Feel the passion of John Martin in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of John Martin in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
John Martin
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of John Martin

These artworks are particularly popular with our customers.

Pandemonium, 1841
1841 | oil on canvas

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Satan Viewing the Ascent to Heav...
1827 | mezzotint

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The most popular works of John Martin

These artworks are particularly popular with our customers.


Discover more artworks by John Martin

Discover more artworks by John Martin

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John Martin
 
Undated |

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John Martin
The Great Day of His Wrath, engr...
1857 | hand coloured engraving

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John Martin
Solitude, 1843
1843 | oil on canvas

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John Martin
The Feast of Belshazzar, 1820.
Undated |

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John Martin
Sadak in Search of the Waters of...
1812 | oil on canvas

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John Martin
 
1851 | oil on canvas

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John Martin
Satan presiding at the Infernal ...
1824 | engraving

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John Martin
Joshua Commanding the Sun to Sta...
Undated |

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John Martin
The Destruction of Sodom and Gom...
1852 | oil on canvas

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John Martin
 
Undated | oil on canvas

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John Martin
 
Undated | oil on canvas

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John Martin
'One of the Seven Plagues of Egy...
1809 | oil painting

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John Martin
Fishermen in a Lakeland Landscape
Undated | oil on canvas

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John Martin
The Great Day of his Wrath, c.18...
1851 | colour lithograph

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John Martin
The Bard, c.1817
Undated | oil on canvas

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John Martin
The Bard, c.1817
Undated | oil on canvas

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John Martin
The Creation of Light, c.1827 (m...
1827 | mezzotint

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John Martin
Manfred on the Jungfrau, 1837
1837 | watercolour on paper

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John Martin
Twilight in the Woodlands, 1850 ...
1850 | oil on paper laid down on canvas

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John Martin
Fall of Babylon, 1826
1826 | mezzotint and etching

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John Martin
The Fall of Nineveh (print)
Undated |

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John Martin
 
1834 | oil on canvas

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John Martin
The Day of Judgement
Undated | oil on canvas

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John Martin
Satan
Undated | oil on canvas

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John Martin
Design for the Seventh Plague of...
Undated | ink and watercolour on paper

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John Martin
Cadmus and the Dragon
Undated | oil on canvas

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John Martin
The Last Man
Undated | watercolour on paper

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John Martin
Sunset over a Rocky Bay
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John Martin
The Expulsion of Adam and Eve fr...
Undated | oil on canvas

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John Martin
Belshazzar"s Feast, 1820
1820 | oil on canvas

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John Martin
The Celestial City and the River...
1841 | oil on canvas

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John Martin
 
1828 | mezzotint with etching

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John Martin
Macbeth and Banquo Meet the Thre...
Undated |

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John Martin
Marcus Curtius, c.1827
Undated | oil on canvas

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John Martin
Kensington Gardens, 1815
1815 | oil on canvas

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John Martin
Moonlight
Undated | oil on canvas

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John Martin
 
1820 | oil on canvas

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John Martin
Pandemonium, c.1827 (mezzotint)
1827 | mezzotint

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John Martin
Clytie, 1814
1814 | oil on canvas

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John Martin
 
Undated | Mezzotint with etching in black on ivory wove paper

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John Martin
 
Undated | watercolour, oil and ink on paper

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
Biblical Destruction Scene
Undated | oil on canvas

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John Martin
Fall of Nineveh, 1826
1826 | mezzotint and etching

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John Martin
Joshua Commanding the Sun to Sta...
Undated | oil on canvas

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John Martin
Plesiosaurus battling Temnodonto...
1840 | engraving

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John Martin
Paradise Lost: The Creation of ...
Undated | mezzotint

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John Martin
 
1840 | oil on canvas

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John Martin
Satan on his throne, from 'Parad...
Undated | engraving

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John Martin
Seventh Plague, c.1824 (mezzotint)
1824 | mezzotint

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John Martin
The Deluge, 1828 (mezzotint with...
1828 | mezzotint with etching

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John Martin
 
1851 | Oil on panel

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John Martin
 
Undated | lithograph

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John Martin
The country of the Iguanodon
1837 | Watercolor on paper

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John Martin
Ruins of an Ancient City, c.1810-20
Undated | oil on paper, mounted on canvas

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John Martin
Satan Tempting Eve, c.1827 (mezz...
1827 | mezzotint

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John Martin
Assuaging of the Waters, 1840
1840 | oil on canvas

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John Martin
Paradise Lost: The Creation of L...
Undated | mezzotint/mezzotint/mezzotint

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John Martin
Bracket clock, c.1700
Undated |

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John Martin
Satan and the Fallen Angels, c.1...
1827 | mezzotint

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John Martin
The Covenant, c.1843 (oil on can...
Undated | oil on canvas

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John Martin
Eves Dream—Satan Aroused, c.1827...
1827 | mezzotint

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John Martin
Bridge of Chaos, c.1827 (mezzotint)
1827 | mezzotint

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John Martin
The Fire, Edinburgh
Undated | oil on canvas

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John Martin
 
Undated | pencil and watercolour

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John Martin
Arthur and Aegle in the Happy Va...
1849 | oil on canvas

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John Martin
Adam Hearing the Voice of the Al...
1827 | mezzotint

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John Martin
 
Undated | oil on panel

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John Martin
 
1815 | Watercolor on paper

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John Martin
Moses dividing the waters of the...
Undated |

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John Martin
Edwin and Angelina, 1816
1816 | oil on canvas

