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Passionate Customer Service Museum Quality Art Prints Customization Options Available.jpg "Landscape with a Grazing Horse, 1912-13 by James Dickson Innes")
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_-_(MeisterDrucke-1129726).jpg "Thunder in the Mountains by James Dickson Innes")
_-_(MeisterDrucke-1129726).jpg)
.jpg "At the Theatre by James Dickson Innes")
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.jpg "Crucifixion by James Dickson Innes")
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.jpg "From Collieure by James Dickson Innes")
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.jpg "The Corner of a Room by James Dickson Innes")
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.jpg "Spanish Landscape by James Dickson Innes")
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.jpg "Olives at Collioure by James Dickson Innes")
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.jpg "The Rock Pool, 1911 by James Dickson Innes")
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.jpg "Canigou in Snow by James Dickson Innes")
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.jpg "Deep Twilight, Pyrenees by James Dickson Innes")
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.jpg "Arenig Fawr, North Wales, c.1911 by James Dickson Innes")
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.jpg "The Town of Collioure, c.1908 by James Dickson Innes")
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_-_(MeisterDrucke-906236).jpg "Deep Twilight, Pyrenees by James Dickson Innes")
_-_(MeisterDrucke-906236).jpg)
.jpg "Nant Ddu, c.1911 by James Dickson Innes")
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_-_(MeisterDrucke-901948).jpg "View from the White Hart, Guestling, Sussex by James Dickson Innes")
_-_(MeisterDrucke-901948).jpg)
.jpg "Arenig Sunset by James Dickson Innes")
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_-_(MeisterDrucke-1466351).jpg "The Ring, c.1912 by James Dickson Innes")
_-_(MeisterDrucke-1466351).jpg)
_(watercolor_gouache_on_paper)_-_(MeisterDrucke-902682).jpg "The Dark Mountains (Brecon Beacons) by James Dickson Innes"){kind=tracking}
_(watercolor_gouache_on_paper)_-_(MeisterDrucke-902682).jpg){kind=tracking}
_-_(MeisterDrucke-1133953).jpg "Deep Twilight by James Dickson Innes")
_-_(MeisterDrucke-1133953).jpg)
.jpg "Provencal Landscape by James Dickson Innes")
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.jpg "A Scene in a Theatre: A Performance Seen from a Box in which Three Figures are Standing, 1908 by James Dickson Innes")
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_-_(MeisterDrucke-1126517).jpg "Collioure, Canigoure in the Distance by James Dickson Innes")
_-_(MeisterDrucke-1126517).jpg)
_-_(MeisterDrucke-1483538).jpg "Pembroke Coast by James Dickson Innes")
_-_(MeisterDrucke-1483538).jpg)
.jpg "Seascape by James Dickson Innes")
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_-_(MeisterDrucke-1117790).jpg "Sunset, Sierra da Ronda by James Dickson Innes")
_-_(MeisterDrucke-1117790).jpg)
_-_(MeisterDrucke-906728).jpg "In the Pyrenees, c.1911 by James Dickson Innes")
_-_(MeisterDrucke-906728).jpg)
.jpg "Collioure by James Dickson Innes")
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.jpg "Girl Standing by a Lake by James Dickson Innes")
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.jpg "Arenig by James Dickson Innes")
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 - (MeisterDrucke-649698).jpg "Rhyd-y-Fen by James Dickson Innes")
 - (MeisterDrucke-649698).jpg)
.jpg "Tour Madeloc, 1910 by James Dickson Innes")
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.jpg "The Blue Pool, Dorset by James Dickson Innes")
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_-_(MeisterDrucke-1484635).jpg "Provencal Landscape by James Dickson Innes")
_-_(MeisterDrucke-1484635).jpg)
.jpg "Collioure by James Dickson Innes")
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.jpg "Tour Madeloc, 1913 by James Dickson Innes")
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_-_(MeisterDrucke-1483794).jpg "Arenig by James Dickson Innes")
_-_(MeisterDrucke-1483794).jpg)
_-_(MeisterDrucke-1484630).jpg "Llanelli from Furnace Quarry by James Dickson Innes")
_-_(MeisterDrucke-1484630).jpg)
.jpg "Blue Mediterranean by James Dickson Innes")
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_-_(MeisterDrucke-1484851).jpg "French Landscape by James Dickson Innes")
_-_(MeisterDrucke-1484851).jpg)
.jpg "Landscape with a Grazing Horse by James Dickson Innes")
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.jpg "The Cathedral at Elne by James Dickson Innes")
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_-_(MeisterDrucke-1511326).jpg "Girl Standing by a Lake by James Dickson Innes")
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For the economic success of British artists in the 19th century it was necessary to be a member of at least one of the well-known artist associations in Great Britain. The more traditional artists, following the cultural and political dictates of the Victorian age, were admitted to the Royal Academy by invitation. Even if the name suggests it, the Royal Academy was only under the patronage of the royal family, financial support did not flow. The second association, the New English Art Club - NEAC for short - was not founded until 1885 in London as an alternative to the Royal Academy. Especially in its early years, the NEAC was a gathering place for the "young wild" artists and art students who showed influences from the continent in their work and left the "English traditions" behind.
