Feel the passion of James Baker Pyne in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of James Baker Pyne in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
James Baker Pyne
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of James Baker Pyne

These artworks are particularly popular with our customers.

Brothers Water, detail of ice sk...
1853 | colour lithograph

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South Corridor, Windsor Castle, ...
1838 | chromolithograph

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Grasmere from Langdale Fell, fro...
1853 | colour lithograph

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The most popular works of James Baker Pyne

These artworks are particularly popular with our customers.


Discover more artworks by James Baker Pyne

Discover more artworks by James Baker Pyne

113 artworks found
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James Baker Pyne
The Island of Murano, 1867-69
Undated | oil on canvas

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James Baker Pyne
In the Tyrol (wc on wove paper)
Undated | watercolour on wove paper

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James Baker Pyne
Bristol
Undated | colour lithograph

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James Baker Pyne
The Library, Windsor Castle, 1838
1838 | colour lithograph

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James Baker Pyne
St George's Hall, Windsor Castle...
1838 | colour lithograph

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James Baker Pyne
The Crimson Drawing Room, Windso...
1838 | chromolithograph

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James Baker Pyne
Figures Sketching near the Avon ...
Undated | pencil and watercolour heightened with white on paper

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James Baker Pyne
Angle of the East Corridor, Wind...
1838 | chromolithograph

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James Baker Pyne
Bacharach am Rhein, 1865
1865 | oil on canvas

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James Baker Pyne
Landscape (ink and colour on cloth)
Undated | ink and colour on cloth

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James Baker Pyne
Brothers Water, from 'The Englis...
1853 | colour lithograph

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James Baker Pyne
Thirlmere, Cumberland, 1869
1869 | oil on canvas

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James Baker Pyne
The Queen's Private Sitting Room...
1838 | chromolithograph

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James Baker Pyne
 
Undated | Oil on canvas fixed on plate

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James Baker Pyne
The Queen's private sitting room...
1838 | chromolithograph

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James Baker Pyne
Eastern view of the Castle and G...
1838 | colour lithograph

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James Baker Pyne
Wast Water, from 'The English La...
1853 | colour lithograph

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James Baker Pyne
San Benedetto Looking Toward Fus...
Undated | oil on canvas

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James Baker Pyne
Castlerigg Stone Circle near Kes...
1853 | colour lithograph

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James Baker Pyne
St. Michaels Mount, c1830s, 1920.
1830 |

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James Baker Pyne
Langdale Pikes, from 'The Englis...
1853 | colour lithograph

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James Baker Pyne
Windsor Castle: from the Thames,...
Undated |

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James Baker Pyne
Windermere: from Orrest Head
Undated |

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James Baker Pyne
View of Venice, 1867
1867 | watercolour on paper

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James Baker Pyne
Marina Grande, Sorrento
Undated | oil on canvas

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James Baker Pyne
Bristol Harbour, mid 19th centur...
1942 | watercolour

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James Baker Pyne
'A Peep at the Metropolis from H...
1841 | oil painting

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James Baker Pyne
South East View of Windsor Castl...
1838 | chromolithograph

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James Baker Pyne
Florence, 1839, 1918
1839 | watercolour

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James Baker Pyne
Interior of St George's Chapel, ...
1838 | colour lithograph

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James Baker Pyne
 
Undated | oil on panel

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James Baker Pyne
Eruption of Mt.Vesuvius, 1856
Undated |

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James Baker Pyne
 
Undated | oil on canvas

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James Baker Pyne
Tenby
Undated | watercolour on paper

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James Baker Pyne
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James Baker Pyne
 
Undated | graphite, watercolour, bodycolour and varnish on wove paper

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James Baker Pyne
Village on the Bank of a Lake (w...
Undated | watercolour on card

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James Baker Pyne
On The Rhine, 1852
1852 |

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James Baker Pyne
The Aqueduct at Arricia, Near Ro...
1866 | oil on panel

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James Baker Pyne
Barge by a lock gate, Windsor be...
Undated | oil

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James Baker Pyne
Littlehampton Pier on the Sussex...
Undated | oil on canvas

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James Baker Pyne
 
Undated | oil on canvas

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James Baker Pyne
Bristol Riots: The Burning of La...
Undated | oil on paper

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James Baker Pyne
San Benedetto Looking Toward Fus...
Undated | oil on canvas

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James Baker Pyne
View from the Mendips, c.1840 (o...
Undated | oil on canvas

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James Baker Pyne
The Ribble from Red Seat (oil on...
Undated | oil on canvas

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James Baker Pyne
Building A Pier (pencil on off-w...
Undated | pencil on off-white paper

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James Baker Pyne
View of the River Thames from Ri...
1835 | oil on canvas

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James Baker Pyne
Lake Windermere from Orrest Head...
1849 | oil on canvas

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James Baker Pyne
In The Tyrol (watercolour on off...
Undated | watercolour on off-white paper

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James Baker Pyne
Hauling in the Nets (wc heighten...
Undated | watercolour heightened with bodycolour

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James Baker Pyne
 
Undated | oil on paper

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James Baker Pyne
Bristol Riots: Warehouse from Wa...
Undated | oil on paper

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James Baker Pyne
Lower Ward with a view of St Geo...
1838 | colour lithograph

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James Baker Pyne
Landscape
Undated | oil on canvas

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James Baker Pyne
Kinder bei der Heuernte Getreide...
1870 | Unknown

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James Baker Pyne
Syon House, on the Thames (water...
Undated | watercolour on paper

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James Baker Pyne
'Laying Monster Tubes from the N...
1820 | oil painting

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James Baker Pyne
State arrival of a royal visitor...
1838 | colour lithograph

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James Baker Pyne
The Harbour, Littlehampton, 1851
1851 | oil on canvas

