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Feel the passion of James Dickson Innes in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
James Dickson Innes
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
James Dickson Innes

James Dickson Innes

    February 27, 1887   -   August 22, 1914
Expressionism   •   Wikipedia: James Dickson Innes

For the economic success of British artists in the 19th century it was necessary to be a member of at least one of the well-known artist associations in Great Britain. The more traditional artists, following the cultural and political dictates of the Victorian age, were admitted to the Royal Academy by invitation. Even if the name suggests it, the Royal Academy was only under the patronage of the royal family, financial support did not flow. The second association, the New English Art Club - NEAC for short - was not founded until 1885 in London as an alternative to the Royal Academy. Especially in its early years, the NEAC was a gathering place for the "young wild" artists and art students who showed influences from the continent in their work and left the "English traditions" behind.

One of these "Young Savages" was the artist James Dickson Innes. As a young man, the Welsh man with Scottish-Catalan roots experienced the advances of the late 19th century. James Dickson Innes took his first steps towards becoming a trained painter while still in Wales at the Carmarthen Art School. There he was among the best in his class and was able to transfer to London's Slade School with a small scholarship.

His expression in the picture has raw-looking features. The technique is often simple and strongly reminiscent of the Fauvists or Expressionists of the continent. The works in oil or with watercolours are often similarly structured. Dramatically designed skies lie over wide landscapes. Rivers meander over winding waterfalls away from the viewer or towards the viewer. The brushwork is broad and with the use of large amounts of paint, similar to the late paintings of Henri Matisse. His fine chalk sketches and guachas are quite different. With great attention to detail and subtle use of light and shadow, he opens up rooms or city views to the viewer. In the pictures one often recognizes the mixture of these techniques - unusual for works from this time. People are rarely found in his motifs and if so, they are depicted overlong. Sometimes only at a second glance, they emerge from the background. His study trips led the son of a historian from his beloved Wales first to the European mainland. He travelled to France and Spain. For study purposes he lived in Paris for several years.

From 1911 he decided to settle in the north of Wales together with his friend from Parisian days, Augustus John. There they wanted to live out the romantic idea of an artistic existence: To live a Spartan life, entirely devoted to documenting the beauty of the landscape. Unfortunately, James Dickson Innes did not have a long artistic career. The Welsh painter died at only 27 years of tuberculosis. Most of his paintings are in the collection of the National Museum of Wales.

James Dickson Innes

    February 27, 1887   -   August 22, 1914
Expressionism   •   Wikipedia: James Dickson Innes James Dickson Innes

For the economic success of British artists in the 19th century it was necessary to be a member of at least one of the well-known artist associations in Great Britain. The more traditional artists, following the cultural and political dictates of the Victorian age, were admitted to the Royal Academy by invitation. Even if the name suggests it, the Royal Academy was only under the patronage of the royal family, financial support did not flow. The second association, the New English Art Club - NEAC for short - was not founded until 1885 in London as an alternative to the Royal Academy. Especially in its early years, the NEAC was a gathering place for the "young wild" artists and art students who showed influences from the continent in their work and left the "English traditions" behind.

One of these "Young Savages" was the artist James Dickson Innes. As a young man, the Welsh man with Scottish-Catalan roots experienced the advances of the late 19th century. James Dickson Innes took his first steps towards becoming a trained painter while still in Wales at the Carmarthen Art School. There he was among the best in his class and was able to transfer to London's Slade School with a small scholarship.

His expression in the picture has raw-looking features. The technique is often simple and strongly reminiscent of the Fauvists or Expressionists of the continent. The works in oil or with watercolours are often similarly structured. Dramatically designed skies lie over wide landscapes. Rivers meander over winding waterfalls away from the viewer or towards the viewer. The brushwork is broad and with the use of large amounts of paint, similar to the late paintings of Henri Matisse. His fine chalk sketches and guachas are quite different. With great attention to detail and subtle use of light and shadow, he opens up rooms or city views to the viewer. In the pictures one often recognizes the mixture of these techniques - unusual for works from this time. People are rarely found in his motifs and if so, they are depicted overlong. Sometimes only at a second glance, they emerge from the background. His study trips led the son of a historian from his beloved Wales first to the European mainland. He travelled to France and Spain. For study purposes he lived in Paris for several years.

From 1911 he decided to settle in the north of Wales together with his friend from Parisian days, Augustus John. There they wanted to live out the romantic idea of an artistic existence: To live a Spartan life, entirely devoted to documenting the beauty of the landscape. Unfortunately, James Dickson Innes did not have a long artistic career. The Welsh painter died at only 27 years of tuberculosis. Most of his paintings are in the collection of the National Museum of Wales.

