support@meisterdrucke.com · 0043 4257 29415
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Passionate Customer Service Museum Quality Art Prints Customization Options AvailableNestled in the rolling hills of Northamptonshire, England, James Rattray saw the light of day in 1818. Amidst this pastoral setting, the foundation was laid for the extraordinary life story of a man whose legacy as an artist and soldier continues to this day. Rattray, a young man of artistic talent and military drive, ventured far beyond the borders of his homeland to the distant lands of the Indian subcontinent and Afghanistan. His remarkable sketches, made during his service as 2nd Lieutenant of the 2nd Grenadiers of the Bengal Army, are among the valuable art prints recorded in the annals of history. In the familiar surroundings of Daventry, Rattray began his journey under the care of his parents, Charles Rattray MD, a respected physician, and Mariane Freeman. His education was distinguished by an impressive mastery of the Persian language, a skill that enabled him to communicate directly and at eye level with local people. This multicultural expertise lends an authentic depth to each of our art prints of his works, reflecting the true essence of the artist.
His military career began with his appointment as 2nd Lieutenant on December 5, 1838, the day he left England aboard the Severn. This began a journey that took him into the heart of Afghanistan, where he assisted his older brother Charles Rattray, then a captain, in the turmoil of the First Anglo-Afghan War from 1839 to 1842. One of the outstanding records of his time in Afghanistan is a delicate sketch of the tomb of Sultan Mahmud of Ghazni. This fine art print is an enchanting testament to Rattray's love of this special place that deeply impressed and inspired him. In the changing landscape of war, Rattray's sketchbooks remained a constant companion. In 1842, during the army's retreat from Kabul to Peshawar, he captured the moment when the walls and bastions of the Ali Masjid fortress exploded and turned to dust. The detailed art print of this scene is a moving testament to the volatile nature of war and the resilience of the human spirit.
After his retirement from active duty, Rattray continued his journey through the Indian subcontinent. On October 24, 1854, his adventure ended abruptly in Dorundah, Nagpore, India, where he died at the age of only 36. Through his works, we remember James Rattray as an extraordinary man whose life and art embodied a unique blend of war and beauty, of discovery and destruction. In reproducing his works as art prints, we honor his contribution to art and history and bring his story to life. His artwork is not only a tribute to the people and places he loved, but also a reminder that art, even in the darkest of times, can be a source of light and hope.
Nestled in the rolling hills of Northamptonshire, England, James Rattray saw the light of day in 1818. Amidst this pastoral setting, the foundation was laid for the extraordinary life story of a man whose legacy as an artist and soldier continues to this day. Rattray, a young man of artistic talent and military drive, ventured far beyond the borders of his homeland to the distant lands of the Indian subcontinent and Afghanistan. His remarkable sketches, made during his service as 2nd Lieutenant of the 2nd Grenadiers of the Bengal Army, are among the valuable art prints recorded in the annals of history. In the familiar surroundings of Daventry, Rattray began his journey under the care of his parents, Charles Rattray MD, a respected physician, and Mariane Freeman. His education was distinguished by an impressive mastery of the Persian language, a skill that enabled him to communicate directly and at eye level with local people. This multicultural expertise lends an authentic depth to each of our art prints of his works, reflecting the true essence of the artist.
His military career began with his appointment as 2nd Lieutenant on December 5, 1838, the day he left England aboard the Severn. This began a journey that took him into the heart of Afghanistan, where he assisted his older brother Charles Rattray, then a captain, in the turmoil of the First Anglo-Afghan War from 1839 to 1842. One of the outstanding records of his time in Afghanistan is a delicate sketch of the tomb of Sultan Mahmud of Ghazni. This fine art print is an enchanting testament to Rattray's love of this special place that deeply impressed and inspired him. In the changing landscape of war, Rattray's sketchbooks remained a constant companion. In 1842, during the army's retreat from Kabul to Peshawar, he captured the moment when the walls and bastions of the Ali Masjid fortress exploded and turned to dust. The detailed art print of this scene is a moving testament to the volatile nature of war and the resilience of the human spirit.
After his retirement from active duty, Rattray continued his journey through the Indian subcontinent. On October 24, 1854, his adventure ended abruptly in Dorundah, Nagpore, India, where he died at the age of only 36. Through his works, we remember James Rattray as an extraordinary man whose life and art embodied a unique blend of war and beauty, of discovery and destruction. In reproducing his works as art prints, we honor his contribution to art and history and bring his story to life. His artwork is not only a tribute to the people and places he loved, but also a reminder that art, even in the darkest of times, can be a source of light and hope.
.jpg "Mosque and Tomb of the Emperor Sooltaun Mahmood of Ghuznee, Plate 10 from")
.jpg)
.jpg "Temple of")
.jpg)
 King of Caubul and his Youngest Son plate 2 from Scenery Inhabitants and Costumes of Afghanistan engraved by E Walker 1848 - (MeisterDrucke-169490).jpg "Dost Mahommed (1793-1863) King of Caubul and His Youngest Son, Plate 2 from")
 King of Caubul and his Youngest Son plate 2 from Scenery Inhabitants and Costumes of Afghanistan engraved by E Walker 1848 - (MeisterDrucke-169490).jpg)
 1848 - (MeisterDrucke-170772).jpg "Kandahar Lady of Rank, Engaged in Smoking, plate 29 from")
 1848 - (MeisterDrucke-170772).jpg)
.jpg "City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from")
.jpg)
 1848 - (MeisterDrucke-191777).jpg "Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks by James Rattray")
 1848 - (MeisterDrucke-191777).jpg)
.jpg "Mosque of Goolaum Hoossein Huzrut-Jee, the Great Prophet of the Afghauns, and the Tombs of the Kings at Kandahar, plate 30 from")
.jpg)
.jpg "Ladies of Caubul in their In and Out-of-Door Costume, Plate 24 from")
.jpg)
 1848 - (MeisterDrucke-206618).jpg "Kelaut-i-Chiljie, plate 8 from Scenery, Inhabitants and Costumes of Afghanistan, engraved by R. Carrick, 1848 by James Rattray")
 1848 - (MeisterDrucke-206618).jpg)
.jpg "Bala Hissar and City of Kabul with the British Cantonments from the Ba Maroo Hill, Hostilities Commencing, plate 16 from")
.jpg)
.jpg "Meerz Fyze, an Oosbeg Elchee, or Ambassador, Plate 22 from")
.jpg)
.jpg "Jugdelluk, the Last Stand Made by General Elphinestone")
.jpg)
.jpg "Chief Executioner and Assistant of His Majesty the Late Shah, plate 14 from")
.jpg)
.jpg "Mahommed Naib Shurreef, a Celebrated Kuzzilbach Chief of Caubul and his Peshkhidmut or Head Attendant, plate 15 from")
.jpg)
.jpg "Afghan Foot Soldiers in their Winter Dress, with Entrance to the Valley of Urgundeh, plate 11 from")
.jpg)
.jpg "Town and citadel of Ghuznee, plate 18 from")
.jpg)
Page 1 / 1
+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00
+43 4257 29415 support@meisterdrucke.com Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00
