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Passionate Customer Service Museum Quality Art Prints Customization Options Available.jpg "Speech to the Moon: Dear Moon by Wilhelm Busch")
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.jpg "Forest Edge with Bright Meadow Path by Wilhelm Busch")
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.jpg "View from a Barn by Wilhelm Busch")
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.jpg "Luthorst Autumn Landscape by Wilhelm Busch")
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.jpg "Max and Moritz by Wilhelm Busch")
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.jpg "The Widow")
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_-_(MeisterDrucke-1451199).jpg "Bitter Medicine by Wilhelm Busch")
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.jpg "Autumn Landscape with Windmill and Red House by Wilhelm Busch")
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.jpg "Kitchen in the Parsonage in Wiedensahl by Wilhelm Busch")
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.jpg "Portrait of Johanna Kessler by Wilhelm Busch")
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.jpg "Self-Portrait in Dutch Costume by Wilhelm Busch")
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.jpg "Crying Boy by Wilhelm Busch")
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.jpg "Forest Landscape with Cows and Farmers by Wilhelm Busch")
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.jpg "Pasture Landscape with Red Cow by Wilhelm Busch")
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.jpg "Cottage in the Cornfield by Wilhelm Busch")
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.jpg "Lower Saxon Landscape by Wilhelm Busch")
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.jpg "Self-Portrait With Hat by Wilhelm Busch")
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.jpg "Double Image: Cows in the Pasture, Two Farmers in Conversation by Wilhelm Busch")
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.jpg "Old Woman by Wilhelm Busch")
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.jpg "W. Busch, Two Shoemaker Boys Fighting by Wilhelm Busch")
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.jpg "Stormy Landscape with Rainbow by Wilhelm Busch")
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.jpg "Hilly Meadow Landscape with Red Figure by Wilhelm Busch")
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.jpg "The Broken Jug by Wilhelm Busch")
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 - (MeisterDrucke-682126).jpg "Children on Willow Stump (The Siblings) by Wilhelm Busch")
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.jpg "Picture of a Boy by Wilhelm Busch")
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.jpg "Green Summer Landscape – Willows by the Pond by Wilhelm Busch")
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.jpg "In the Pasture by Wilhelm Busch")
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.jpg "Portrait of a Boy with a Large Hat by Wilhelm Busch")
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.jpg "Large Thunderstorm Landscape with Windmill by Wilhelm Busch")
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.jpg "My Living Room Spot in Wiedensahl by Wilhelm Busch")
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_-_(MeisterDrucke-691474).jpg "Gloomy Forest Edge (Potato Fire) by Wilhelm Busch")
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.jpg "Rural Brawl Scenes by Wilhelm Busch")
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.jpg "Farm Kitchen by Wilhelm Busch")
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.jpg "Boy Singing with Cows by Wilhelm Busch")
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.jpg "W. Busch, Shoemaker Boys After a Fight by Wilhelm Busch")
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.jpg "Peasants Drinking in the Tavern by Wilhelm Busch")
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.jpg "Self-Portrait with Wine Glass by Wilhelm Busch")
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.jpg "Self-Portrait by Wilhelm Busch")
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.jpg "Collectible Picture: Four Rural Scenes by Wilhelm Busch")
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.jpg "Peasant Woman with Cows by Wilhelm Busch")
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.jpg "Red House in the Field in Front of Forest Edge on the Right by Wilhelm Busch")
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.jpg "Mill by the Pond by Wilhelm Busch")
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.jpg "Late Summer Heathland with Pond by Wilhelm Busch")
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.jpg "Flat Landscape with Three Pollard Willows by Wilhelm Busch")
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.jpg "Portrait of a Boy by Wilhelm Busch")
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.jpg "Autumn Forest Meadow with Cows by Wilhelm Busch")
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.jpg "Dutch Tavern by Wilhelm Busch")
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.jpg "Woman and a Cow in a Landscape by Wilhelm Busch")
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.jpg "Self-Portrait in Gray-Brown by Wilhelm Busch")
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.jpg "Collective Image with Nine Studies by Wilhelm Busch")
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.jpg "Collection Image with 9 Studies by Wilhelm Busch")
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.jpg "Old Woman by Wilhelm Busch")
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.jpg "Landscape by Wilhelm Busch")
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.jpg "Late Autumn Landscape with Two Figures by Wilhelm Busch")
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.jpg "In the Pasture by Wilhelm Busch")
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.jpg "Autumnal Forest Edge with Seated Red Jacket by Wilhelm Busch")
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Heinrich Christian Wilhelm Busch's name will probably be inseparably linked for all time with his first and at the same time best-known picture story "Max und Moritz - Eine Bubengeschichte in sieben Streichen". Other stories include "Hans Huckebein, the Raven" and "Pious Helen". Absurdly enough, Busch was a serious and taciturn man who produced such illustrations, which today are considered the forerunners of comics, merely to earn money. The series of pictures, of which he published countless, were mostly executed as wood engravings, which gave them their contoured peculiarity.
