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John Leech
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

John Leech

United Kingdom of Great Britain and Northern Ireland · 1817–1864 · Caricatures, Comics · 537 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
John Leech
1817–1864
BornAugust 29, 1817 (London)
DiedOctober 29, 1864 (London) at the age of 47
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, illustrator, draftsperson
Notable worksMaid with a Mop (1862), Snowballing, Why, what's the matter with Tommy? (1852), Being Pulled by a Crowd, A Jockey-Cart
MuseumsArt Institute of Chicago, Yale Center for British Art, Metropolitan Museum of Art, Princeton University Art Museum, Minneapolis Institute of Art

John Leech

With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.

John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.

The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.

Artworks by John Leech

537 artworks found
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John Leech
Scene from A Christmas Carol by ...
1843 | engraving

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John Leech
Mr Fezziwig's Ball, from 'A Chri...
1843 | coloured engraving

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John Leech
Edward the Black Prince, conduct...
1860 | engraving

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John Leech
The Black Mousquetaire, from 'Th...
1887 | lithograph

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John Leech
Coronation of Henry IV. (from th...
1864 | hand coloured etching

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John Leech
A Clerical Weathercock, c1860, c...
1860 | engraving

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John Leech
In the foreground of the Tableau...
1852 | engraving

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John Leech
The Black Prince as Waiter to Ki...
1860 | engraving

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John Leech
Entrance of the Champion, at the...
1860 | engraving

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John Leech
Take away that Bauble, Cromwell ...
1864 | hand coloured etching

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John Leech
William the Conqueror inspecting...
1864 | hand coloured etching

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John Leech
The Kill, on The Cat & Custard P...
1854 | engraving

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John Leech
The Battle of the Boyne, from Th...
1864 | hand coloured etching

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John Leech
Felton admits that he killed the...
1897 |

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John Leech
Henry VIII and his Queen Out-a-M...
1864 | hand coloured etching

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John Leech
The Earl of Chester interposing ...
1860 | engraving

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John Leech
A Christmas Carol: Mr Fezziwigs ...
1843 |

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John Leech
The Landing of William the Conqu...
1864 | hand coloured etching

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John Leech
The Landing of Julius Caesar fro...
1864 | hand coloured etching

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John Leech
The Ghost, from 'The Ingoldsby L...
1887 | lithograph

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John Leech
Cloelia and her Companions escap...
1852 | engraving

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John Leech
Terrific Combat between Richard ...
1864 | hand coloured etching

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John Leech
The Queen's English
Undated | lithograph

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John Leech
That's Him - The Jackdaw, from '...
1887 | lithograph

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John Leech
Henry VIII Monk-Hunting, from Th...
1864 | hand coloured etching

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John Leech
Quarrel between Somerset and York,
1860 | engraving

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John Leech
Evening Party - Time of Charles ...
1864 | hand coloured etching

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John Leech
The Confession of the old woman ...
1887 | lithograph

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John Leech
The Royal Oak. The Penderell fam...
1864 | hand coloured etching

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John Leech
The Auto-da-Fe, from 'The Ingold...
1887 | lithograph

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John Leech
Guy Fawkes before and after the ...
1897 |

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John Leech
Thomas of Rokeby receiving the h...
1860 | engraving

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John Leech
His Gracious Majesty Charles I, ...
1897 |

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John Leech
Picking up a Crown, c1860, c1860
1860 | engraving

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John Leech
Coronation of Henry VII on the F...
1860 | engraving

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John Leech
Scipio Aemilianus cramming himse...
1852 | engraving

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John Leech
Ratiocination
Undated | lithograph

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John Leech
Take away that Bauble: Cromwell ...
1850 | engraving

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John Leech
Husband-Taming, Almanack for '59...
1859 | lithograph

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John Leech
Titus Oates in the Pillary, from...
1864 | etching

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John Leech
Georgey Porgey the Firstgoing ou...
1864 | hand coloured etching

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John Leech
Mr Briggs contemplating a Day's ...
Undated | pen and watercolour over pencil on paper

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John Leech
English Archer of the Period fro...
1897 |

