Feel the passion of Samuel Palmer in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Samuel Palmer in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Samuel Palmer
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Samuel Palmer

These artworks are particularly popular with our customers.

'Coming from Evening Church', 18...
1947 |

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Shepherds under a Full Moon, c.1...
1829 | pen and brown ink with brush in indian ink, heightened with bodycolour on white card

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Study of Waves (grey und brown w...
Undated | grey and brown wash, gouache and graphite on paper

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The most popular works of Samuel Palmer

These artworks are particularly popular with our customers.

1829 | pen and brown ink with brush in indian ink, heightened with bodycolour on white card

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Undated | grey and brown wash, gouache and graphite on paper

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Discover more artworks by Samuel Palmer

Discover more artworks by Samuel Palmer

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Samuel Palmer
The Magic Apple Tree (indian ink...
Undated |

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Samuel Palmer
Late Twilight, 1825
1825 | ink/pen

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Samuel Palmer
A Shepherd and his Flock under t...
Undated | pen and ink wash on paper

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Samuel Palmer
The Bellman, 1879.
Undated | etching/etching/etching

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Samuel Palmer
The Valley Thick with Corn, 1825.
1825 | ink/pen

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Samuel Palmer
The Sleeping Shepherd, Early Mor...
Undated | etching

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Samuel Palmer
 
1827 | Watercolor on paper

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Samuel Palmer
The Flock and the Star (pen and ...
Undated | pen and brush in ink over pencil and brown ink

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Samuel Palmer
Cornfield by Moonlight, with the...
1830 | watercolour and bodycolour with pen and ink

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Samuel Palmer
Landscape, figures and cattle (w...
Undated | watercolour and bodycolour on paper

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Samuel Palmer
Late Twilight, 1825 (pen and dar...
1825 | pen and dark brown ink with brush in sepia mixed with gum arabic; varnished

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Samuel Palmer
The Furze Field, 19th century (w...
Undated | watercolour

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Samuel Palmer
 
undatiert | Watercolor on paper

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Samuel Palmer
 
Undated |

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Samuel Palmer
Yellow Twilight, c.1830 (pen and...
1830 | pen and Indian ink and wash, with watercolour and bodycolour and gum arabic, on off-white paper

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Samuel Palmer
Study of Trees, Clovelly Park, 1...
1834 | black chalk on pale greyish paper

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Samuel Palmer
Mountains by the Travellers near...
1835 | Watercolor on paper

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Samuel Palmer
 
Undated | oil on canvas

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Samuel Palmer
 
undatiert | Graphite on paper

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Samuel Palmer
The Vine, 1852.
Undated | etching/etching/etching

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Samuel Palmer
Christian Descending into the Va...
1848 | watercolour and bodycolour

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Samuel Palmer
 
187 | Graphite on paper

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Samuel Palmer
The Bellman, from Il Penseroso, ...
1881 | watercolour and gum arabic on paper

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Samuel Palmer
The Bay of Baiae from Monte Nuovo
Undated | watercolour on paper

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Samuel Palmer
 
1857 | Graphite on paper

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Samuel Palmer
'The rising of the skylark', 183...
1839 | oil painting

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Samuel Palmer
In a Shoreham Garden
Undated | watercolour

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Samuel Palmer
 
1835 | Watercolor on paper

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Samuel Palmer
Pastoral with a Horse Chestnut T...
1830 | watercolour and bodycolour

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Samuel Palmer
 
181 | Graphite on paper

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Samuel Palmer
A Rustic Scene, 1823 (pen and br...
1823 | pen and brush in sepia with gum and varnished

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Samuel Palmer
The Skirts of a Wood, 1825
1825 | ink/pen

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Samuel Palmer
 
Undated | oil on wood

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Samuel Palmer
 
1833 | Oil on panel

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Samuel Palmer
 
Undated | Oil on paper laid on panel

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Samuel Palmer
A View of Ancient Rome, 1838
1838 | watercolour and gouache over pencil on paper

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Samuel Palmer
Self-portrait, c1824
1824 | chalk

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Samuel Palmer
 
Undated | watercolour on paper

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Samuel Palmer
Self-portrait, c.1824 (black cha...
1824 | black chalk, heightened with white, on buff paper

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Samuel Palmer
The Villa d'Este at Tivoli, 1838
1838 | ink/pen/watercolour

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Samuel Palmer
Sabrina (wc & bodycolour on paper)
Undated | watercolour and bodycolour on paper

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Samuel Palmer
 
1835 | Watercolor on paper

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Samuel Palmer
Old Cedar Tree in Botanic Garden...
1854 | Brush on paper

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Samuel Palmer
Study of a Willow Tree, c.1850 (...
Undated | watercolour on paper

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Samuel Palmer
Tintagel Castle: Approaching Rai...
1848 | watercolour

