James Abbott McNeill Whistler | Page 33

James Abbott McNeill Whistler | Page 33

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James Abbott McNeill Whistler
The Little Forge
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Figures by a fountain
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Silk Dress
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Blanchissage a Cologne
Undated | pencil on white paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Marchande de Moutarde
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Chalk on blue laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black with graphite on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Little Wapping The Little Rother...
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Print, Drouet
1859 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Dog on the Kennel.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Title Page for Douze Eaux Fo...
Undated | etching

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James Abbott McNeill Whistler
The Towing-Path.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Steps, Lyme Regis, 18...
Undated | lithograph

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James Abbott McNeill Whistler
Staircase panel, 1876.
Undated | oil painting

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Vauxhall Bridge, 1861.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Pool, 1861 (etching o...
1861 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Tall Bridge, 1878 (lithotint...
1878 | Lithotint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Mill
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1870 | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Twelve Etchings from Nature: La ...
Undated | etching/etching/etching

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James Abbott McNeill Whistler
The Little Pool, 1861.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio, c1879, 1904
1879 | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Street at Saverne.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two Women.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Shoemaker.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Street in Saverne, 1858
1858 | etching in dark brown ink on pale blue backing

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Blacksmith, 1895-1896 (litho...
1895 | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Study, 1895.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Annie.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Lime-Burner, 1859.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Girl.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Figure Study.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Menpes Children.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Adam and Eve Tavern, Old Chelsea.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with drypoint and foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with drypoint in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on off-white Japanese paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in various black inks, with stumping, on grayish ivory China paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Giorgio
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in brown ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in brownish-black ink on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drawing; chalk and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on oatmeal laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
La Jolie New Yorkaise
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on green laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Mère Gérard
Undated | etching in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two figures
Undated | Pencil on beige wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Whistler with a hat
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Enfant de Choeur de Cologne
Undated | pencil on white paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint and scraped cancellation, in black ink on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in black ink, with scraping and incising, on a prepared half-tint ground, on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory wove paper

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in brown ink on ivory laid paper

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James Abbott McNeill Whistler
Choose picture


James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on ivory Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Street at Saverne, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Tiny Pool, [1879].
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Fulham Chelsea, 20th century.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
 
Undated | etching, drypoint and carbon ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Garden, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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Page 33 / 47



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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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