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James Baker Pyne
 
Undated | oil on canvas

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James Baker Pyne
West side of Queen Square, after...
Undated | Pencil and watercolour on paper

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James Baker Pyne
Langdale Pikes, detail of the ta...
1853 | color lithograph

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James Baker Pyne
 
Undated | oil on board

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James Baker Pyne
Valley Of The Rhone With The Cit...
Undated | watercolour and gouache on off-white paper

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James Baker Pyne
On the Rhine, 1852
1852 | watercolour

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James Baker Pyne
 
Undated | oil on paper

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James Baker Pyne
Landscape, Porth-yr-ogof, Vale o...
Undated | oil on canvas

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James Baker Pyne
 
undatiert | oil on canvas

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James Baker Pyne
Lago Maggiore
1860 | oil on canvas

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James Baker Pyne
 
Undated | oil on panel

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James Baker Pyne
Spielende Kinder an der Küste
1870 | Unknown

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James Baker Pyne
 
Undated | oil on canvas

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James Baker Pyne
Bristol Riots: Burning Toll Hous...
Undated | oil on paper

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James Baker Pyne
Bristol Riots: The Burning of th...
Undated | oil on paper

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James Baker Pyne
 
1847 | Oil on cardboard

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James Baker Pyne
Ruins of the Mansion House and C...
Undated | Pencil and watercolour on paper

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James Baker Pyne
Lago Maggiore (?) (oil on canvas)
Undated | oil on canvas

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James Baker Pyne
Portrait of William Hunter
Undated | engraving

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James Baker Pyne
 
Undated |

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James Baker Pyne
Clearing Up For Fine Weather, Be...
Undated | oil on canvas

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James Baker Pyne
 
Undated | oil on panel

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James Baker Pyne
 
Undated | oil on canvas

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James Baker Pyne
 
Undated | oil on canvas

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James Baker Pyne
Lago Maggiore (?) c.1860 (oil on...
Undated | oil on canvas

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James Baker Pyne
St Augustine's Church (pencil on...
Undated | pencil on paper

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James Baker Pyne

  December 5, 1800
  July 29, 1870
   •   Landscape painting   •   Wikipedia: James Baker Pyne

The birthplace of James Baker Pyne, Bristol, shaped the first creative period of the painter. Like many of his contemporaries, Pyne was fascinated by the romantic view of the world. He found his inspiration in the Romantic painting ofFrancis Danby , who gathered a number of artists around him in Bristol. In the 1820s the group of artists around Danby made regular excursions for inspiration in the immediate vicinity of Bristol. The so-called School of Bristol developed an atmospherically dense style of landscape painting, which mainly took up local motifs. Nature appears here as a resting antipole to the world of man, which it confronts in idealized form, as poetic landscapes. James Baker Pyne was so fascinated by romantic painting that he decided to become a painter himself. He did not attend an academy or art school, but approached painting as an autodidact. The Bristol School gave the artist the opportunity to discuss artistic aspects and techniques with like-minded people. The representation of nature became a central theme for him. Pyne quickly developed into one of Bristol's most talented students. In 1824 Pyne's oil paintings were first presented to the public at an exhibition in Bristol. In the 1830s, the experience of the modern metropolis London led to a departure from the picturesque landscape painting of the Bristol School. Industrialisation, starting in England, conquered the world and created new realities. These experiences now also shaped Pyne's work and led to new stylistic elements. In London Pyne met William Turner, who gave a new direction to romantic painting with his expressive style. In Tuner's work, landscapes blur into color impressions. The materiality dissolves in favor of imaginary emotional landscapes. The reality of the new era enters the poetic landscapes. In Turner's work, railways, bridges and modern industrial plants appear. For Pyne this encounter with Turner was groundbreaking for his redefinition of landscape in his paintings. The poetic landscapes of his early work changed into expressive landscape depictions that also reflect the profound changes of the times.

James Baker Pyne

  December 5, 1800
  July 29, 1870
   •   Landscape painting   •   Wikipedia: James Baker Pyne

The birthplace of James Baker Pyne, Bristol, shaped the first creative period of the painter. Like many of his contemporaries, Pyne was fascinated by the romantic view of the world. He found his inspiration in the Romantic painting ofFrancis Danby , who gathered a number of artists around him in Bristol. In the 1820s the group of artists around Danby made regular excursions for inspiration in the immediate vicinity of Bristol. The so-called School of Bristol developed an atmospherically dense style of landscape painting, which mainly took up local motifs. Nature appears here as a resting antipole to the world of man, which it confronts in idealized form, as poetic landscapes. James Baker Pyne was so fascinated by romantic painting that he decided to become a painter himself. He did not attend an academy or art school, but approached painting as an autodidact. The Bristol School gave the artist the opportunity to discuss artistic aspects and techniques with like-minded people. The representation of nature became a central theme for him. Pyne quickly developed into one of Bristol's most talented students. In 1824 Pyne's oil paintings were first presented to the public at an exhibition in Bristol. In the 1830s, the experience of the modern metropolis London led to a departure from the picturesque landscape painting of the Bristol School. Industrialisation, starting in England, conquered the world and created new realities. These experiences now also shaped Pyne's work and led to new stylistic elements. In London Pyne met William Turner, who gave a new direction to romantic painting with his expressive style. In Tuner's work, landscapes blur into color impressions. The materiality dissolves in favor of imaginary emotional landscapes. The reality of the new era enters the poetic landscapes. In Turner's work, railways, bridges and modern industrial plants appear. For Pyne this encounter with Turner was groundbreaking for his redefinition of landscape in his paintings. The poetic landscapes of his early work changed into expressive landscape depictions that also reflect the profound changes of the times.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
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