When Pierre Jean François Turpin was born in France in 1775 as the son of an impoverished artist, nothing pointed to his successful career. But the late 18th century was a time of new beginnings and great explorers and discoverers. It offered people like Turpin opportunities they had never had before. After studying art at the École des Beaux-Arts in Vire, he joined the French army and became a soldier. His first stop was Haiti. There he met Alexandre Poiteau, who was a gardener at the Muséum d'Histoire Naturelle in Paris. Poiteau taught Turpin botany and Turpin was enthralled. He quickly developed a knack for botany and together the two men explored the flora of Haiti. They created a herbarium of over 1200 plants. Now Turpin was able to put his great talent to work: drawing.
Pierre Turpin made detailed illustrations of the collected plants. These served as the basis for further research after the men returned to France. However, Turpin did not last long there. He wanted to make exciting discoveries and set out for Hispaniola and Tortuga and for further travels. In the USA, he met Alexander von Humboldt, with whom he later worked. He created over 900 images for Humboldt's American travel work. After working for the army again in Haiti - this time as a pharmacist - he settled in France and worked as a botanist, gardener and illustrator. In the process, the self-taught artist continued to educate himself. He did his own research, theorized and made his own discoveries. Thus, he contributed quite a bit to cell theory and the systematics of plants, especially freshwater algae.
Even during his lifetime, Turpin achieved great fame with his drawings. Thus, Johann Wolfgang von Goethe became aware of him and asked him to make a drawing of a primordial plant for him. Goethe had developed the idea of an original plant from which all other plants could be derived during a trip to Italy. Turpin was therefore asked to draw a plant that did not exist. He mastered this task with flying colors. Turpin's watercolors and drawings appeared in numerous books, including "Plantes Equinoxales" by Alexander von Humboldt, "Flora Brasiliae Meridionalis" by Augustin Saint-Hilaire and "Icones selectae plantarum" by Jules Paul Benjamin Delessert. He also worked on book projects with his old friend and patron Poiteau. Turpin taught his gifted son Pierre to draw and was heartbroken when he died suddenly at age 18. He cherished his son's last painting, an amaryllis, throughout his life and honored it with an inscription. The illustrations Turpin made during his life are still among the most beautiful botanical watercolors in the world and are popular as art prints.
When Pierre Jean François Turpin was born in France in 1775 as the son of an impoverished artist, nothing pointed to his successful career. But the late 18th century was a time of new beginnings and great explorers and discoverers. It offered people like Turpin opportunities they had never had before. After studying art at the École des Beaux-Arts in Vire, he joined the French army and became a soldier. His first stop was Haiti. There he met Alexandre Poiteau, who was a gardener at the Muséum d'Histoire Naturelle in Paris. Poiteau taught Turpin botany and Turpin was enthralled. He quickly developed a knack for botany and together the two men explored the flora of Haiti. They created a herbarium of over 1200 plants. Now Turpin was able to put his great talent to work: drawing.
Pierre Turpin made detailed illustrations of the collected plants. These served as the basis for further research after the men returned to France. However, Turpin did not last long there. He wanted to make exciting discoveries and set out for Hispaniola and Tortuga and for further travels. In the USA, he met Alexander von Humboldt, with whom he later worked. He created over 900 images for Humboldt's American travel work. After working for the army again in Haiti - this time as a pharmacist - he settled in France and worked as a botanist, gardener and illustrator. In the process, the self-taught artist continued to educate himself. He did his own research, theorized and made his own discoveries. Thus, he contributed quite a bit to cell theory and the systematics of plants, especially freshwater algae.
Even during his lifetime, Turpin achieved great fame with his drawings. Thus, Johann Wolfgang von Goethe became aware of him and asked him to make a drawing of a primordial plant for him. Goethe had developed the idea of an original plant from which all other plants could be derived during a trip to Italy. Turpin was therefore asked to draw a plant that did not exist. He mastered this task with flying colors. Turpin's watercolors and drawings appeared in numerous books, including "Plantes Equinoxales" by Alexander von Humboldt, "Flora Brasiliae Meridionalis" by Augustin Saint-Hilaire and "Icones selectae plantarum" by Jules Paul Benjamin Delessert. He also worked on book projects with his old friend and patron Poiteau. Turpin taught his gifted son Pierre to draw and was heartbroken when he died suddenly at age 18. He cherished his son's last painting, an amaryllis, throughout his life and honored it with an inscription. The illustrations Turpin made during his life are still among the most beautiful botanical watercolors in the world and are popular as art prints.
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