At first glance, much of Louis-François Lejeune's work seems like a chronology of Napoleon Bonaparte's campaigns, and a closer look reveals the connection to his biography. Born in Strasbourg in absolutist France, art quickly gained his interest, influenced by his father, a musician. Thus he was trained as an artist by Pierre-Henri de Valenciennes in Paris. However, the French Revolution, which then spread mainly in the French capital, soon marked a break in his life when, at the age of seventeen, he joined the revolutionaries and turned to a military career. From that moment on, his life passed between art and war; as a painter he received praise and recognition, and in the French army of the new Emperor Napoléon he rose quickly, becoming adjutant, captain, and finally officer. In recognition, Napoléon elevated him to the peerage. He also experienced the army's setbacks in Russia, was wounded, and left the army in 1813, a year before the end of the war and France's final defeat.
Lejeune processed his experiences in the numerous battles in his paintings, which were also highly appreciated by Napoléon himself; among them are depictions of the battles of Marengo, Austerlitz and Somosierra. As works by an eyewitness, the paintings offer a rare perspective and also suggest the artist's point of view. For example, the French soldiers are portrayed more positively than their enemies, who often fled the onslaught of Napoléon's troops. The emperor himself is equally glorified; he is often found at the center of the paintings, a commanding general, confident and at peace in the thick of battle. Lejeune provides a romanticized depiction of the Napoleonic wars, showing his role as a staunch advocate of the emperor's ideas: it is not surprising that Napoleon appreciated him not only for his efforts in war, but also for his artwork.
But even the end of Napoléon's reign did not diminish Louis Lejeune's reputation. He rejoined the army under King Louis XVIII, received numerous medals and married the daughter of a general. Lejeune gained further fame as the person who made the then new technique of lithography known in France when he learned about the printing technique from the inventor Alois Senefelder in Munich. Whether this fame is justified is not known, but Lejeune certainly profited from it, published his memoirs, which were enthusiastically received, and in Toulouse he became director of an art school and eventually mayor. Louis Lejeune, who had fought so many battles and survived wounds, died of a heart attack at the age of 73.
At first glance, much of Louis-François Lejeune's work seems like a chronology of Napoleon Bonaparte's campaigns, and a closer look reveals the connection to his biography. Born in Strasbourg in absolutist France, art quickly gained his interest, influenced by his father, a musician. Thus he was trained as an artist by Pierre-Henri de Valenciennes in Paris. However, the French Revolution, which then spread mainly in the French capital, soon marked a break in his life when, at the age of seventeen, he joined the revolutionaries and turned to a military career. From that moment on, his life passed between art and war; as a painter he received praise and recognition, and in the French army of the new Emperor Napoléon he rose quickly, becoming adjutant, captain, and finally officer. In recognition, Napoléon elevated him to the peerage. He also experienced the army's setbacks in Russia, was wounded, and left the army in 1813, a year before the end of the war and France's final defeat.
Lejeune processed his experiences in the numerous battles in his paintings, which were also highly appreciated by Napoléon himself; among them are depictions of the battles of Marengo, Austerlitz and Somosierra. As works by an eyewitness, the paintings offer a rare perspective and also suggest the artist's point of view. For example, the French soldiers are portrayed more positively than their enemies, who often fled the onslaught of Napoléon's troops. The emperor himself is equally glorified; he is often found at the center of the paintings, a commanding general, confident and at peace in the thick of battle. Lejeune provides a romanticized depiction of the Napoleonic wars, showing his role as a staunch advocate of the emperor's ideas: it is not surprising that Napoleon appreciated him not only for his efforts in war, but also for his artwork.
But even the end of Napoléon's reign did not diminish Louis Lejeune's reputation. He rejoined the army under King Louis XVIII, received numerous medals and married the daughter of a general. Lejeune gained further fame as the person who made the then new technique of lithography known in France when he learned about the printing technique from the inventor Alois Senefelder in Munich. Whether this fame is justified is not known, but Lejeune certainly profited from it, published his memoirs, which were enthusiastically received, and in Toulouse he became director of an art school and eventually mayor. Louis Lejeune, who had fought so many battles and survived wounds, died of a heart attack at the age of 73.
Page 1 / 1