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Samuel Palmer
The Patriarch of the Orchard, 18...
1861 | watercolour and gouache on paper

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Samuel Palmer
Ancient Trees, Lullingstone Park...
1828 | graphite on paper

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Samuel Palmer
Evening in Italy, the Deserted V...
1845 | watercolour, with traces of shell gold, over graphite on cream wove paper, perimeter mounted to cream wove card

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Samuel Palmer
Landscape with a Barn, Shoreham,...
Undated | watercolour on paper

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Samuel Palmer
The Golden Hour, 1865.
Undated |

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Samuel Palmer
The Cornfield, Cloudy Morning (w...
Undated | watercolour on paper

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Samuel Palmer
Otford Church
Undated | watercolour on paper

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Samuel Palmer
Christmas, or Folding the Last S...
Undated | etching

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Samuel Palmer
 
1843 | Watercolor on paper

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Samuel Palmer
Dolbadern Castle, Llanberis, Nor...
Undated | Pencil and watercolour on paper

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Samuel Palmer
On Chalden Down, Dorset, c.1834-35
Undated | oil on canvas

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Samuel Palmer
Tityrus Restored to his Patrimon...
1877 | watercolour and gouache over pencil on paper

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Samuel Palmer
Sleeping Shepherd - Morning, c.1...
Undated | Watercolor on paper

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Samuel Palmer
The Weald of Kent, c.1827-28 (wc...
Undated | watercolour and gouache on paper

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Samuel Palmer
The Sleeping Shepherd, 1834 (tem...
1834 | tempera with oil glaze on paper laid on panel

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Samuel Palmer
A View of Modern Rome During the...
1838 | watercolour and gouache over pencil on paper

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Samuel Palmer
A Cornfield Bordered by Trees, 1...
Undated | oil on wood

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Samuel Palmer
The Dawn of Life (watercolor and...
Undated | watercolour and gouache on paper

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Samuel Palmer
Sheep in the Shade, c.1851
Undated | pencil and watercolour heightened with white

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Samuel Palmer
The Prospect, 1864-81 (watercolo...
1864 | watercolour and bodycolour with gum arabic, on london board

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Samuel Palmer
Sketch from Nature in Sion Park,...
1819 | Oil on cardboard

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Samuel Palmer
 
283 | Graphite on paper

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Samuel Palmer
Pastoral with a Horse Chestnut T...
1830 | watercolour

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Samuel Palmer
 
Undated | Watercolor and gouache on moderately thick, rough, cream wove paper

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Samuel Palmer
Eventide, c.1858 (watercolor)
Undated | watercolour, pencil, bodycolour and gum arabic

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Samuel Palmer
 
1861 | Watercolor on paper

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Samuel Palmer
Papigno on the Nar below the Fal...
1839 | watercolour on paper

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Samuel Palmer
Harvest in the Vineyard, 1859 (w...
1859 | watercolour, gouache and gum Arabic on paper

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Samuel Palmer
Christian Descending into the Va...
1848 | watercolour

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Samuel Palmer
Pictures from Italy, 1846.
Undated |

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Samuel Palmer
 
Undated | watercolor and gouache with graphite and scraping

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Samuel Palmer
 
1829 | Watercolor on paper

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Samuel Palmer
The Timber Wain, c.1833-34 (wc u...
Undated | watercolour and gouache on paper

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Samuel Palmer
 
Undated | pencil and watercolour heightened with white

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Samuel Palmer
The Villa d'Este, 19th century (...
Undated | Watercolor on paper

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Samuel Palmer
The Skirts of a Wood, 1825 (pen ...
1825 | pen and brush in sepia mixed with gum and varnished

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Samuel Palmer
Sunset, c.1861 (w/c, graphite, b...
Undated | watercolour, graphite, bodycolour and gum on card

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Samuel Palmer
Early Morning, 1825
1825 | ink/pen

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Samuel Palmer
Tintagel Castle, Approaching Rai...
Undated |

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Samuel Palmer
Sunset (watercolor and gouache o...
Undated | watercolour and gouache on paper

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Samuel Palmer
The White Cloud, c1833-1834
1833 | oil painting

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Samuel Palmer
 
Undated | Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper

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Samuel Palmer
The Lonely Tower, 1879
1879 | etching

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Samuel Palmer
The Prospect, 1864-1881
1864 | bodycolour/watercolour

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Samuel Palmer
 
Undated | Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper

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Samuel Palmer
View from the Villa d'Este at Ti...
1839 | watercolour and pencil on paper

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Samuel Palmer
The Bellman (watercolor & bodyco...
Undated | watercolour and bodycolour on board

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Samuel Palmer
A Mountain Road in Italy (pencil...
Undated | pencil, watercolour and body colour

