and dipped in a silver nitrate solution, was placed in a cassette in the camera. Color fidelity and light sensitivity were very limited. Anyone photographing a ship at sea in the mid-19th century would usually find the sky overexposed, blurred, and almost white. For his marine images, Le Gray invented photo montage, in which he developed several combined negatives into one photograph. Sea and sky photos were often not even taken in the same place or at the same time. By 1868, these images were so famous that they were included in the collection of the Victoria and Albert Museum. Although today only insiders know Gustave Le Gray's name, his photographs - including the gnarled beauties of Fontainebleau, the forest that is both jungle and park - fetch top prices of up to 700,000 euros.

Gustave Le Gray

1820   -   1884
Photography

Light, clouds, water. A gnarled oak, sunbursts on boulders in the light forest. In the mid-19th century, photography was a condescendingly ridiculed craft that tried to keep up with painting, that wanted to use machines to depict the world. And an art that performed the miracle of seeing the world in black and white gray.

A life like from a novel that serves all the usual romantic artist clichés. Frenchman, artist, bon vivant, inventor, tinkerer ... Gustave Le Gray (1820-1884) fits there, in his time and in France, where he was born and learned painting, in Rome and Italy, where the young man, as in the classical Bildungsroman and like Byron or Stendhal, approached the "great art", fell in love with the Italian Palmira Maddalena Gertrude Leonardi (whom one imagines involuntarily like Sophia Loren; in fact, she looks rather shyly cute in the photograph preserved of her), married her and fathered six children with her. He fits in Paris in the middle of the 19th century, where he turns to the brand-new photography, develops technical procedures as one of its pioneers, is a successful court photographer of the French king, of European nobility and bourgeoisie, opens a "photo studio", goes bankrupt with it - the cliché of an artist - and - the life cliché does not stop! - leaves his wife and children, flees from creditors to the south, travels around the Mediterranean with Alexandre Dumas and works as a war photographer for the French in Syria. His wife struggles to earn 50 francs a month in alimony. How does one imagine the last twenty years, his time in Cairo? A - in Le Gray's imaginary world - modest existence as an art teacher and photographer, past the "great" time as a celebrated photo artist, a few commissions from the Egyptian Viceroy, a liaison with nineteen-year-old Anaïs Candounia, the son of the two is born a year before Le Gray's death.

He became internationally famous for his photographs of the sea: Surf, waves, piers, sailing ships under and in front of a sky streaked with clouds and broken by sunlight, sun glow on the sea - photographs that could not really have existed at the time. Le Gray photographed with collodion wet plates, a precursor to analog celluloid film. The wet glass plate, coated with a collodion compound and dipped in a silver nitrate solution, was placed in a cassette in the camera. Color fidelity and light sensitivity were very limited. Anyone photographing a ship at sea in the mid-19th century would usually find the sky overexposed, blurred, and almost white. For his marine images, Le Gray invented photo montage, in which he developed several combined negatives into one photograph. Sea and sky photos were often not even taken in the same place or at the same time. By 1868, these images were so famous that they were included in the collection of the Victoria and Albert Museum. Although today only insiders know Gustave Le Gray's name, his photographs - including the gnarled beauties of Fontainebleau, the forest that is both jungle and park - fetch top prices of up to 700,000 euros.

Artworks by Gustave Le Gray

Artworks by Gustave Le Gray

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Gustave Le Gray
 
1857 |

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Gustave Le Gray
[Oak Tree and Rocks, Forest of F...
Undated | photograph

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Gustave Le Gray
Standing Female Nude, c.1855
Undated | albumen print, mounted

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Gustave Le Gray
Nu féminin allongé sur un canapé...
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Gustave Le Gray
Louis Napoleon Bonaparte (1808-1...
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Gustave Le Gray
An Effect of the Sun, Normandy c...
Undated | sepia photograph

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Gustave Le Gray
 
1856 |

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Gustave Le Gray
Brig on the Water, 1856.
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Gustave Le Gray
Saint-Etienne du Mont church, wi...
Undated | stained glass

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Gustave Le Gray
 
Undated | Albumen print, No. 17 from the Vistas del Mar album

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Gustave Le Gray
Camel lying down, c.1866 (photog...
1866 | photogravure

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Gustave Le Gray
Beech Tree, Forest of Fontainebl...
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Gustave Le Gray
[The Great Wave, Sète], 1857.
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Gustave Le Gray
Barricade of General Turr, Via T...
1860 | black and white photograph

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Gustave Le Gray
Untitled [cavalry], 1857.
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Gustave Le Gray
The Great Wave, Sète, 1857.
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Gustave Le Gray
[A Gentleman, possibly Frédéric ...
Undated | daguerreotype

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Gustave Le Gray
 
1856 |

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Gustave Le Gray
The Pont du Carrousel, Paris: Vi...
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Gustave Le Gray
The Ramparts of Carcassonne, 1851.
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Gustave Le Gray
Destruction of the Castres Quart...
1860 | black and white photograph

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Auguste Mestral
 
Undated | salted paper print from waxed paper negative

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Gustave Le Gray
[View of the Seine, Paris], 1857.
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Gustave Le Gray
The Imperial Yacht 'La Reine Hor...
1856 | sepia photograph

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Gustave Le Gray
[An Italian Street Musician], ca...
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Gustave Le Gray
Pyramides de Gizèh, 1865-69.
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Gustave Le Gray
Solar Effect - Ocean, 1857 (albu...
1857 | albumen print from a collodion-on-glass negative

