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Feel the passion of Johann Heinrich Füssli in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Johann Heinrich Füssli
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Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Johann Heinrich Füssli

These artworks are particularly popular with our customers.

The Nightmare, 1781
1781 | Oil on canvas

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The Nightmare, c.1781
Undated | oil on canvas

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Undated | oil on canvas

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The most popular works of Johann Heinrich Füssli

These artworks are particularly popular with our customers.


Discover more artworks by Johann Heinrich Füssli

Discover more artworks by Johann Heinrich Füssli

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Johann Heinrich Füssli
 
1790 | oil on canvas

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Johann Heinrich Füssli
 
1781 | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
The Witch and the Mandrake, 18th...
Undated | pencil and chalk on paper

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Johann Heinrich Füssli
The Three Witches Appearing to M...
1793 | oil painting

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Johann Heinrich Füssli
Sapphic Love,
Undated | pencil and pen and brown ink

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Reclining Nude and Woman at the ...
1799 | oil on canvas

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Johann Heinrich Füssli
The Shepherds Dream, from Paradi...
1793 | oil painting

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Johann Heinrich Füssli
 
1812 | oil painting

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Johann Heinrich Füssli
The Night-Hag Visiting Lapland W...
Undated |

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Johann Heinrich Füssli
Titania's Awakening, c.1785-90
1790 |

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
Prometheus Freed by Hercules, 17...
1781 | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
Lady Macbeth Sleepwalking, 1783
1783 | oil on canvas

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Johann Heinrich Füssli
The Witches in Macbeth
Undated | engraving

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Johann Heinrich Füssli
Tekemessa and Eurysakes, c.1800-10
Undated | oil on canvas

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Johann Heinrich Füssli
The death of Cardinal Beaufort
Undated | engraving

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Johann Heinrich Füssli
Titania Awakes, Surrounded by At...
Undated | oil on canvas

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Johann Heinrich Füssli
The Nightmare Leaving Two Sleepi...
1810 | graphite and watercolour on paper

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Johann Heinrich Füssli
'Teiresias foretells the future ...
1804 | oil painting

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
The Oath of the Rutli, 1778-1781
1778 | oil painting

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Johann Heinrich Füssli
 
1795 | Graphite on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
Satan Starts from the Touch of I...
Undated |

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Johann Heinrich Füssli
Achilles sacrificing his hair fo...
18th century | pen and ink wash on paper

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Johann Heinrich Füssli
Mad Kate, 1806-07
Undated | oil on canvas

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Johann Heinrich Füssli
Study of a Back of a Female Nude...
undatiert | Watercolor on paper

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Johann Heinrich Füssli
The Shepherds Dream, 1786
1786 |

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Johann Heinrich Füssli
The Artist in Despair over the M...
Undated | red chalk and sepia wash on paper

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Johann Heinrich Füssli
The Apotheosis of Penelope Booth...
1792 | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
The Fairy Queen Appears to Princ...
1785 | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Die Vision der Katharina von Ara...
Undated | oil on canvas

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Johann Heinrich Füssli
Ödipus verflucht seinen Sohn Pol...
Undated | oil on canvas

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Johann Heinrich Füssli
The Three Witches appearing to M...
Undated | oil on canvas

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Johann Heinrich Füssli
Ulysses Escaping from Polyphemus...
1808 | engraving

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Johann Heinrich Füssli
Fertilization of Egypt, engraved...
1791 | engraving

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Johann Heinrich Füssli
Hamlet, Act I, Scene IV, by Will...
Undated | lithograph

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Johann Heinrich Füssli
Death of Cardinal Beaufort, illu...
1772 | pen, ink and wash on paper

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Johann Heinrich Füssli
Achilles Searching for the Shade...
1803 | oil on canvas

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Johann Heinrich Füssli
Study for self-portrait, by Henr...
Undated |

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Johann Heinrich Füssli
Titania finds the magic ring on ...
Undated | oil on canvas

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Johann Heinrich Füssli
 
undatiert | oil on canvas

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Johann Heinrich Füssli
Portrait of Mrs Fuseli, 1741-1825
1760 | pencil/wash/watercolour

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Johann Heinrich Füssli
 
1815 | Graphite on paper

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Johann Heinrich Füssli
Scene of Witches from 'The Masqu...
Undated | oil on canvas

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Johann Heinrich Füssli
The Creation of Eve, 1791-93
Undated | oil on canvas

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Johann Heinrich Füssli
Titania kissing Bottom in A Mids...
Undated | engraving

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
Portrait of a Lady
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | Brush and brown and brownish-red wash, over graphite, on cream laid paper

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Johann Heinrich Füssli
Vision of the Deluge, from 'Para...
Undated | oil on canvas

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Johann Heinrich Füssli
'Here I and Sorrow Sit', Act II ...
1783 | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
The Italian Court, or Ezzelier, ...
Undated | oil on canvas

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Johann Heinrich Füssli
 
1811 | Watercolor on paper

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Johann Heinrich Füssli
 
1785 | oil on canvas

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Johann Heinrich Füssli
The Death of Oedipus, engraved b...
1785 | mezzotint