One of these "Young Savages" was the artist James Dickson Innes. As a young man, the Welsh man with Scottish-Catalan roots experienced the advances of the late 19th century. James Dickson Innes took his first steps towards becoming a trained painter while still in Wales at the Carmarthen Art School. There he was among the best in his class and was able to transfer to London's Slade School with a small scholarship.
His expression in the picture has raw-looking features. The technique is often simple and strongly reminiscent of the Fauvists or Expressionists of the continent. The works in oil or with watercolours are often similarly structured. Dramatically designed skies lie over wide landscapes. Rivers meander over winding waterfalls away from the viewer or towards the viewer. The brushwork is broad and with the use of large amounts of paint, similar to the late paintings of Henri Matisse. His fine chalk sketches and guachas are quite different. With great attention to detail and subtle use of light and shadow, he opens up rooms or city views to the viewer. In the pictures one often recognizes the mixture of these techniques - unusual for works from this time. People are rarely found in his motifs and if so, they are depicted overlong. Sometimes only at a second glance, they emerge from the background. His study trips led the son of a historian from his beloved Wales first to the European mainland. He travelled to France and Spain. For study purposes he lived in Paris for several years.
From 1911 he decided to settle in the north of Wales together with his friend from Parisian days, Augustus John. There they wanted to live out the romantic idea of an artistic existence: To live a Spartan life, entirely devoted to documenting the beauty of the landscape. Unfortunately, James Dickson Innes did not have a long artistic career. The Welsh painter died at only 27 years of tuberculosis. Most of his paintings are in the collection of the National Museum of Wales.
For the economic success of British artists in the 19th century it was necessary to be a member of at least one of the well-known artist associations in Great Britain. The more traditional artists, following the cultural and political dictates of the Victorian age, were admitted to the Royal Academy by invitation. Even if the name suggests it, the Royal Academy was only under the patronage of the royal family, financial support did not flow. The second association, the New English Art Club - NEAC for short - was not founded until 1885 in London as an alternative to the Royal Academy. Especially in its early years, the NEAC was a gathering place for the "young wild" artists and art students who showed influences from the continent in their work and left the "English traditions" behind.
One of these "Young Savages" was the artist James Dickson Innes. As a young man, the Welsh man with Scottish-Catalan roots experienced the advances of the late 19th century. James Dickson Innes took his first steps towards becoming a trained painter while still in Wales at the Carmarthen Art School. There he was among the best in his class and was able to transfer to London's Slade School with a small scholarship.
His expression in the picture has raw-looking features. The technique is often simple and strongly reminiscent of the Fauvists or Expressionists of the continent. The works in oil or with watercolours are often similarly structured. Dramatically designed skies lie over wide landscapes. Rivers meander over winding waterfalls away from the viewer or towards the viewer. The brushwork is broad and with the use of large amounts of paint, similar to the late paintings of Henri Matisse. His fine chalk sketches and guachas are quite different. With great attention to detail and subtle use of light and shadow, he opens up rooms or city views to the viewer. In the pictures one often recognizes the mixture of these techniques - unusual for works from this time. People are rarely found in his motifs and if so, they are depicted overlong. Sometimes only at a second glance, they emerge from the background. His study trips led the son of a historian from his beloved Wales first to the European mainland. He travelled to France and Spain. For study purposes he lived in Paris for several years.
From 1911 he decided to settle in the north of Wales together with his friend from Parisian days, Augustus John. There they wanted to live out the romantic idea of an artistic existence: To live a Spartan life, entirely devoted to documenting the beauty of the landscape. Unfortunately, James Dickson Innes did not have a long artistic career. The Welsh painter died at only 27 years of tuberculosis. Most of his paintings are in the collection of the National Museum of Wales.
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_-_(MeisterDrucke-1466659).jpg "Bala Lake by James Dickson Innes")
.jpg "Canigou by James Dickson Innes")
.jpg "Sunset in the Pyrenees by James Dickson Innes")
.jpg "The Moelwyns from Llan Ffestiniog by James Dickson Innes")