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Feel the passion of Peter Henry Emerson in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Peter Henry Emerson
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Museum Quality Art Prints
Customization Options Available
Peter Henry Emerson

Peter Henry Emerson

  1856
  1936
   •   Photography   •   Wikipedia: Peter Henry Emerson

Peter Henry Emerson was actually a doctor and scientist. He bought his first camera in 1882, and from then on it was a faithful companion. Together with his friend, the ornithologist A.T. Evans, he went on excursions on which the first photographs were taken. With the same seriousness with which he studied physics, chemistry and medicine, Emerson threw himself into the study of photography at Cambridge University. The works, taken during an anthropological study of fishermen and farmers in the east of England, showed how Emerson understood photography: it should reproduce what the human eye sees in nature. A sharp main subject, the rest blurred into blur.

His style of photography was met with interest, but also rejection. In the Victorian era, in the mid-19th century, the emphasis was on emotive, romantic staging. Elaborate costumes, made-up models, opulent backdrops served as subjects. So very different from Emerson's work. He regarded this type of photography with a certain disdain. Nature was the core of his photographs. Unadulterated, genuine, direct, without any pathos. The way man saw his surroundings. He was aware that he polarized. But in lectures, books and articles he vehemently represented his opinion. He could afford to do so. Emerson was born into a wealthy family in Cuba. His father was American and owned sugar and coffee plantations on the island. His mother, Jane Harris Biling, was English. After his father's death, Emerson moved to England and enjoyed a privileged education at a private boys' school in Cranleigh. He completed his medical studies with honors in 1880.

Emerson developed into a classic Victorian gentleman. He played billiards, founded a rowing club, and was an active member of the Royal Meteorological Society. He wrote his first book in 1881,and married Edith Amy Ainsworth, an Englishwoman, that same year. She was the daughter of a surgeon. With her he had five children. The first book was followed by more than thirteen others and countless articles. Emerson was also a co-founder of the Camera Club of London, where a group of amateur photographers met from 1886. In his lecture 'Photography: A Pictorial Art` he presented his scientifically based theory of art. For him, photography was synonymous with art. Emerson placed it on the same level as painting. With only one difference: the camera did not know color. Emerson proved how right he was with his theory of art in the same year when he published the 'Gathering Waterlilies'. They were the first nature photographs to be produced from the negative. An epochal chapter in photography. There were only two limited edition autogravures that sold out immediately. This was Emerson's breakthrough. The theory of art based on science found its first visual implementation. His photography became the antithesis of the typical, cloying photographic representation of the Victorian age.

Peter Henry Emerson

Peter Henry Emerson
  1856
  1936
   •   Photography   •   Wikipedia: Peter Henry Emerson

Peter Henry Emerson was actually a doctor and scientist. He bought his first camera in 1882, and from then on it was a faithful companion. Together with his friend, the ornithologist A.T. Evans, he went on excursions on which the first photographs were taken. With the same seriousness with which he studied physics, chemistry and medicine, Emerson threw himself into the study of photography at Cambridge University. The works, taken during an anthropological study of fishermen and farmers in the east of England, showed how Emerson understood photography: it should reproduce what the human eye sees in nature. A sharp main subject, the rest blurred into blur.

His style of photography was met with interest, but also rejection. In the Victorian era, in the mid-19th century, the emphasis was on emotive, romantic staging. Elaborate costumes, made-up models, opulent backdrops served as subjects. So very different from Emerson's work. He regarded this type of photography with a certain disdain. Nature was the core of his photographs. Unadulterated, genuine, direct, without any pathos. The way man saw his surroundings. He was aware that he polarized. But in lectures, books and articles he vehemently represented his opinion. He could afford to do so. Emerson was born into a wealthy family in Cuba. His father was American and owned sugar and coffee plantations on the island. His mother, Jane Harris Biling, was English. After his father's death, Emerson moved to England and enjoyed a privileged education at a private boys' school in Cranleigh. He completed his medical studies with honors in 1880.

Emerson developed into a classic Victorian gentleman. He played billiards, founded a rowing club, and was an active member of the Royal Meteorological Society. He wrote his first book in 1881,and married Edith Amy Ainsworth, an Englishwoman, that same year. She was the daughter of a surgeon. With her he had five children. The first book was followed by more than thirteen others and countless articles. Emerson was also a co-founder of the Camera Club of London, where a group of amateur photographers met from 1886. In his lecture 'Photography: A Pictorial Art` he presented his scientifically based theory of art. For him, photography was synonymous with art. Emerson placed it on the same level as painting. With only one difference: the camera did not know color. Emerson proved how right he was with his theory of art in the same year when he published the 'Gathering Waterlilies'. They were the first nature photographs to be produced from the negative. An epochal chapter in photography. There were only two limited edition autogravures that sold out immediately. This was Emerson's breakthrough. The theory of art based on science found its first visual implementation. His photography became the antithesis of the typical, cloying photographic representation of the Victorian age.





The most popular works of Peter Henry Emerson

These artworks are particularly popular with our customers.

The most popular works of Peter Henry Emerson

These artworks are particularly popular with our customers.