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Johann Heinrich Füssli
 
Undated | Etching and aquatint on ivory wove paper

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Johann Heinrich Füssli
Head of a Damned Soul from Dante...
Undated |

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Johann Heinrich Füssli
The Vision of the Deluge,
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
Dana? and Perseus on Seriphos(?)
Undated | oil on canvas

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Johann Heinrich Füssli
The Nightmare, 1781 (chalk on pa...
1781 | chalk on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Schweigen, 1786-99
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Milton Dictating to His Daughter...
Undated |

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Johann Heinrich Füssli
Satan touched by Ithuriel's swor...
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Johann Heinrich Füssli
The body of Sarpedon brought hom...
Undated |

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Johann Heinrich Füssli
Selling of Cupids, c.1776 (red u...
Undated | red and black chalk with graphite on paper

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Johann Heinrich Füssli
Undine Enters the House of the F...
1821 | oil on canvas

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Johann Heinrich Füssli
 
Undated | Oil and oil wash, with pen and black ink, charcoal, and touches of incising, heightened with touches of white chalk, on tan laid paper, laid down on off-white Japanese paper

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Johann Heinrich Füssli
 
1778 | Ink on paper

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Johann Heinrich Füssli
Oedipus Cursing His Son Polynice...
Undated |

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Johann Heinrich Füssli
A Mother with her Family in the ...
1806 | oil on canvas

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Johann Heinrich Füssli
Half Figure of a Courtesan with ...
Undated | pencil, watercolour and ink on paper

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Johann Heinrich Füssli
The Fire King appears to Count A...
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper

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Johann Heinrich Füssli
The Massacre of the Innocents,
Undated | Pencil, pen and brown ink, brown wash

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Johann Heinrich Füssli
 
Undated | Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Puck Basking Asleep Before the C...
Undated | engraving

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Johann Heinrich Füssli
Milton Dictating to His Daughter...
1794 | oil on canvas

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Johann Heinrich Füssli
 
18th century | oil on canvas

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Johann Heinrich Füssli
An Old Woman Wearing a Rosary Cu...
Undated | pencil, pen and brown ink, grey wash

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Johann Heinrich Füssli
 
1792 | oil on canvas

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Johann Heinrich Füssli
A Woman Swooning at a Writing Ta...
Undated | Pencil, pen and black ink

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Johann Heinrich Füssli
Drawing for the frontispiece of ...
Undated | graphite on paper

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Johann Heinrich Füssli
The Appearance of Christ at Emma...
1792 | oil on canvas

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Johann Heinrich Füssli
A letter from Henry Fuseli, 29 S...
1904 | pen/ink

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Johann Heinrich Füssli

  February 7, 1741
  April 16, 1825
   •   Romanticism   •   Wikipedia: Johann Heinrich Füssli

Henry Fuseli, born Johann Heinrich Füssli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli initially became a pastor, but then had to leave his native Zurich because of critical writings. At that time, the painting pastor had already studied ancient writings of Homer, Shakespeare and Dante.

In 1764, Fuseli settled in London after a brief stint in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds supported him in concentrating on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, intensively studying the works of Michelangelo and engaging with the art of antiquity. Back in London, Fuseli was accepted into the Royal Academy: His reputation was already legendary at the time. With the oil painting "Thor's Fight with the Midgard Serpent", Fuseli became a full member of the Academy. A few years later he also received a professorship.

What distinguishes the painting of the Swiss-English artist? Fuseli's art is considered suggestive, demonic, intensely sensual. The visionary, even gruesome is the subject of his painting. Fuseli realizes this, as in "Titania and Bottom," in sensuous colors and strong contrasts of light and dark. At the same time, the painter was a lover of theater and literature. In an emotionally charged manner, he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white. The painting "The Three Witches Appear Macbeth and Banquo" is magnificent in its somber coloring and palpable drama.

Johann Heinrich Füssli

  February 7, 1741
  April 16, 1825
   •   Romanticism   •   Wikipedia: Johann Heinrich Füssli

Henry Fuseli, born Johann Heinrich Füssli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli initially became a pastor, but then had to leave his native Zurich because of critical writings. At that time, the painting pastor had already studied ancient writings of Homer, Shakespeare and Dante.

In 1764, Fuseli settled in London after a brief stint in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds supported him in concentrating on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, intensively studying the works of Michelangelo and engaging with the art of antiquity. Back in London, Fuseli was accepted into the Royal Academy: His reputation was already legendary at the time. With the oil painting "Thor's Fight with the Midgard Serpent", Fuseli became a full member of the Academy. A few years later he also received a professorship.

What distinguishes the painting of the Swiss-English artist? Fuseli's art is considered suggestive, demonic, intensely sensual. The visionary, even gruesome is the subject of his painting. Fuseli realizes this, as in "Titania and Bottom," in sensuous colors and strong contrasts of light and dark. At the same time, the painter was a lover of theater and literature. In an emotionally charged manner, he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white. The painting "The Three Witches Appear Macbeth and Banquo" is magnificent in its somber coloring and palpable drama.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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