In the late 1990s and early 2000s, there were many artists who deliberately tried out different directions. This target group never intended to be pigeonholed. Stevie Taylor also belongs to this target group. She creates pictures that have the potential to be real crowd-pullers. The free spirit uses several painting techniques and materials to create her works. In addition to pastels, charcoal, ink and watercolours, ink and pencils also play an important role. Stevie Taylor's works are a real asset on the art market. Her pictorial motifs reflect a field of tension between the familiar and the inexplicable. Although the painted pictorial objects give the viewer the impression of a familiar environment, some impressions are deliberately shifted with unexpected contexts.rnbr/br/rnStevie Taylor doesn't think much of guidelines and rules, as the painter only feels unnecessarily restricted in her creative drive. Instead, she resorts to experimenting with new colour and shape arrangements. Her delicately sketched picture details, which depict a hand and a heart, are highly recognisable. Stevie Taylor has opted for a subtle choice of colours for these designs. The minimalist presentation gives the diagrams a very special touch. The painter has used the same scheme again for another highly symbolic work. Namely in the pictures with red ribbons, which are somehow reminiscent of 'The Red Ribbon', the world-famous symbol of solidarity with people infected with HIV and AIDS. Stevie Taylor deliberately chose this imitation to symbolise love and hope.rnbr/br/rnThe painter also demonstrates great talent in the portrait category. Using charcoal and pastel, she has impressively captured Sigmund Freud on paper, for example. The design 'The Dancer' from 1997 clearly drifts into modern art painting. Almost abstract features can be read from the diagram. The portrait 'Denial' shows a handsome man leaning his head against his hand and looking thoughtful. As a counterpart, a face that appears to be plagued by conflict comes into focus. Perhaps the presentation is about a split personality Has Stevie Taylor really hidden a message in the painting In any case, this work of art leaves a lot of room for interpretation when you look at it. That was exactly his intention. This intention is also explicitly expressed in several other paintings, such as 'Angels', 'Splitting', 'Man Changes in the Presence of Ghosts' or 'Who Can You Trust'. Each individual work has the power to evoke emotions and arouse interest. Taylor's imagery picks up the viewer and inevitably triggers a mental cinema. The painter has succeeded in giving the audience the opportunity to identify with her colourful creations. The works are definitely memorable.
In the late 1990s and early 2000s, there were many artists who deliberately tried out different directions. This target group never intended to be pigeonholed. Stevie Taylor also belongs to this target group. She creates pictures that have the potential to be real crowd-pullers. The free spirit uses several painting techniques and materials to create her works. In addition to pastels, charcoal, ink and watercolours, ink and pencils also play an important role. Stevie Taylor's works are a real asset on the art market. Her pictorial motifs reflect a field of tension between the familiar and the inexplicable. Although the painted pictorial objects give the viewer the impression of a familiar environment, some impressions are deliberately shifted with unexpected contexts.rnbr/br/rnStevie Taylor doesn't think much of guidelines and rules, as the painter only feels unnecessarily restricted in her creative drive. Instead, she resorts to experimenting with new colour and shape arrangements. Her delicately sketched picture details, which depict a hand and a heart, are highly recognisable. Stevie Taylor has opted for a subtle choice of colours for these designs. The minimalist presentation gives the diagrams a very special touch. The painter has used the same scheme again for another highly symbolic work. Namely in the pictures with red ribbons, which are somehow reminiscent of 'The Red Ribbon', the world-famous symbol of solidarity with people infected with HIV and AIDS. Stevie Taylor deliberately chose this imitation to symbolise love and hope.rnbr/br/rnThe painter also demonstrates great talent in the portrait category. Using charcoal and pastel, she has impressively captured Sigmund Freud on paper, for example. The design 'The Dancer' from 1997 clearly drifts into modern art painting. Almost abstract features can be read from the diagram. The portrait 'Denial' shows a handsome man leaning his head against his hand and looking thoughtful. As a counterpart, a face that appears to be plagued by conflict comes into focus. Perhaps the presentation is about a split personality Has Stevie Taylor really hidden a message in the painting In any case, this work of art leaves a lot of room for interpretation when you look at it. That was exactly his intention. This intention is also explicitly expressed in several other paintings, such as 'Angels', 'Splitting', 'Man Changes in the Presence of Ghosts' or 'Who Can You Trust'. Each individual work has the power to evoke emotions and arouse interest. Taylor's imagery picks up the viewer and inevitably triggers a mental cinema. The painter has succeeded in giving the audience the opportunity to identify with her colourful creations. The works are definitely memorable.
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