Pre Raphaelites: Passion for Detail and Connection with Nature

The Pre-Raphaelites aspired to an art characterized by intensity, attention to detail, and a special closeness to nature.


Discover Pre Raphaelites now!


Österreichische Kunstmanufaktur

Pre Raphaelites: Passion for Detail and Connection with Nature

The Pre-Raphaelites aspired to an art characterized by intensity, attention to detail, and a special closeness to nature.

Discover Pre Raphaelites now!
Pre Raphaelites
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available




Pre Raphaelites

The Pre-Raphaelites refer to an English art movement of the 19th century. It originated with the founding of the Pre-Raphaelite Brotherhood, PRB, by the artist friends William Holman Hunt, John Everett Millais and Dante Gabriel Rosetti. The name outlines their chosen program - the model was Italian Renaissance art before the time of the painter and architect Raphael (1483-1520). The reason was their conviction that artistic naivety had been lost and that the omnipresent mannerism offered no possibilities for development. Later, artists such as Collinson, Deverell, William Michael Rosetti, Solomon, Stephens and Woolner were added to the group. At times the community published the journal The Germ, later Art and Poetry. The PRB was dissolved in 1853, some of the artists later found themselves in the Hogarth Club. One focus was on the most accurate depiction of nature. What the Academy of Art taught was to be overcome, art was to be liberated. Here there was a parallel to the German Nazarenes who had come together around Overbeck. One source of motif was literature, especially works by Blake, Shakespeare, and the late Romantic Tennyson. In their nostalgic longing, the Pre-Raphaelites sought a landscape still unspoiled by industrialization and stability in the pure and unadulterated. The Academy of Art took exception to the Pre-Raphaelites' painting style and excluded them from its exhibition halls. Critics scorned their work, while other artists sympathized. It was not until Ruskin's essay in The Times in 1851 that the painting style became suitable for the salon - the parallels to the esteemed William Turner as well as the painterly new approaches were now acclaimed. These included clear, luminous colors, bright light, the most precise, respectful study of nature, and the depiction of even the smallest details. The content was about the mystical in the life of the soul, the preference of true passion over beauty or elegance. This approach clearly influenced English art; influences are visible, for example, in Burne-Jones, de Morgan, Morris or Stanhope.

Pre Raphaelites

The Pre-Raphaelites refer to an English art movement of the 19th century. It originated with the founding of the Pre-Raphaelite Brotherhood, PRB, by the artist friends William Holman Hunt, John Everett Millais and Dante Gabriel Rosetti. The name outlines their chosen program - the model was Italian Renaissance art before the time of the painter and architect Raphael (1483-1520). The reason was their conviction that artistic naivety had been lost and that the omnipresent mannerism offered no possibilities for development. Later, artists such as Collinson, Deverell, William Michael Rosetti, Solomon, Stephens and Woolner were added to the group. At times the community published the journal The Germ, later Art and Poetry. The PRB was dissolved in 1853, some of the artists later found themselves in the Hogarth Club. One focus was on the most accurate depiction of nature. What the Academy of Art taught was to be overcome, art was to be liberated. Here there was a parallel to the German Nazarenes who had come together around Overbeck. One source of motif was literature, especially works by Blake, Shakespeare, and the late Romantic Tennyson. In their nostalgic longing, the Pre-Raphaelites sought a landscape still unspoiled by industrialization and stability in the pure and unadulterated. The Academy of Art took exception to the Pre-Raphaelites' painting style and excluded them from its exhibition halls. Critics scorned their work, while other artists sympathized. It was not until Ruskin's essay in The Times in 1851 that the painting style became suitable for the salon - the parallels to the esteemed William Turner as well as the painterly new approaches were now acclaimed. These included clear, luminous colors, bright light, the most precise, respectful study of nature, and the depiction of even the smallest details. The content was about the mystical in the life of the soul, the preference of true passion over beauty or elegance. This approach clearly influenced English art; influences are visible, for example, in Burne-Jones, de Morgan, Morris or Stanhope.


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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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