Discover more artworks by Peter Henry Emerson

Discover more artworks by Peter Henry Emerson

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Peter Henry Emerson
 
1886 | Photo

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
Ricking the Reed, c.1885 (platin...
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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
The Fowler's Return, c.1885 (pla...
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Peter Henry Emerson
A Winter's Morning, 1887.
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Peter Henry Emerson
One of forty platinum prints fro...
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Peter Henry Emerson
An Old Man and his Daughter Gard...
Undated | black and white photograph

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Peter Henry Emerson
In the Barley-Harvest, Suffolk, ...
1888 | photogravure

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated |

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Peter Henry Emerson
Marshes by the North Sea, 1890-1...
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Peter Henry Emerson
 
Undated | photogravure on wove paper

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Peter Henry Emerson
Footbridge Near Chingford, from ...
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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | Photogravure, pl. VII from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | Photogravure, pl. XXI from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
Sheep on the Marshes [Landscape ...
Undated | photogravure

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Peter Henry Emerson
Cloth Fair, Smithfield c.1875
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Peter Henry Emerson
Rowing Home the Schoof-Stuff fro...
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Peter Henry Emerson
 
Undated | Platinum print, pl. XVII from the album Life and Landscape on the Norfolk Broads (1886); edition of 200

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Peter Henry Emerson
 
Undated | Photoetching, pl. IV from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/50

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Peter Henry Emerson
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Peter Henry Emerson
A Dame's School, 1887 (photgravure)
1887 | photogravure

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Peter Henry Emerson
The Lone Lagoon, in or before 18...
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Peter Henry Emerson
 
Undated | Photogravure, pl. XIV from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | Photogravure, Frontispiece from Pictures of East Anglian Life, published by Sampson Low, Marston, Searle & Rivington (1888)

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Peter Henry Emerson
A Sailing Match at Horning, 1885.
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Peter Henry Emerson
 
Undated | Photoetching, pl. XXVII from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/500

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Peter Henry Emerson
 
1887 | Photo

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Peter Henry Emerson
 
1885 | Photo

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Peter Henry Emerson
A Suffolk Shrimper "Going Off"
Undated | Photogravure, pl. XXV from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
The River Bure at Coltishall, 18...
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Peter Henry Emerson
 
1895 | Photo

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
Haymaker with Rake (Norfolk)
Undated | Photogravure, plate XXXI from Pictures of East Anglian Life, published by Sampson Low, Marston, Searle & Rivington (1888)

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Peter Henry Emerson
Poling the Marsh Hay, 1886.
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Peter Henry Emerson
The Village by the River, 1890-1...
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Peter Henry Emerson
The Marshes in June, 1890-1891, ...
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Peter Henry Emerson
The old Ship
Undated | Photoetching, pl. VII from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/500

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Peter Henry Emerson
 
Undated | Platinum print, pl. IX from the album Life and Landscape on the Norfolk Broads (1886); edition of 200

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
The Village of Horning, 1886.
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Peter Henry Emerson
A Frosty Morning, 1890-1891, pri...
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Peter Henry Emerson
Children of the Broad, 1890-1891...
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Peter Henry Emerson
A Broadman's Cottage, c.1885 (pl...
Undated | platinum print

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Peter Henry Emerson
Quanting The Gladdon (platinum p...
Undated | platinum print on original mount

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Peter Henry Emerson
 
Undated | Photoetching, pl. XXI from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/500

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Peter Henry Emerson
 
Undated | Photogravure, pl. XI from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | Photogravure, pl. VIII from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
Gnarled-Thorn Trees, c. 1890, pr...
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Peter Henry Emerson
An Eel-Catcher's Home, 1886.
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Peter Henry Emerson
 
Undated | Photogravure, pl. XVIII from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
At the Grindstone--A Suffolk Far...
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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | photogravure on wove paper

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Peter Henry Emerson
 
Undated | Photogravure, pl. III from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | Photogravure, pl. XXVII from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | Platinum print, pl. XXVII from the album Life and Landscape on the Norfolk Broads (1886); edition of 200

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Peter Henry Emerson
 
Undated | Photoetching, pl. XXII from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/500

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated | 1 vol: ill: 16 photoengravings on wove paper

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | Photoetching, pl. XXV from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/500

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Peter Henry Emerson
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Peter Henry Emerson
 
Undated | Photogravure, pl. X from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
Life and Landscape on the Norfol...
1886 | pressure

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Peter Henry Emerson
Marsh Farm in Early Spring, 1890...
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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | Photogravure, pl. XXII from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
A Daughter of the Marshland, 189...
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Peter Henry Emerson
 
1885 | Unknown

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Peter Henry Emerson
 
Undated | Photoetching, pl. I from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/50

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Peter Henry Emerson
 
Undated | Photogravure, pl. VI from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | Photogravure, plate II from Pictures of East Anglian Life, published by Sampson Low, Marston, Searle & Rivington (1888)

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Peter Henry Emerson
 
Undated | Photogravure, plate IV from Pictures of East Anglian Life, published by Sampson Low, Marston, Searle & Rivington (1888)

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated | Platinum print, pl. IV from the album Life and Landscape on the Norfolk Broads (1886); edition of 200

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Peter Henry Emerson
On the River Bure, 1886.
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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated | platinum print

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Peter Henry Emerson
 
Undated | photogravure

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Peter Henry Emerson
 
Undated | Photogravure, pl. XVI from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | photogravure on wove paper

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Peter Henry Emerson
Sheep on the Marshes [Landscape ...
Undated | photograph

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Peter Henry Emerson
 
Undated | Photogravure, pl. IX from the album Pictures of East Anglian Life (1888)

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Peter Henry Emerson
 
Undated | Photoetching, pl. XI from the album Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew (1890); edition 270/50

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Peter Henry Emerson
A Frosty Morning at Coltishall, ...
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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