Feel the passion of John Leech in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!


Österreichische Kunstmanufaktur

Feel the passion of John Leech in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
John Leech
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of John Leech

These artworks are particularly popular with our customers.

Much Above that Sort of Thing
Undated | engraving

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The Rising Generation
Undated | coloured engraving

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Curius Dentatus Refusing the Mag...
Undated | engraving

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King John Signing Magna Carta, f...
1864 | hand coloured etching

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The most popular works of John Leech

These artworks are particularly popular with our customers.


Discover more artworks by John Leech

Discover more artworks by John Leech

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John Leech
Mr Fezziwig's Ball, from 'A Chri...
1843 | coloured engraving

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John Leech
Guy Fawkes before and after the ...
Undated | engraving

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John Leech
Cloelia and her Companions escap...
1852 | engraving

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John Leech
Evening Party - Time of Charles ...
1864 | hand coloured etching

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John Leech
The Ghost of Christmas Present a...
Undated | engraving

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John Leech
Guy Fawkes before and after the ...
1897 |

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John Leech
Marley's ghost appearing to Scro...
Undated | engraving

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John Leech
Archimedes taking a Warm Bath, 1852
1852 | engraving

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John Leech
Cicero denouncing Cataline
Undated | colour lithograph

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John Leech
Good Queen Bess, 1897.
1897 |

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John Leech
Marriage of Henry VI, with Marga...
1864 | hand coloured etching

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John Leech
The Hunt Ball, Ask Mamma Polka
Undated | coloured engraving

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John Leech
A Consultation about the State o...
Undated |

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John Leech
A Christmas Carol: Mr Fezziwigs ...
1843 |

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John Leech
Miss Shannons arrival at Baldon ...
1855 | engraving

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John Leech
Tarquinius Superbus makes himsel...
Undated | colour lithograph

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John Leech
Discovery of the Laws of Gravita...
1897 |

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John Leech
Visit to the Antediluvian Reptil...
Undated | engraving

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John Leech
Cartoon titled 'Poisoning by Foo...
Undated | engraving

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John Leech
Terrific Combat between Richard ...
1864 | hand coloured etching

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Hablot Knight Browne
'The Love Box door was opened, o...
1865 | engraving

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John Leech
Scene from A Christmas Carol by ...
1843 | engraving

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John Leech
Origin of the Order of the Garte...
1860 | engraving

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John Leech
The Battle of Bosworth Field: A ...
1864 | hand coloured etching

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John Leech
The Ghost, from 'The Ingoldsby L...
1887 | lithograph

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John Leech
The Great Social Evil, Punch, 1857
1857 | engraving

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John Leech
Henry making Love to Jane Seymour
Undated | engraving

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John Leech
'An old gentleman anxious that h...
1852 | pen and ink and watercolour on paper

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John Leech
Mithridates, his Rash Act
Undated | engraving

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John Leech
Edward II and his Favourite, Pie...
Undated | engraving

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John Leech
Marriage of Henry the Sixth and ...
1850 | engraving

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John Leech
A Pic-nic in the Drawing Room, a...
Undated | coloured engraving

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John Leech
Evening Party - Time of Charles ...
1850 | engraving

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John Leech
Discovery of the Laws of Gravita...
Undated | engraving

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John Leech
Marriage of his Majesty Henry II...
1860 | engraving

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John Leech
Henry VIII Monk-Hunting, from Th...
1864 | hand coloured etching

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John Leech
The Quiet Street, a Sketch from ...
Undated | coloured engraving

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John Leech
The Landing of Julius Caesar fro...
1864 | hand coloured etching

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John Leech
Cannon and Cannon-ball of the Pe...
1860 | engraving

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John Leech
A Merry Christmas and a Happy Ne...
Undated | engraving

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John Leech
Mr Briggs contemplating a Day's ...
Undated | pen and watercolour over pencil on paper

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John Leech
Cicero Throws Up his Brief, like...
Undated | engraving

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John Leech
Progress of Bloomerism, or a Com...
Undated | coloured engraving

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John Leech
Henry VIII, meeting Francis I, 1850
1850 | engraving

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John Leech
Bertrand de Gourdon before Richa...
1860 | engraving

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John Leech
Roman soldier on horseback
Undated | engraving

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John Leech
Blondel, the Minstrel, Under the...
Undated | engraving

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John Leech
Debtor and Creditor.--Seizure of...
Undated | engraving

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John Leech
Scipio Aemilianus Cramming himse...
Undated | engraving

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John Leech
The End of Julius Caesar, 1852
1852 | engraving

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John Leech
Topsy Turvey, or, our Antipodes
Undated | coloured engraving

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John Leech
A Boy King,
1860 | engraving

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John Leech
Mithridates defying the Romans, ...
1852 | engraving

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John Leech
Hannibal Crossing the Alps
Undated | engraving

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John Leech
Higgledy-Piggledy, or a Domestic...
Undated | coloured engraving

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John Leech
Cicero denouncing Cataline, 1850s.
1850 | engraving

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John Leech
Her Majesty's Buck-Hounds at Sal...
1855 | engraving

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John Leech
 
Undated | colour lithograph

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John Leech
Queen Elizabeth and Sir Walter R...
1864 | hand coloured etching

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John Leech
Titus Oates in the Pillary, from...
1864 | etching

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John Leech
Miss Fabia, the Younger, Astonis...
Undated | engraving

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John Leech
The Victors Wreath, 1852
1852 | engraving

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John Leech
 
1852 | engraving

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John Leech
How the Chartist procession migh...
1848 |

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John Leech
William Longsword, Earl of Salis...
1860 | engraving

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John Leech
The Merry Monarch
Undated | engraving

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John Leech
A cartoon commenting on the wate...
Undated | engraving

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John Leech
Armed Slave, 1852
1852 | engraving

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John Leech
Mr Fezzywigs Ball, illustration ...
1914 | colour lithograph

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John Leech
Scipio Aemilianus cramming himse...
1852 | engraving

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John Leech
Roman Man-of-War, from a Scarce ...
Undated | engraving

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John Leech
Numa Pompilius remembering the G...
1852 | engraving

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John Leech
The Last of the Stuarts, 1897.
1897 |

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John Leech
Awkward Mistake, 1897.
1897 |

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John Leech
The Citadel saved by the cacklin...
1852 | engraving

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John Leech
John Leech: English illustrator ...
Undated |

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John Leech
Mr Punch
Undated | engraving

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John Leech
Close of the Hunting Season, men...
1857 | engraving

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John Leech
'Mr. Jorrocks Has a Bye Day', il...
1854 | coloured engraving

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John Leech
Caesar and Pompey very much alik...
1852 | engraving

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John Leech
Unpleasant Position of King Haro...
1860 | engraving

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John Leech
Mr J S Rarey, the American Horse...
1858 | engraving

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John Leech
Shilling of Henry VIII, 1897.
1897 |

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John Leech
The Font and the Flowers
1860 | engraving

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John Leech
Claelia and her Companions Escap...
Undated | engraving

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Page 1 / 9



John Leech

  1817
  1864
Caricatures, Comics

With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.

John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.

The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.

John Leech

  1817
  1864
Caricatures, Comics

With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.

John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.

The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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