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John Martin
Joshua commanding the Sun to sta...
1822 | oil painting

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John Martin
 
Undated | hand-colored mixed media intaglio

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John Martin
Repentance of Nineveh, c.1840
1840 | oil on canvas

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John Martin
Joshua Commanding the Sun to Sta...
1816 | oil on canvas

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John Martin
Paradise--Adam and Eve--the Morn...
1827 | mezzotint

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John Martin
Adam en Eva bewenen Abel en God ...
Undated | paper

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John Martin
Joshua Commanding the Sun to Sta...
Undated | oil on canvas

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John Martin
 
1830 | oil on canvas

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John Martin
The Isle of Man, 1848 - 1854 (oi...
1848 | oil on mahogany panel

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John Martin
Alexander and Diogenes (oil on b...
Undated | oil on board

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John Martin
 
Undated | oil on canvas

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John Martin
 
Undated | Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card

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John Martin
The Deluge, c.1828 (wc on paper)
Undated | watercolour on paper

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John Martin
Landscape, Classical Composition
Undated | watercolour on paper

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John Martin
Belshazzar's Feast (oil on canvas)
Undated | oil on canvas

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John Martin
Study for The Last Judgement, c....
Undated | oil on panel

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John Martin
View of the Entrance of Carisbro...
1815 | oil on canvas

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John Martin
A Man Playing a Harp with other ...
Undated |

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John Martin
 
1815 | Oil on panel

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John Martin
 
Undated | Watercolor, gouache and graphite on medium, slightly textured, beige wove paper mounted on card

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Page 1 / 3



John Martin

John Martin

  July 19, 1789
  February 17, 1854
   •   Romanticism   •   Wikipedia: John Martin

Melodramatic scenes of apocalyptic events, biblical and fantastical themes characterize the works of John Martin, an English engraver, illustrator and artist of the nineteenth century. He was a devout Christian, but defended deism and was a follower of natural religion. Works like "The Last Judgement", "The Great Day of His Wrath" and "The Heavenly Planes" reflect the artist's personality. His works are characterized by small figures in wide architectural and landscape settings, perfected by dramatic lighting, imagination and attention to detail. Above all, the motif of the landscape, in which he was largely inspired by the nature of Northumberland, made him a great representative of Romanticism. His dark, oppressive but at the same time stirring character made him stand out from his competitors.

With his master, the Italian artist Bonifacio Musso, he moved to London where he married at the age of nineteen. Apart from selling his paintings, John Martin also earned his money through drawing lessons and glass and porcelain painting. From 1812 onwards, he received greater attention for his works; however, the public only really became aware of him when his brother Jonathan Martin, also known as "Mad Martin", set a fire in the York Minister. Although he met with public enthusiasm, his wish - to become a member of the Royal Academy - remained unfulfilled, as critics like John Ruskin described his work as vulgar. Instead, he joined the Society of British Artists from 1824 to 1838. He also became the official history painter of Prince Leopold of Saxe-Coburg and was awarded the Leopold Order for his paintings. Besides painting, John Martin had a keen interest in architecture, which is why he was involved in drawing up plans for London's water supply, sewerage and railway systems.

Although the artist lost more and more prestige, he left his mark even after his death in 1854: his works encouraged the American artist Thomas Cole in particular to found the Hudson River School. He also inspired the Pre-Raphaelites, especially the British painter and poet Dante Gabriel Charles Rossetti. Some of Martin's paintings, for example "The Destruction of Sodom and Gomorrah", "Clytie" and "The Bard", can now be seen in the Laing Art Gallery in Newcastle.

John Martin

John Martin
  July 19, 1789
  February 17, 1854
   •   Romanticism   •   Wikipedia: John Martin

Melodramatic scenes of apocalyptic events, biblical and fantastical themes characterize the works of John Martin, an English engraver, illustrator and artist of the nineteenth century. He was a devout Christian, but defended deism and was a follower of natural religion. Works like "The Last Judgement", "The Great Day of His Wrath" and "The Heavenly Planes" reflect the artist's personality. His works are characterized by small figures in wide architectural and landscape settings, perfected by dramatic lighting, imagination and attention to detail. Above all, the motif of the landscape, in which he was largely inspired by the nature of Northumberland, made him a great representative of Romanticism. His dark, oppressive but at the same time stirring character made him stand out from his competitors.

With his master, the Italian artist Bonifacio Musso, he moved to London where he married at the age of nineteen. Apart from selling his paintings, John Martin also earned his money through drawing lessons and glass and porcelain painting. From 1812 onwards, he received greater attention for his works; however, the public only really became aware of him when his brother Jonathan Martin, also known as "Mad Martin", set a fire in the York Minister. Although he met with public enthusiasm, his wish - to become a member of the Royal Academy - remained unfulfilled, as critics like John Ruskin described his work as vulgar. Instead, he joined the Society of British Artists from 1824 to 1838. He also became the official history painter of Prince Leopold of Saxe-Coburg and was awarded the Leopold Order for his paintings. Besides painting, John Martin had a keen interest in architecture, which is why he was involved in drawing up plans for London's water supply, sewerage and railway systems.

Although the artist lost more and more prestige, he left his mark even after his death in 1854: his works encouraged the American artist Thomas Cole in particular to found the Hudson River School. He also inspired the Pre-Raphaelites, especially the British painter and poet Dante Gabriel Charles Rossetti. Some of Martin's paintings, for example "The Destruction of Sodom and Gomorrah", "Clytie" and "The Bard", can now be seen in the Laing Art Gallery in Newcastle.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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