His real ambition was painting. Here, however, Busch failed because of his own overly high standards and destroyed much of his work when the sheer volume took up too much space. The choice of his backgrounds was not very careful, and the quality of the colors also left much to be desired. Too early and improper stacking of works that had not dried through often resulted in the loss of the same. Mostly the formats were very small, as if he had not wanted to waste the colors on large expensive canvases. Often they are darkened today and in the effect different than intended by the painter at the time. All the more expressive are the surviving paintings, which certainly testify to a virtuoso skill and one wishes that more of them had been preserved. The works before us cannot deny the strong influence of 16th and 17th century Dutch painting on Wilhelm Busch's work. This is due to his art studies in Antwerp, which made him become enthusiastic about the artists Rubens, Frans Hals, David Teniers and Adriaen Brouwer - role models that clearly manifested themselves in the "Self-Portrait in Dutch Costume". At the same time, however, these great names made him aware of the qualities he still lacked as a painter, and caused him to abandon his studies in despair. Even a subsequent study of art in Munich brought him no real satisfaction, not to mention economic independence, so that he briefly considered emigrating to Brazil to devote himself to beekeeping.
In Frankfurt am Main, the patron Johanna Keßler took care of him for some time, and contributed to his most productive and lucrative period. His further path was marked by alcohol and nicotine addiction, which even made him conspicuous in the Munich public. Efforts as a composer failed, as did attempts to be taken seriously as an erotic poet. The manuscript of "Max und Moritz" found a publisher only after several odysseys, who bought it from Busch for a fixed sum, so that Busch was no longer involved in later editions. Although he would have had the opportunity to do so, he only publicly exhibited a single painting towards the end of his life.
Heinrich Christian Wilhelm Busch's name will probably be inseparably linked for all time with his first and at the same time best-known picture story "Max und Moritz - Eine Bubengeschichte in sieben Streichen". Other stories include "Hans Huckebein, the Raven" and "Pious Helen". Absurdly enough, Busch was a serious and taciturn man who produced such illustrations, which today are considered the forerunners of comics, merely to earn money. The series of pictures, of which he published countless, were mostly executed as wood engravings, which gave them their contoured peculiarity.
His real ambition was painting. Here, however, Busch failed because of his own overly high standards and destroyed much of his work when the sheer volume took up too much space. The choice of his backgrounds was not very careful, and the quality of the colors also left much to be desired. Too early and improper stacking of works that had not dried through often resulted in the loss of the same. Mostly the formats were very small, as if he had not wanted to waste the colors on large expensive canvases. Often they are darkened today and in the effect different than intended by the painter at the time. All the more expressive are the surviving paintings, which certainly testify to a virtuoso skill and one wishes that more of them had been preserved. The works before us cannot deny the strong influence of 16th and 17th century Dutch painting on Wilhelm Busch's work. This is due to his art studies in Antwerp, which made him become enthusiastic about the artists Rubens, Frans Hals, David Teniers and Adriaen Brouwer - role models that clearly manifested themselves in the "Self-Portrait in Dutch Costume". At the same time, however, these great names made him aware of the qualities he still lacked as a painter, and caused him to abandon his studies in despair. Even a subsequent study of art in Munich brought him no real satisfaction, not to mention economic independence, so that he briefly considered emigrating to Brazil to devote himself to beekeeping.
In Frankfurt am Main, the patron Johanna Keßler took care of him for some time, and contributed to his most productive and lucrative period. His further path was marked by alcohol and nicotine addiction, which even made him conspicuous in the Munich public. Efforts as a composer failed, as did attempts to be taken seriously as an erotic poet. The manuscript of "Max und Moritz" found a publisher only after several odysseys, who bought it from Busch for a fixed sum, so that Busch was no longer involved in later editions. Although he would have had the opportunity to do so, he only publicly exhibited a single painting towards the end of his life.
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.jpg "An Unobserved Moment by Wilhelm Busch")
.jpg "Three Old Willows by Wilhelm Busch")
.jpg "Speech to the Moon: Kiss My A...! by Wilhelm Busch")
.jpg "Sleeping Drinker by Wilhelm Busch")