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Feel the passion of Kurt Schwitters in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Kurt Schwitters
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Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Kurt Schwitters

Kurt Schwitters

  June 20, 1887
  January 8, 1948
   •   Constructivism, De Stijl   •   Wikipedia: Kurt Schwitters

Dadaism was a short and intense movement in the art of the young 20th century. Under the impressions of the First World War, an artistic scene was formed that spoke out against both the war of horror and the loss of values in society. The war brought a horror to Europe that had not been imaginable until then. The artists of Dadaism were loud. Gone were the days when art was considered an expression. Dadaism wanted to provoke and used all the means at their disposal to do so. The collage was the element that was taken from the visual arts. This form of design suited the Dadaists. To destroy something conventional and create something new from it, often without making sense of it.

Kurt Schwitters followed the conservative path with his first steps in art. After completing his art studies in Dresden, he was called up for military service. Schwitters suffers from epilepsy and perceives the events of the war from an external position. His impressions are sufficient for him to turn to Dadaism after four months of service. Schwitters creates his first collages from randomly found rubbish and the contents of wastepaper baskets. Schwitters founds a group of artists in his home town of Hanover. He calls the group "Merz", inspired by the name of a bank. In doing so, he demonstrates his rejection of social change and capitalism. Kurt Schwitters produces the so-called "Merz pictures". A series of collages with recurring figures. Figures with which Schwitters feels emotionally connected. The composition of the collages is probably created without the factual aspects of the artistic language. The term Merz art is coined. Schwitters' interpretation of the term was: "Everything was broken anyway, and it was necessary to build something new from the shards. But this is MERZ." An art that should be unconditional and gave the artist the greatest possible freedom of expression. Merz art is abstract and transcends the boundaries of known media. Schwitters saw his collages as a rebirth of unnoticed and worthless things.

Kurt Schwitters used all forms of expression available to him. A volume of poetry under the name "Anna Blume" became his trademark. It is almost a watermark that Schwitters uses in many of his works. Small stickers repeatedly provide references to his prose, which have made Schwitters famous beyond the borders of his home town. Despite his intensive efforts to promote Dadaism, Schwitters occupies an isolated position within the European art scene. There are links to Dutch artists, as well as to Hans Arp and Tristan Tzara. Schwitters has achieved international success. Nevertheless, he remains an individual artist. In 1937, political events in Germany forced Schwitters to emigrate. His art was considered degenerate and Kurt Schwitters fled first to Norway and later with his family to England.

Kurt Schwitters

Kurt Schwitters
  June 20, 1887
  January 8, 1948
   •   Constructivism, De Stijl   •   Wikipedia: Kurt Schwitters

Dadaism was a short and intense movement in the art of the young 20th century. Under the impressions of the First World War, an artistic scene was formed that spoke out against both the war of horror and the loss of values in society. The war brought a horror to Europe that had not been imaginable until then. The artists of Dadaism were loud. Gone were the days when art was considered an expression. Dadaism wanted to provoke and used all the means at their disposal to do so. The collage was the element that was taken from the visual arts. This form of design suited the Dadaists. To destroy something conventional and create something new from it, often without making sense of it.

Kurt Schwitters followed the conservative path with his first steps in art. After completing his art studies in Dresden, he was called up for military service. Schwitters suffers from epilepsy and perceives the events of the war from an external position. His impressions are sufficient for him to turn to Dadaism after four months of service. Schwitters creates his first collages from randomly found rubbish and the contents of wastepaper baskets. Schwitters founds a group of artists in his home town of Hanover. He calls the group "Merz", inspired by the name of a bank. In doing so, he demonstrates his rejection of social change and capitalism. Kurt Schwitters produces the so-called "Merz pictures". A series of collages with recurring figures. Figures with which Schwitters feels emotionally connected. The composition of the collages is probably created without the factual aspects of the artistic language. The term Merz art is coined. Schwitters' interpretation of the term was: "Everything was broken anyway, and it was necessary to build something new from the shards. But this is MERZ." An art that should be unconditional and gave the artist the greatest possible freedom of expression. Merz art is abstract and transcends the boundaries of known media. Schwitters saw his collages as a rebirth of unnoticed and worthless things.