Artworks by James Dickson Innes

Artworks by James Dickson Innes

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52 artworks found

James Dickson Innes
'Canigou', 1912
1912 | ink/watercolour

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James Dickson Innes
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James Dickson Innes
Sunset in the Pyrenees, c.1912-13
Undated |

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James Dickson Innes
Bala Lake, c.1911 (oil on panel)
Undated | oil on panel

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James Dickson Innes
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James Dickson Innes
 
Undated | oil on panel

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James Dickson Innes
Thunder in the Mountains (waterc...
Undated | watercolour over pencil on paper

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James Dickson Innes
Deep Twilight (oil on panel)
Undated | oil on panel

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James Dickson Innes
Crucifixion, 1913
1913 | oil on canvas

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James Dickson Innes
A Scene in a Theatre: A Performa...
1908 | oil on canvas

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James Dickson Innes
Deep Twilight, Pyrenees, c.1912-...
Undated | oil on panel

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James Dickson Innes
The Dark Mountains (Brecon Beaco...
Undated | watercolour and gouache with gum arabic on paper

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James Dickson Innes
Landscape with a grazing horse, ...
Undated | Oil on panel

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James Dickson Innes
Sunset, Sierra da Ronda, c.1912 ...
Undated | oil on panel

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James Dickson Innes
 
1912 | Oil on panel

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James Dickson Innes
Rhyd-y–Fen, 1911 (pen & brown in...
1911 | pen and brown ink on paper

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James Dickson Innes
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James Dickson Innes
 
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James Dickson Innes
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James Dickson Innes
Arenig Fawr, North Wales, c.1911
Undated | Oil on panel

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James Dickson Innes
The Girl in the cottage
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James Dickson Innes
'Girl standing by a lake', 1911-12
1911 | oil painting

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James Dickson Innes
Vernet (Provencal Landscape)
Undated | oil on canvas

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James Dickson Innes
In the Pyrenees, c.1911 (oil on ...
Undated | oil on panel

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James Dickson Innes
Canigou in snow
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James Dickson Innes
The Corner of a Room, 1908
1908 | oil on canvas

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James Dickson Innes
Girl standing by a lake (oil on ...
Undated | oil on panel

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James Dickson Innes
 
Undated | oil on panel

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James Dickson Innes
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James Dickson Innes
Llanelli from Furnace Quarry (wa...
Undated | watercolour on paper

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James Dickson Innes
View from the White Hart, Guestl...
Undated | oil on panel

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James Dickson Innes
Arenig (oil on panel)
Undated | oil on panel

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James Dickson Innes
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James Dickson Innes
Blue Mediterranean
Undated | oil on canvas

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James Dickson Innes
The Ring, c.1912 (oil on canvas)
Undated | oil on canvas

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James Dickson Innes
The Town of Collioure, c.1908
1908 | oil on canvas

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James Dickson Innes
Olives at Collioure, 1911
1911 | oil painting

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James Dickson Innes
 
Undated | Pencil and watercolour on paper

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James Dickson Innes
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James Dickson Innes
'Arenig', 1908-1914
1908 | oil painting

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James Dickson Innes
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James Dickson Innes
'Canigou in snow', 1908-1914
1908 | oil painting

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James Dickson Innes
Pembroke Coast (oil on panel)
Undated | oil on panel

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James Dickson Innes
'Vernet', Provencal Landscape, 1912
1912 | oil painting

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James Dickson Innes
'Collioure', 1907-1914
1907 | watercolour/ink

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James Dickson Innes
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James Dickson Innes
 
Undated |

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James Dickson Innes
Collioure, Canigoure in the Dist...
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James Dickson Innes
French landscape (oil on panel)
Undated | oil on panel

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James Dickson Innes
 
Undated | oil on panel

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James Dickson Innes
 
1910 | watercolor on paper

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James Dickson Innes
Arenig Sunset, c.1911-12
Undated | oil on panel

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James Dickson Innes
 
Undated | Watercolor, body, ink and pencil on paper

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James Dickson Innes
 
Undated | oil on canvas

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James Dickson Innes
Tamar at Calstock (watercolour a...
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James Dickson Innes
The Rock Pool, 1911
1911 | oil on panel

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James Dickson Innes
The Bead chain
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James Dickson Innes
 
1913 | oil on panel

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James Dickson Innes
From Collieure
Undated | oil on panel

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James Dickson Innes
Spanish landscape
1912 | Oil on panel

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James Dickson Innes
 
Undated | oil on panel

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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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