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Gustave Le Gray
The Sun at its Zenith, Normandy,...
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Gustave Le Gray
The Salon of 1852, 1852.
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Gustave Le Gray
The Jetty at Sète, 1857.
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Gustave Le Gray
Hollow Oak Tree, Fontainebleau, ...
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Gustave Le Gray
The Steamboat, 1856.
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Gustave Le Gray
Breakwater at Sete, c.1855 (albu...
Undated | albumen print from a collodion-on-glass negative

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Gustave Le Gray
Brig on the Water, 1856
1856 | albumen print from wet-collodion-on-glass negative

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Gustave Le Gray
La Reine Hortense - Yacht de l'e...
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Gustave Le Gray
Seascape, Normandy, 185657.
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Gustave Le Gray
The Raised Flag of the Zouave Re...
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Gustave Le Gray
Portrait de Louis-Napoléon Bonap...
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Gustave Le Gray
Portail milieu d'Aubeterre, 1851.
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Gustave Le Gray
The Tugboat, 185657.
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Gustave Le Gray
Prince Moskova at Chalons, 1857.
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Gustave Le Gray
 
Undated | Albumen print, from the album Vistas del Mar

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Gustave Le Gray
Hotel de Cluny, Paris, ca. 1851.
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Gustave Le Gray
Tree Study, Forest of Fontainebl...
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Gustave Le Gray
L'impératrice Eugénie en prière,...
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Gustave Le Gray
Fête de S. A. Ismaïl Pacha à bor...
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Gustave Le Gray
[View from Photographer's Studio...
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Gustave Le Gray
The French and English Fleets, C...
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Gustave Le Gray
 
1857 |

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Gustave Le Gray
[Zouaves, Camp de Châlons], 1857.
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Gustave Le Gray
Chalons Encampment: Maneuvers on...
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Gustave Le Gray
Portrait of Edmond Cottinet 1824...
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Gustave Le Gray
 
Undated | Albumen print, from the album Vistas del Mar

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Gustave Le Gray
Fontainebleau, chemin sablonneux...
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Gustave Le Gray
Temple of Edfu, 1867.
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Gustave Le Gray
 
Undated | Albumen print, from the album Vistas del Mar

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Gustave Le Gray
[Soldier and Military Camel], 18...
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Gustave Le Gray
Untitled Zouaves, 1857.
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Gustave Le Gray
[Cavalry Maneuvers, Camp de Châl...
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Gustave Le Gray
 
Undated | albumen print

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Gustave Le Gray
Maneuvers, Camp de Châlons, 1857.
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Gustave Le Gray
 
1856 |

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Gustave Le Gray
Le soleil couronné, Normandie, 1...
1856 | albumen print from wet collodion negative

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Gustave Le Gray
Mer Méditerranée - Sète, 1857.
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Gustave Le Gray
The Beach at Sainte-Adresse, 185...
1856 | albumen print

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Gustave Le Gray
Untitled [Painting of The Campfi...
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Gustave Le Gray
 
1851 | Unknown

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Gustave Le Gray
Pathway in the Forest of Fontain...
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Gustave Le Gray
La for?t de Fontainebleau (The F...
Undated | Salt print from a wax paper negative

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Gustave Le Gray
Light-Infantry Soldiers, Camp de...
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Gustave Le Gray
Solar Effect in the Clouds-Ocean...
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Gustave Le Gray
 
1855 | Photo

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Gustave Le Gray
Untitled Zouaves, 1857.
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Gustave Le Gray
Zouave Storyteller (Le recit)
Undated | Albumen print, from the album "Souvenirs du Camp de Châlons"

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Gustave Le Gray
Brig on the Water, 1856.
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Gustave Le Gray
 
Undated | albumen print from glass negative

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Gustave Le Gray
 
Undated | Albumen print, No. 10 from the album Vistas del Mar

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Gustave Le Gray
Vue de la Plaine de Thèbes prise...
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Gustave Le Gray
Cavalry Maneuvers, Camp de Châlo...
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Gustave Le Gray
The Port and City of Sète-Medite...
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Gustave Le Gray
Officers Seated at a Tent, Camp ...
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Gustave Le Gray
Untitled [officers and dignitari...
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Gustave Le Gray
Solar Effect in the Clouds--Ocea...
1850 |

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Gustave Le Gray
Untitled [Zouaves], 1857.
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Gustave Le Gray
Cloudy Sky, Mediterranean Sea, 1857
1857 | albumen print

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Gustave Le Gray
Untitled [Zouaves], 1857.
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Gustave Le Gray
 
Undated | Albumen print, from the album Vistas del Mar

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Gustave Le Gray
Portrait de Pitre-Chevalier, ca....
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Gustave Le Gray
The Beech Tree, c.1855-7 (b/w ph...
Undated | black and white photograph

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Gustave Le Gray
Preparation of the Emperor's Tab...
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Gustave Le Gray
 
Undated | Albumen print, from the album "Souvenirs du Camp de Châlons"

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Gustave Le Gray
Bas-Bréau, Forest of Fontaineble...
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Gustave Le Gray
The Beach at Sainte-Adresse, wit...
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Gustave Le Gray
Scène près d'un étang au moulin ...
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Gustave Le Gray
Zouave Storyteller Le recit, 1857.
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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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