There is very little reliable documentation about the early years of the artist Kitagawa Utamaro. Information about the date of birth and family circumstances is vague. The Japanese artist, whose maiden name is Kitagawa Nebsuyoshi and at times called himself Toyoaki, deepened his artistic talent with the painter Toriyama. Kitagawa's technique was the representation in woodblock printing and belonged to a movement of artists of the ukiyo-e style. In the "Pictures of the Floating World", the realistic depictions of the picture rolls are mixed with decorative elements. The art movement was closely connected with the entertainment districts of Japan.
After some studies of the scenic beauty of Japan, the artist developed a predilection for the beauty of women. He completed his depictions of women with a precision and devotion like no other artist of his time. The women also loved Kitagawa and so he created numerous precise woodblock prints with the ladies from tea houses. The artist composed his print scenes respectfully, sensitively and in keeping with the family status of women.
The work "Three Beauties of the Present Day" is a woodblock print showing three geishas in a triangular composition. The three ladies were known for their beauty in Edo, today's Tokyo. They were actresses and dancers, familiar with the artist and perhaps they were his courtesans. These beauties inspired Utamaro and are a regular motif in his works.
There is very little reliable documentation about the early years of the artist Kitagawa Utamaro. Information about the date of birth and family circumstances is vague. The Japanese artist, whose maiden name is Kitagawa Nebsuyoshi and at times called himself Toyoaki, deepened his artistic talent with the painter Toriyama. Kitagawa's technique was the representation in woodblock printing and belonged to a movement of artists of the ukiyo-e style. In the "Pictures of the Floating World", the realistic depictions of the picture rolls are mixed with decorative elements. The art movement was closely connected with the entertainment districts of Japan.
After some studies of the scenic beauty of Japan, the artist developed a predilection for the beauty of women. He completed his depictions of women with a precision and devotion like no other artist of his time. The women also loved Kitagawa and so he created numerous precise woodblock prints with the ladies from tea houses. The artist composed his print scenes respectfully, sensitively and in keeping with the family status of women.
The work "Three Beauties of the Present Day" is a woodblock print showing three geishas in a triangular composition. The three ladies were known for their beauty in Edo, today's Tokyo. They were actresses and dancers, familiar with the artist and perhaps they were his courtesans. These beauties inspired Utamaro and are a regular motif in his works.
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