Military service, landscape painting and collecting historical lighting equipment - these three passions determined the life of the Austrian Lieutenant Colonel Edler von Benesch. "My collecting arose from the observation that works of art and objects of art were threatened with destruction, and therefore I wanted to prevent this with all my strength, and my occupation with painting arose from admiration of natural beauties. With these words Benesch once addressed the director of the Carniola Museum of Art, the military was stationed in the region then belonging to the Austrian crownland for a long time. During these months he created numerous paintings and illustrations, especially of the untouched, quiet and original landscapes. In the volume Carinthia and Carniola of the Kronprinzenwerk "Die österreichische-ungarische Monarchie in Wort und Bild" ("The Austro-Hungarian Monarchy in Word and Picture") many of his works document the special affection for this region. His military career later took him to Styria, Galicia, Dalmatia, Veneto, Hungary and Lower Austria. In all these places Ladislav Benesch continued to collect and paint tirelessly.
Benesch grew up safe and carefree in Austerlitz, Austria. His father was a private civil servant and castle manager for Count Kaunitz. After high school he quickly decided to serve in the army of the old Austrian monarchy and voluntarily ended his service after more than 40 years. He was awarded numerous domestic and foreign medals, orders and a title of nobility. Already at the age of 19 he fought as a cadet in the campaigns against Denmark and Italy and was seriously wounded in the Battle of Custozza two years later. This experience - as he later wrote - led him to engage in art. From then on, Benesch was, in addition to his military service, an enthusiastic painter and collector with a love of detail.
He learned the tools of the trade at the Vienna Academy and later as a private student of the Austrian landscape painter Professor Eduard Peithner von Lichtenfels. Benesch, who had the rank of a lieutenant colonel, later passed on his skills himself as a teacher of freehand drawing, including at the Vienna Infantry Cadet School.
In addition to his almost romantic-looking landscape paintings, he accurately documented many archaeological finds in drawings and particularly meticulously documented all objects in his own collection. The latter arose out of a never more closely described weakness for the "antiquated lighting devices" from the Middle Ages to the middle of the XIXth century, which were produced on the soil of the Austro-Hungarian Monarchy or at least were in use there. He last kept 1,206 historical pieces in his Vienna apartment. Of all of them, there were small pencil drawings and written notes, as far as he could obtain them. The unique collection and the documentation published in 1904 are now in the possession of the Austrian Museum of Folklore in Vienna.
Military service, landscape painting and collecting historical lighting equipment - these three passions determined the life of the Austrian Lieutenant Colonel Edler von Benesch. "My collecting arose from the observation that works of art and objects of art were threatened with destruction, and therefore I wanted to prevent this with all my strength, and my occupation with painting arose from admiration of natural beauties. With these words Benesch once addressed the director of the Carniola Museum of Art, the military was stationed in the region then belonging to the Austrian crownland for a long time. During these months he created numerous paintings and illustrations, especially of the untouched, quiet and original landscapes. In the volume Carinthia and Carniola of the Kronprinzenwerk "Die österreichische-ungarische Monarchie in Wort und Bild" ("The Austro-Hungarian Monarchy in Word and Picture") many of his works document the special affection for this region. His military career later took him to Styria, Galicia, Dalmatia, Veneto, Hungary and Lower Austria. In all these places Ladislav Benesch continued to collect and paint tirelessly.
Benesch grew up safe and carefree in Austerlitz, Austria. His father was a private civil servant and castle manager for Count Kaunitz. After high school he quickly decided to serve in the army of the old Austrian monarchy and voluntarily ended his service after more than 40 years. He was awarded numerous domestic and foreign medals, orders and a title of nobility. Already at the age of 19 he fought as a cadet in the campaigns against Denmark and Italy and was seriously wounded in the Battle of Custozza two years later. This experience - as he later wrote - led him to engage in art. From then on, Benesch was, in addition to his military service, an enthusiastic painter and collector with a love of detail.
He learned the tools of the trade at the Vienna Academy and later as a private student of the Austrian landscape painter Professor Eduard Peithner von Lichtenfels. Benesch, who had the rank of a lieutenant colonel, later passed on his skills himself as a teacher of freehand drawing, including at the Vienna Infantry Cadet School.
In addition to his almost romantic-looking landscape paintings, he accurately documented many archaeological finds in drawings and particularly meticulously documented all objects in his own collection. The latter arose out of a never more closely described weakness for the "antiquated lighting devices" from the Middle Ages to the middle of the XIXth century, which were produced on the soil of the Austro-Hungarian Monarchy or at least were in use there. He last kept 1,206 historical pieces in his Vienna apartment. Of all of them, there were small pencil drawings and written notes, as far as he could obtain them. The unique collection and the documentation published in 1904 are now in the possession of the Austrian Museum of Folklore in Vienna.
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