From an artistic point of view, the 19th century was a century full of stylistic changes. From Classicism to Romanticism to Realism, European artists devoted themselves again and again to new production techniques and, above all, motifs. In the beginning, painters mainly created pictures that were sentimental, melancholic and poetic. The past and especially the Middle Ages were preferred motifs. With the change of style towards realism, it was landscape painting that slowly became more and more important. Nevertheless, many artists continued to combine the longing with the natural. Influenced by the "longing for Italy", many creative artists went to the coasts and the time-honored cities of the boot. Many well-known and then aspiring artists were drawn to Italy, where they captured the exciting seashores and sunny landscapes on canvas. Those who were born in Italy understood the longing of foreigners for the local flora and fauna, but often looked elsewhere for inspiration themselves.
Raimundo Petraroja's creative period falls in the last third of the exciting century. As an Italian artist with the center of his life in Naples, he devoted himself mainly to realistic and natural subjects. Even though at that time many artists were implementing new trends and indulging in Impressionism or open-air painting, Petraroja continued to focus on realistic motifs. In his studies of nature, he created numerous works of art depicting mainly animals, plants and exotic representations. For some of his works he used the then emerging technique of lithography. The planographic prints on wove paper were subsequently hand-colored and signed. In addition to numerous creatures from all continents of the earth, he created at least as many marine animals. The focus was never on the animal alone. Naturalistic backgrounds and lush accompanying flora were firmly part of his style. The realistic character is evident not only in the artworks themselves, but often in their titles, which frequently bear the Latin names of the fauna.
In addition, his works rarely occupied the entire canvas. Whether badger, monkey or underwater sponge, they were all centered on the surface so that the focus was even more on the main subject. This technique was and is typical of scientific illustrations. The manner of depiction says a lot about Petraroja, who devoted his entire artistic output to the detailed presentation of natural scenes. The preoccupation with nature was a change from the political tensions and turmoil of the country towards the end of the 19th century. It was not until 1861 that the Kingdom of Italy was established. In the years that followed, the country was marked by a division between the north and the south, which was reflected in civil war-like conditions. In the course of the last decades, Italy joined the colonial powers of Austria-Hungary and the German Empire. The newly formed Triple Alliance conquered territories in Ethiopia, Eritrea, and Somalia in the 1880s. So it is not surprising that African motifs are also part of Petraroja's repertoire.
From an artistic point of view, the 19th century was a century full of stylistic changes. From Classicism to Romanticism to Realism, European artists devoted themselves again and again to new production techniques and, above all, motifs. In the beginning, painters mainly created pictures that were sentimental, melancholic and poetic. The past and especially the Middle Ages were preferred motifs. With the change of style towards realism, it was landscape painting that slowly became more and more important. Nevertheless, many artists continued to combine the longing with the natural. Influenced by the "longing for Italy", many creative artists went to the coasts and the time-honored cities of the boot. Many well-known and then aspiring artists were drawn to Italy, where they captured the exciting seashores and sunny landscapes on canvas. Those who were born in Italy understood the longing of foreigners for the local flora and fauna, but often looked elsewhere for inspiration themselves.
Raimundo Petraroja's creative period falls in the last third of the exciting century. As an Italian artist with the center of his life in Naples, he devoted himself mainly to realistic and natural subjects. Even though at that time many artists were implementing new trends and indulging in Impressionism or open-air painting, Petraroja continued to focus on realistic motifs. In his studies of nature, he created numerous works of art depicting mainly animals, plants and exotic representations. For some of his works he used the then emerging technique of lithography. The planographic prints on wove paper were subsequently hand-colored and signed. In addition to numerous creatures from all continents of the earth, he created at least as many marine animals. The focus was never on the animal alone. Naturalistic backgrounds and lush accompanying flora were firmly part of his style. The realistic character is evident not only in the artworks themselves, but often in their titles, which frequently bear the Latin names of the fauna.
In addition, his works rarely occupied the entire canvas. Whether badger, monkey or underwater sponge, they were all centered on the surface so that the focus was even more on the main subject. This technique was and is typical of scientific illustrations. The manner of depiction says a lot about Petraroja, who devoted his entire artistic output to the detailed presentation of natural scenes. The preoccupation with nature was a change from the political tensions and turmoil of the country towards the end of the 19th century. It was not until 1861 that the Kingdom of Italy was established. In the years that followed, the country was marked by a division between the north and the south, which was reflected in civil war-like conditions. In the course of the last decades, Italy joined the colonial powers of Austria-Hungary and the German Empire. The newly formed Triple Alliance conquered territories in Ethiopia, Eritrea, and Somalia in the 1880s. So it is not surprising that African motifs are also part of Petraroja's repertoire.
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