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Feel the passion of Marianne von Werefkin in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Marianne von Werefkin
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Marianne von Werefkin

These artworks are particularly popular with our customers.

Schlittschuhläufer
1911 | painting

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Whirl of Love, c. 1917.
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Heimkehr
1909 | painting

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Karneval-Szene
1922 | gouache

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The most popular works of Marianne von Werefkin

These artworks are particularly popular with our customers.


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Discover more artworks by Marianne von Werefkin

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Marianne von Werefkin
M. v. Werefkin, Rote Stadt / Gem...
1909 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Der Kreuzweg II
1921 | painting

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Marianne von Werefkin
Selfportrait I
1910 | painting

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Marianne von Werefkin
Schneewirbel
1915 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Schlittschuhläufer
1911 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Die Verlassenen
1930 | painting

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Marianne von Werefkin
Prerowstrom
Undated | Tempera on cardboard

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Marianne von Werefkin
Tragic mood, 1910.
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Marianne von Werefkin
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Marianne von Werefkin
Frühlingssonntag
1907 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Sonnenaufgang
1920 | painting

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Marianne von Werefkin
Mit dem Rücken zum Leben
1927 | painting

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Marianne von Werefkin
Mondscheinlandschaft
1907 | watercolor

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Marianne von Werefkin
Im Café
1909 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Abend in Murnau
1910 | painting

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Marianne von Werefkin
Biergarten
1907 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Am Kamin
1909 | painting

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Marianne von Werefkin
Into the night... In die Nacht h...
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Marianne von Werefkin
Die Freveltat
1927 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Der Vorfall
1932 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Paar im Gespräch
1909 | watercolor

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Marianne von Werefkin
Badehaus
1911 | painting

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Marianne von Werefkin
Zwei Frauen
1908 | painting

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Marianne von Werefkin
Der Tänzer Alexander Sacharoff
1909 | painting

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Marianne von Werefkin
Black Women (Painting
Undated | painting

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Marianne von Werefkin
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Marianne von Werefkin
Nachtschicht
1924 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Der grüne Berg
1910 | painting

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Marianne von Werefkin
Mann im Pelz
1890 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Holzfäller
1932 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Talmudleser
1924 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Fischer im Sturm
1923 | painting

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Marianne von Werefkin
Twins (Jumeaux) par Marianne von...
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Marianne von Werefkin
L'eclipse solaire (The Solar Ecl...
Undated | oil on canvas

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Marianne von Werefkin
Der Sturm
1907 |

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Marianne von Werefkin
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Marianne von Werefkin
Ant-hill, c. 1916.
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Marianne von Werefkin
Stadt in Litauen
1913 | painting

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Marianne von Werefkin
Fantastic Night, 1917.
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Marianne von Werefkin
Selbstbildnis in Matrosenbluse
1893 | Unknown

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Marianne von Werefkin
The Solar Eclipse, 1910s
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Marianne von Werefkin
Tanzendes Paar
1908 | gouache

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Marianne von Werefkin
Porträt Vera Repin
1881 | painting

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Marianne von Werefkin
Selbstbildnis als Engel
1920 | Pencil drawing

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Marianne von Werefkin
Die Bewegung
1925 | painting

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Marianne von Werefkin
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Marianne von Werefkin
In the theatre I, 1906-1907
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Marianne von Werefkin
Die Grube
1926 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Die Entsagung
1925 | painting

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Marianne von Werefkin
Trapezkünstlerin
1909 | gouache

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Marianne von Werefkin
Wäscherinnen
Undated | Tempera on paper on cardboard

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Marianne von Werefkin
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Marianne von Werefkin
Kreuz in Landschaft
1909 | painting

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Marianne von Werefkin
M. v. Werefkin, Feierabend / Gem...
1909 | painting

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Marianne von Werefkin
Nach dem Sturm
1932 | painting

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Marianne von Werefkin
Christmas tree, 1911.
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Marianne von Werefkin
Ballszene
Undated | Tempera and oil pastel on paper laid down on cardboard

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Marianne von Werefkin
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Marianne von Werefkin
In die Nacht hinein
Undated | Tempera on paper on cardboard