Kurt Schwitters used all forms of expression available to him. A volume of poetry under the name "Anna Blume" became his trademark. It is almost a watermark that Schwitters uses in many of his works. Small stickers repeatedly provide references to his prose, which have made Schwitters famous beyond the borders of his home town. Despite his intensive efforts to promote Dadaism, Schwitters occupies an isolated position within the European art scene. There are links to Dutch artists, as well as to Hans Arp and Tristan Tzara. Schwitters has achieved international success. Nevertheless, he remains an individual artist. In 1937, political events in Germany forced Schwitters to emigrate. His art was considered degenerate and Kurt Schwitters fled first to Norway and later with his family to England.





The most popular works of Kurt Schwitters

These artworks are particularly popular with our customers.

Mai 191
1923 | Collage

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Ohne Titel (Porträt Helma Schwit...
1916 | painting

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Mz 259 Zeichnung Campendonk
1921 | Collage

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The most popular works of Kurt Schwitters

These artworks are particularly popular with our customers.


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Discover more artworks by Kurt Schwitters

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Kurt Schwitters
Das Undbild
1919 | Assembly

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Kurt Schwitters
 
1923 | Collage

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Kurt Schwitters
Ohne Titel (Mit frühem Porträt v...
1937 | Collage

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Kurt Schwitters
Ohne Titel (Merzbild Rossfett)
1920 | Assembly

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Kurt Schwitters
Poster für eine kleine Dada-Soirée
1922 | printmaking

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Kurt Schwitters
Ohne Titel (Bild mit Walfisch)
1924 | painting

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Kurt Schwitters
The pig sneezes towards the hear...
1919 | crayon on paper

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Kurt Schwitters
Untitled, 1922
1922 | paper collage

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Kurt Schwitters
Ohne Titel (Everybodys)
1945 | relief

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Kurt Schwitters
Mz x 13 BY, 1947
1947 | oil and paper collage on card on paper laid down on board

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Kurt Schwitters
Merz 221, 1921.
Undated |

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Kurt Schwitters
MZ 318 CH., 1921
1921 | Collage

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Kurt Schwitters
Zeichnung A 6
1918 | Collage

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Kurt Schwitters
Verlag Der Sturm
1919 | graphic

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Kurt Schwitters
Merzbild P rosa
1930 | Assembly

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Kurt Schwitters
Das Sekretariat
1919 | Collage

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Kurt Schwitters
Ohne Titel (for Ernst on 16.11.4...
1943 | sculpture

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Kurt Schwitters
Untitled, no. 3 of 6 from the po...
Undated | lithograph

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Kurt Schwitters
Untitled, no. 4 of 6 from the po...
Undated | lithograph

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Kurt Schwitters
Ohne Titel (rot, grau, schwarz)
1931 | Collage

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Kurt Schwitters
Merzbild Rossfett Assembly of Wo...
Undated | painting

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Kurt Schwitters
Merzbild 25 A. Das Sternenbild
1920 | Assembly

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Kurt Schwitters
Construction for noble ladies (K...
Undated | collage with cardboard

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Kurt Schwitters
The Scarecrow. Fairytale Die Sch...
Undated |

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Kurt Schwitters
Merz 11. Typoreklame, 1924.
Undated |

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Kurt Schwitters
Das große Ich-Bild (Merzbild 9 b)
1919 | Collage

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Kurt Schwitters
Ohne Titel (The Hitler Gang)
1944 | Collage

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Kurt Schwitters
 
1930 | Collage

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Kurt Schwitters
 
1936 | Mixed Media

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Kurt Schwitters
EN MORN
1947 | Collage

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Kurt Schwitters
Merzbild 46 A. Das Kegelbild
1921 | Assembly

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Kurt Schwitters
Ohne Titel (Kreuzworträtsel)
1944 | Collage

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Kurt Schwitters
Merz 11 Pelican Ink advertisemen...
Undated |

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Kurt Schwitters
Cover of "Die Kathedrale" by Kur...
Undated | lithograph

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Kurt Schwitters
Victory (oil & collage on newspa...
Undated | oil and collage on newspaper

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Kurt Schwitters
Ohne Titel (Relief im Relief)
1942 | relief

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Kurt Schwitters
Abstract Composition; Abstrakte ...
1923 | oil on canvas

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Kurt Schwitters
 
1947 | Collage

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Kurt Schwitters
Ohne Titel (Porträt Harry Pierce)
1947 | painting

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Kurt Schwitters
Rossfett
1918 | Assembly