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Page 1 / 5



Samuel Palmer

Samuel Palmer

  January 27, 1805
  May 24, 1881
   •   Romanticism   •   Wikipedia: Samuel Palmer

Samuel Palmer's father was a bookseller and later a Baptist minister in London, so the young Palmer received a very religious education. Already at the age of ten years he liked to paint passionately and a lot. At the age of fourteen he had his first public exhibition at the Royal Academy, although he did not enjoy a regular artistic education, but was self-taught. His great role model was William Turner, whose atmospheric paintings of sunsets, lunar landscapes, storms and rural idylls inspired him greatly at a young age. When he was twenty years old, he met the poet and painter William Blake through an acquaintance and this artist, described as a "pioneering figure in the history of English poetry", influenced Palmer's work even more lastingly. He bought a poor little house near Shoreham/Kent and painted there atmospheric landscapes, often in moonlight and sepia colours. The time spent in his cottage, often derisively called "Rat Abbey", was one of the most productive and best periods of his life. Well-known paintings from this time are "Cornfield in Moonlight with Evening Star" and "Into a Shoreham Garden". But Samuel Palmer also found his happiness here in private. He fell in love with Hannah Linnel, daughter of the painter John Linell, who was only twelve years old and was to become his wife seven years later.

At the age of thirty-five Palmer returned to London and it was here that the wedding with Hannah took place. As a husband and soon as a family man, the artist had to try to achieve financial success. Therefore he was forced to adapt to the spirit of the times, because his often mystical and idyllic oil paintings did not really sell well. So he increasingly painted watercolors, which were very fashionable in England at that time. He also gave private art lessons. On a trip to Italy, which the couple was financed by their father-in-law, they painted the very famous painting "A Dream in the Apennines". At this time he was also quite successful again, both with his landscapes and with his large watercolours to Milton's poems and with his etchings. When his oldest son Thomas died suddenly in 1861 at the age of only 19, Palmer never really recovered from the shock that hit him and his wife. But he lived in seclusion in Surrey for another 20 years.

After his death, Samuel Palmer was largely forgotten and his second son Alfred destroyed many of his works from the "Shoreham period", as well as sketchbooks and notebooks from his father's estate, because he thought they were worth nothing. Only over 50 years later the artist was rediscovered, so to speak. Precisely because many of his paintings no longer exist, the surviving paintings are highly sought after and often fetch prices of over 1 million US dollars at auctions.

Samuel Palmer

Samuel Palmer
  January 27, 1805
  May 24, 1881
   •   Romanticism   •   Wikipedia: Samuel Palmer

Samuel Palmer's father was a bookseller and later a Baptist minister in London, so the young Palmer received a very religious education. Already at the age of ten years he liked to paint passionately and a lot. At the age of fourteen he had his first public exhibition at the Royal Academy, although he did not enjoy a regular artistic education, but was self-taught. His great role model was William Turner, whose atmospheric paintings of sunsets, lunar landscapes, storms and rural idylls inspired him greatly at a young age. When he was twenty years old, he met the poet and painter William Blake through an acquaintance and this artist, described as a "pioneering figure in the history of English poetry", influenced Palmer's work even more lastingly. He bought a poor little house near Shoreham/Kent and painted there atmospheric landscapes, often in moonlight and sepia colours. The time spent in his cottage, often derisively called "Rat Abbey", was one of the most productive and best periods of his life. Well-known paintings from this time are "Cornfield in Moonlight with Evening Star" and "Into a Shoreham Garden". But Samuel Palmer also found his happiness here in private. He fell in love with Hannah Linnel, daughter of the painter John Linell, who was only twelve years old and was to become his wife seven years later.

At the age of thirty-five Palmer returned to London and it was here that the wedding with Hannah took place. As a husband and soon as a family man, the artist had to try to achieve financial success. Therefore he was forced to adapt to the spirit of the times, because his often mystical and idyllic oil paintings did not really sell well. So he increasingly painted watercolors, which were very fashionable in England at that time. He also gave private art lessons. On a trip to Italy, which the couple was financed by their father-in-law, they painted the very famous painting "A Dream in the Apennines". At this time he was also quite successful again, both with his landscapes and with his large watercolours to Milton's poems and with his etchings. When his oldest son Thomas died suddenly in 1861 at the age of only 19, Palmer never really recovered from the shock that hit him and his wife. But he lived in seclusion in Surrey for another 20 years.

After his death, Samuel Palmer was largely forgotten and his second son Alfred destroyed many of his works from the "Shoreham period", as well as sketchbooks and notebooks from his father's estate, because he thought they were worth nothing. Only over 50 years later the artist was rediscovered, so to speak. Precisely because many of his paintings no longer exist, the surviving paintings are highly sought after and often fetch prices of over 1 million US dollars at auctions.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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