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Marianne von Werefkin
Styx, c.1910-1911 (oil on thin c...
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Marianne von Werefkin
""Autoportrait"" (Self-Portrait)...
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Marianne von Werefkin
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Marianne von Werefkin
M. v. Werefkin, Steingrube / Gem...
1907 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Blauer Funken
1918 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Washerwomen, 1904.
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Marianne von Werefkin
 
1896 | painting

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Marianne von Werefkin
Der Postbote
1929 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Die Mühsal
1917 | painting

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Marianne von Werefkin
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Marianne von Werefkin
Burg am Mittelmeer
1932 | painting

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Marianne von Werefkin
Wasserburg
Undated | Watercolour, chalk on cardboard

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Marianne von Werefkin
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Marianne von Werefkin
Der Neubau
1926 | painting

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Marianne von Werefkin
The memory, 1907-1908.
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Marianne von Werefkin
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Marianne von Werefkin
Witwe auf der Bank
1907 | Pencil drawing

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Marianne von Werefkin
Frühlingslandschaft mit Mädchen
1918 | painting

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Marianne von Werefkin
Baltic Sea, 1910s
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Marianne von Werefkin
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Marianne von Werefkin
Helene mit blauen Strümpfen
1909 | Pen drawing

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Marianne von Werefkin
 
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Marianne von Werefkin
 
1909 | gouache

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Marianne von Werefkin
Chambre séparée
1909 | gouache

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Marianne von Werefkin
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Marianne von Werefkin
Klostergarten
1926 | gouache

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Marianne von Werefkin
Seelandschaft
1920 | painting

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Marianne von Werefkin
Interieur mit sitzendem Paar
Undated | Gouache, chalk on paper

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Marianne von Werefkin
Landschaft mit Reiter und Reiterin
1927 | painting

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Marianne von Werefkin
Die Menschenmenge
1914 |

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Marianne von Werefkin
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Marianne von Werefkin
Im Hause Chrustovs bei St. Prex
Undated | Gouache, tempera on paper on cardboard, varnished

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Marianne von Werefkin
Nach der Vorstellung
1907 | gouache

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Marianne von Werefkin
Brücke bei Lausanne (Pont de Ger...
Undated | Gouache, tempera, pencil, ink on paper laid down on cardboard

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Marianne von Werefkin
Begräbnis
1907 | painting

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Marianne von Werefkin
Viehmarkt
1907 | graphic

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Marianne von Werefkin
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Marianne von Werefkin
Familienbad in Zingst
1911 | graphic

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Marianne von Werefkin
Bildnis Alexej von Jawlensky
Undated | oil on canvas

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Marianne von Werefkin
Haushälterin
1907 | graphic

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Marianne von Werefkin
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Marianne von Werefkin
Holzabfuhr in den Bergen
1927 | painting

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Marianne von Werefkin
Helene with fashionable Japanese...
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Marianne von Werefkin
Marionettentheater – im Vordergr...
Undated | Gouache, tempera on paper

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Marianne von Werefkin
In der Oper
1907 | graphic

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Marianne von Werefkin
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Marianne von Werefkin
Piazza
1925 | gouache

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Marianne von Werefkin
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Marianne von Werefkin
Zwei Männer im Lokal
1909 | Pencil drawing

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Marianne von Werefkin
 
1909 | gouache

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Marianne von Werefkin
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Marianne von Werefkin
Sacharoff und Jawlensky auf dem ...
Undated | Pencil, gouache, tempera on paper laid down on cardboard

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Marianne von Werefkin
Porträt mit Architekturmodell
1907 | graphic

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Marianne von Werefkin
Der Alte
1907 | graphic

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Marianne von Werefkin

Marianne von Werefkin

  September 10, 1860
  February 6, 1938
   •   Expressionism   •   Wikipedia: Marianne von Werefkin

The Russian painter Marianne von Werefkin was an outstanding figure of German Expressionism. She came from a Russian noble family and was born on 29 August 1860 as Marianna Vladimirovna Werefkina in Tula. Her artistic talent was encouraged at an early age and she received academic drawing lessons at the age of fourteen. In St. Petersburg she took private lessons with Repin. While hunting she accidentally shoots through her right hand. Through persistent practice she succeeds in painting with her right hand again. She masters realistic painting so perfectly that she is called "Russian Rembrandt". In 1891 she met the painter Alexej von Jawlensky. Five years later she moved with him to Munich.