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Kurt Schwitters
Worden ist (Has been) (Collage
Undated | Collage

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Kurt Schwitters
Portrait Alf Schultes
1941 | painting

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Kurt Schwitters
 
Undated | mixed media collage

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Kurt Schwitters
Das Bäumebild
1920 | Assembly

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Kurt Schwitters
für meinen lieben Syndetikon
1921 | Assembly

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Kurt Schwitters
Portrait of Fred Uhlman, 1940
1940 | oil on canvas

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Kurt Schwitters
Das Schwein niest zum Herzen
1919 | watercolor

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Kurt Schwitters
Zollamtlich geöffnet
1937 | Collage

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Kurt Schwitters
 
1946 | Collage

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Kurt Schwitters
Konstruktion Merz. Ausgerenkte K...
1920 | Assembly

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Kurt Schwitters
 
1922 | Collage

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Kurt Schwitters
Merzbild 1 B Bild mit rotem Kreuz
1919 | Collage

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Kurt Schwitters
Collage, 1923
1923 | paper, fabric and newspaper

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Kurt Schwitters
Merzbild Einunddreissig
1920 | Assembly

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Kurt Schwitters
Das ist der Frühling für Hans Arp
1930 | relief

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Kurt Schwitters
 
1923 | Collage

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Kurt Schwitters
 
Undated |

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Kurt Schwitters
Man soll nicht asen mit Phrasen
1930 | Collage

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Kurt Schwitters
Merzz. 19
Undated | Collage

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Kurt Schwitters
Bus Tickets, 1944
1944 | collage, oil and watercolour on paper

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Kurt Schwitters
Merz Picture; Merzbild, 1945
1945 | collage on cardboard

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Kurt Schwitters
Rote Linie (1)
1937 | painting

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Kurt Schwitters
Siegbild
1920 | Assembly

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Kurt Schwitters
 
Undated | Collage

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Kurt Schwitters
 
1937 | Collage

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Kurt Schwitters
Green and red (Green and Red) Co...
Undated | Collage

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Kurt Schwitters
Merzbild 1A (The doctor)
Undated | Collage

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Kurt Schwitters
Untitled, 1928
1928 | Collage

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Kurt Schwitters
The Doctor 1919
1919 | oil painting

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Kurt Schwitters
Merzzeichnung 203, 1920
1920 | Collage

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Kurt Schwitters
Die Kathedrale
1920 | printmaking

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Kurt Schwitters
Mz 26,41 okola
1926 | Assembly

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Kurt Schwitters
Die Quadratur des Zirkels - gelöst!
1924 |

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Kurt Schwitters
Ohne Titel (Smithy Brow, Ambleside)
1946 | painting

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Kurt Schwitters
Abstrakte Komposition
1930 | painting

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Kurt Schwitters
A S Landschaft 1. Hochsommer
1914 | painting

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Kurt Schwitters
 
1930 | Assembly

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Kurt Schwitters
 
1945 | painting

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Kurt Schwitters
Merzbild mit Algen
1938 | Assembly

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Kurt Schwitters
Kleines Merzbild mit vielen Teilen
1945 | Assembly

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Kurt Schwitters
N.B., 1947
1947 | Collage

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Kurt Schwitters
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Kurt Schwitters
Merz 94 Grunfleck, 1920
1920 | Collage

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Kurt Schwitters
Fernspr., 1926
1926 |

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Kurt Schwitters
Railway, 2nd Class, 1923
1923 | Collage

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Kurt Schwitters
Konstruktion mit Dreieck, Quadra...
1925 | watercolor

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Kurt Schwitters
Fernspr. MZ 26,53, 1926
1926 | collage on paper

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Kurt Schwitters
MZ 308 grau
1921 | Collage

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Kurt Schwitters
Fredlyst with yellow artificial ...
1940 | Assembly

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Kurt Schwitters
Fatigue Dancer Figurine by Kurt ...
Undated | Sculpture

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Kurt Schwitters
Aq. 10 (Ich mühle, du mühlst, er...
1919 | watercolor

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Kurt Schwitters
 
Undated | mixed media on ivory with velvet surround

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Kurt Schwitters
 
1938 | Collage

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Kurt Schwitters
Brown and green Assembly (painting
Undated | Collage

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Kurt Schwitters
 
Undated | cut-and-pasted printed papers and crayon on printed board

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Kurt Schwitters
 
Undated | collage on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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