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John Leech
Marriage of Henry VI, with Marga...
1864 | hand coloured etching

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John Leech
Queen Elizabeth and Sir Walter R...
1864 | hand coloured etching

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John Leech
Caesar looking for the Pearls fo...
1860 | engraving

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John Leech
Topsy turvey - or, our Antipodes...
1864 | hand-coloured etching

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John Leech
An original Druid, c1860, 1860
1860 | engraving

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John Leech
Remus jumping over the Walls, 1852
1852 | engraving

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John Leech
'The Educational Question', 1846...
1846 | engraving

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John Leech
The Housewarming, from 'The Ingo...
1887 | lithograph

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John Leech
Parley between Piers Gaveston an...
1860 | engraving

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John Leech
The Citadel saved by the cacklin...
1852 | engraving

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John Leech
The Romans clothed by the inhabi...
1852 | engraving

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John Leech
Assassination of Artaveldt the B...
1860 | engraving

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John Leech
School-boys flogging the Schoolm...
1852 | engraving

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John Leech
The Royal Oak, the Penderell Fam...
1850 | engraving

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John Leech
The Mermaid's Haunt
Undated | watercolour on paper

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John Leech
A Brilliant Idea (pen and colour...
Undated | pen and coloured ink on paper

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John Leech
A bracing day at the seaside (wc...
Undated | watercolour over pencil on paper

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John Leech
 
Undated | Watercolor and pen and brown ink, over graphite, on cream wove paper

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John Leech
Roman Man-of-War, from a scarce ...
1852 | engraving

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John Leech
Election of Pope. Getting to the...
1897 |

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John Leech
Madame de Montfort astonishing t...
1860 | engraving

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John Leech
 
Undated | Brown wash and graphite on moderately thick, moderately textured, cream wove paper

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John Leech
A Rapid Student, c1860, 1860
1860 | engraving

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John Leech
The Great Social Evil, Punch, 1857
1857 | engraving

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John Leech
King John Signing Magna Carta, f...
1864 | hand coloured etching

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John Leech
Good Queen Bess, 1897.
1897 |

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John Leech
The Wife of Bath, c1860, c1860
1860 | engraving

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John Leech
Kitchen Staff recto, Mountainous...
Undated |

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John Leech
Angling in the Serpentine — Satu...
Undated | lithograph

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John Leech
The Trio of the Stuarts, 1897.
1897 |

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John Leech
A Matter of Business, 1897.
1897 |

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John Leech
Charles I. does not know which w...
1897 |

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John Leech
Henry practising previous to cha...
1897 |

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John Leech
The Lord Mayor arresting a suspi...
1860 | engraving

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John Leech
Richard II. conducted a prisoner...
1860 | engraving

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John Leech
Captain Fisher doesnt think he c...
1897 |

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John Leech
Henry VIII. and Catherine of Ara...
1897 |

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John Leech
Fancy Portrait of Inspector Bali...
1860 | engraving

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John Leech
Marriage of his Majesty Henry II...
1860 | engraving

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John Leech
 
Undated | Watercolor and graphite on medium, slightly textured, beige wove paper

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John Leech
Arrival of Richards Legacy at Ro...
1860 | engraving

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John Leech
Queen Philippa interceding with ...
1864 | hand coloured etching

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John Leech
Embarkation of Henry V. at South...
1864 | hand coloured etching

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John Leech
Hannibal requesting the Cretan P...
1852 | engraving

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John Leech
Norman Transport, c1860, c1860
1860 | engraving

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John Leech
Unpleasant Position of King Haro...
1860 | engraving

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John Leech
A Scare-crow, 1852
1852 | engraving

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About the artist

John Leech
1817–1864
BornAugust 29, 1817 (London)
DiedOctober 29, 1864 (London) at the age of 47
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, illustrator, draftsperson
Notable worksMaid with a Mop (1862), Snowballing, Why, what's the matter with Tommy? (1852), Being Pulled by a Crowd, A Jockey-Cart
MuseumsArt Institute of Chicago, Yale Center for British Art, Metropolitan Museum of Art, Princeton University Art Museum, Minneapolis Institute of Art

With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.

John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.

The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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