In the Bavarian capital, she initiates a salon where the bohemian scene of Munich meets. She also founds the Lukasbruderschaft, the nucleus of the "Neue Künstlervereinigung München" and the "Blauer Reiter". After the birth of her son, the crisis between Jawlensky and Marianne von Werefkin intensifies. She travels to France several times with her son. After she has started to paint again, she often works in Murnau with Jawlensky, Kandinsky and Gabriele Münter. Together with Jawlensky, Oscar Wittenstein and Adolf Erbslöh she founded the "Neue Künstlervereinigung München" (New Artists' Association Munich), of which Kandinsky will soon become chairman.

In 1907 Werefkin created his first expressionist paintings, inspired by Vincent van Gogh, Paul Gauguin and Henri de Toulouse Lautrec. This earned her the nickname "The Frenchwoman". In terms of motifs and iconology, she often borrows from the works of Edvard Munch. Werefkin and Jawlensky participated with the group "Der Blaue Reiter" in an exhibition at the gallery "Der Sturm" in Berlin in 1913. Together with Jawlensky Werefkin moved to Switzerland in 1914, where they ended up in Ascona after several moves. Jawlensky separates from Werefkin in 1921. She earned her living by painting postcards and posters and writing articles, among others for the Neue Zürcher Zeitung.

The paintings of her late work no longer seem so shocking. They become more enigmatic and narrative. Typical Russian features in the colouring now become very clear. In February 1938 Werefkin died in Ascona, where she was buried according to Russian Orthodox rites. Most of her estate is in the Fondazione Marianne Werefkin in Ascona.

Marianne von Werefkin

Marianne von Werefkin
  September 10, 1860
  February 6, 1938
   •   Expressionism   •   Wikipedia: Marianne von Werefkin

The Russian painter Marianne von Werefkin was an outstanding figure of German Expressionism. She came from a Russian noble family and was born on 29 August 1860 as Marianna Vladimirovna Werefkina in Tula. Her artistic talent was encouraged at an early age and she received academic drawing lessons at the age of fourteen. In St. Petersburg she took private lessons with Repin. While hunting she accidentally shoots through her right hand. Through persistent practice she succeeds in painting with her right hand again. She masters realistic painting so perfectly that she is called "Russian Rembrandt". In 1891 she met the painter Alexej von Jawlensky. Five years later she moved with him to Munich.

In the Bavarian capital, she initiates a salon where the bohemian scene of Munich meets. She also founds the Lukasbruderschaft, the nucleus of the "Neue Künstlervereinigung München" and the "Blauer Reiter". After the birth of her son, the crisis between Jawlensky and Marianne von Werefkin intensifies. She travels to France several times with her son. After she has started to paint again, she often works in Murnau with Jawlensky, Kandinsky and Gabriele Münter. Together with Jawlensky, Oscar Wittenstein and Adolf Erbslöh she founded the "Neue Künstlervereinigung München" (New Artists' Association Munich), of which Kandinsky will soon become chairman.

In 1907 Werefkin created his first expressionist paintings, inspired by Vincent van Gogh, Paul Gauguin and Henri de Toulouse Lautrec. This earned her the nickname "The Frenchwoman". In terms of motifs and iconology, she often borrows from the works of Edvard Munch. Werefkin and Jawlensky participated with the group "Der Blaue Reiter" in an exhibition at the gallery "Der Sturm" in Berlin in 1913. Together with Jawlensky Werefkin moved to Switzerland in 1914, where they ended up in Ascona after several moves. Jawlensky separates from Werefkin in 1921. She earned her living by painting postcards and posters and writing articles, among others for the Neue Zürcher Zeitung.

The paintings of her late work no longer seem so shocking. They become more enigmatic and narrative. Typical Russian features in the colouring now become very clear. In February 1938 Werefkin died in Ascona, where she was buried according to Russian Orthodox rites. Most of her estate is in the Fondazione Marianne Werefkin in Ascona.





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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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