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Feel the passion of William Daniell in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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William Daniell
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
William Daniell

William Daniell

  1769
  August 16, 1837
   •   Nonclassified artists   •   Wikipedia: William Daniell

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.

William Daniell

William Daniell
  1769
  August 16, 1837
   •   Nonclassified artists   •   Wikipedia: William Daniell

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.





The most popular works of William Daniell

These artworks are particularly popular with our customers.

A Ronggeng or Dancing Girl, plat...
1817 | coloured aquatint

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A Javan in Court Dress, pl. 6 fr...
1817 | coloured aquatint

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Near view of one of the Shiant I...
1829 | coloured engraving

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A Javan in the War Dress, pl. 5 ...
Undated | coloured aquatint

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Discover more artworks by William Daniell

Discover more artworks by William Daniell

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William Daniell
The Long Walk, Windsor Park, fro...
Undated | colour lithograph

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William Daniell
A Javan of the Lower Class, plat...
1817 | coloured aquatint

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William Daniell
A Javan Woman of the Lower Class...
1817 | coloured aquatint

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William Daniell
A Peng'anten Wadon or Bride, pla...
Undated | coloured aquatint

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William Daniell
A Javan Chief in his Ordinary Dr...
1817 | coloured aquatint

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William Daniell
A Peng'anten Lanang or Bridegroo...
1817 | coloured aquatint

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William Daniell
Bathing Scene at the Ghat on the...
Undated |

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William Daniell
'Near view of one of the Shiant ...
1829 | engraving

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | engraving

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William Daniell
European trading posts (East Ind...
Undated | engraving

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William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
A Caparisoned Elephant - Scene n...
1832 | oil on canvas

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William Daniell
Mivagissey, Cornwall, from Volum...
1825 | aquatint

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William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
The Hirkarrah Camel (A Scene in ...
1832 | oil on canvas

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William Daniell
'The Longships Lighthouse off th...
1814 | aquatint

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William Daniell
Eton College, 1827
1827 | watercolour on paper

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William Daniell
North Foreland Lighthouse, from ...
1829 | coloured engraving

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William Daniell
The longships lighthouse of Land...
1814 | aquatint

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William Daniell
Dover, from Shakespeare's Cliff,...
1823 | aquatint

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William Daniell
The Jama Masjid, Delhi,
Undated | pencil and watercolour

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William Daniell
'Obelisk at Forres', Moray, Scot...
1821 | engraving

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William Daniell
 
18th century | painting

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William Daniell
Rye, East Sussex, from 'A Voyage...
1823 | coloured engraving

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William Daniell
'Mevagissey, Cornwall', 1825
1829 | aquatint

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William Daniell
In the Garden House Reach, Calcu...
1786 | watercolour

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William Daniell
Brixham, Torbay, Devon, from Vol...
1825 | aquatint

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William Daniell
 
1803 | aquatint

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William Daniell
 
1827 | pencil and watercolour

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William Daniell
'Scoor Eig, Isle of Eig', 1813, ...
1946 | aquatint

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William Daniell
'The Orford Ness Lighthouses, Su...
1822 | aquatint

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William Daniell
Dungeness Lighthouse, from 'A Vo...
1823 | hand-coloured engraving

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William Daniell
The Agra Gate, Chauter Serai, 18...
1835 |

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George Dance
Double London Bridge proposed fo...
1802 | oil painting

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William Daniell
 
Undated | Watercolor over graphite on moderately thick, slightly textured, cream wove paper

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William Daniell
View of Newcastle upon Tyne, Tak...
Undated | oil on canvas

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William Daniell
Westminster Bridge, from 'Genera...
1804 | colour lithograph

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William Daniell
The Rope Bridge near the Lightho...
1829 | coloured engraving

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William Daniell
East India Docks, Poplar, London...
1808 | aquatint

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William Daniell
'Brixham, Torbay, Devon', 1825
1825 | aquatint

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William Daniell
Steep Hill
Undated | engraving

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William Daniell
'Lighthouse on Flamborough Head'...
1822 | engraving

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William Daniell
'Lighthouse on the Start, Isle o...
1821 | engraving

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William Daniell
Scar Eig, Isle of Eig, 1945
1945 | colour lithograph

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William Daniell
'Corfe Castle', Dorset, 1823
1823 | aquatint

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William Daniell
Edinburgh with part of the North...
Undated |

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William Daniell
'Lyme Regis, from Charmouth, Dor...
1814 | aquatint

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
Windsor Castle from the Deer Par...
Undated | hand-coloured aquatint

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William Daniell
 
Undated | oil on canvas

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William Daniell
Fatehpur Sikri near Agra, engrav...
1837 | engraving

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William Daniell
Culzean Castle, Ayrshire, Scotland
Undated | engraving

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William Daniell
Scene In The Himalayas
Undated | oil on canvas

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William Daniell
A View in China: Cultivating the...
Undated | oil on canvas

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William Daniell
The South East View of Bijaigarh...
Undated | pencil and watercolour

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William Daniell
View in the Garden of the Palace...
1835 |

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William Daniell
 
Undated | coloured aquatint engraving, grey wash border

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William Daniell
 
Undated | oil on canvas

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William Daniell
 
Undated | Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper

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William Daniell
 
Undated | oil on canvas

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William Daniell
Windsor Castle, the Quadrangle, ...
1827 | watercolour on paper

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William Daniell
Stornaway on the Isle of Lewis, ...
1819 | coloured engraving

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William Daniell
South East View of Hill Fort of ...
Undated | watercolour on paper

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William Daniell
Mosque at Mathura, 1835.
1835 |

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William Daniell
Chunar Gur,c1786-1791, 1935
1796 | watercolour

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William Daniell
A Young Indian, c.1788 (wash ove...
Undated | wash over graphite on paper

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William Daniell
The Royal Lodge, Windsor Park,
Undated | pencil and watercolour

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William Daniell
The Bernar Pagoda, Benares, 1835.
1835 |

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William Daniell
Lowestoft, Suffolk, from 'A Voya...
Undated | aquatint

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William Daniell
Scarborough, Yorkshire, from Vol...
1822 | aquatint

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William Daniell
Mausoleum of Sufter Jung, Delhi,...
1835 |

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William Daniell
The Hunting Cheetahs
Undated | lithograph

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William Daniell
 
Undated | Watercolor and graphite with scraping on moderately thick, slightly textured, cream wove paper

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William Daniell
Madras, or Fort St. George, in t...
1833 | oil on canvas

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William Daniell
Scene on the Virginia Water, 1827
1827 | pencil and watercolour

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William Daniell
 
Undated | hand-coloured aquatint

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William Daniell
'Liverpool, taken from the opper...
1815 | engraving

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William Daniell
The Towns-end Mill, Liverpool, 1...
1814 | hand-coloured aquatint

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William Daniell
Westminster Bridge from Somerset...
1805 | watercolour

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William Daniell
'Nelson's Tower, Forres', Moray,...
1821 | engraving

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William Daniell
 
Undated | Gray wash and graphite on moderately thick, slightly textured, cream laid paper

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William Daniell
'Looking onto the Quadrangle at ...
1825 | lithograph

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William Daniell
 
Undated | Watercolor, with pen in brown ink, gouache and graphite on moderately thick, slightly textured, blued white, wove paper

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William Daniell
The Orford Ness Lighthouses, Suf...
Undated | aquatint

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William Daniell
 
Undated | oil on canvas

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William Daniell
Indian Landscape with Figures ne...
Undated | oil on canvas

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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