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With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.
John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.
The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.
With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.
John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.
The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.