The Magnificence of Ancient and Modern Rome (vol. 2) by Giuseppe Vasi

The Magnificence of Ancient and Modern Rome (vol. 2)

(Delle Magnificenze di Roma Antica e Moderna (vol. 2))


Giuseppe Vasi

€ 107.62
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Undated  ·   1 vol: ill:  ·  Picture ID: 1244139

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The Magnificence of Ancient and Modern Rome (vol. 2) by Giuseppe Vasi. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
Mark J. Millard Architectural Collection, David K.E. Bruce Fund, National Gallery of Art
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€ 107.62
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The Magnificence of Ancient and Modern Rome (vol. 1) Of the Magnificence of Ancient and Modern Rome (vol. 3) The Magnificence of Rome: The Most Remarkable Consisting of a Large Number of Prints in Which the Most Conspicuous Buildings of Modern Rome Are Represented, and the Remains of the Ancient Ones, Including Those Scattered Throughout Italy, with the Addition The Most Beautiful Monuments of Ancient Rome or Collection of the Most Beautiful Pieces of Roman Antiquity That Still Exist: Drawn by Mr. Barbault, Former Royal Pensioner in Rome, and Engraved in 128 Plates with Their Explanation. First page of the musical score of Aria Seria by Domenico Cimarosa Frontispiece from Mozart Title Page Title Page with Framed Title Frontispiece of musical score of Frontispiece of Le Gratie d The Vatican Temple and Its Origin with the Most Conspicuous Buildings of Antiquity and Recently Established There; Published by Knight Carlo Fontana, Deputy Minister and Architect of the Same Famous Temple. With Most of the Rules, and New Architecture and Frontispiece from an Early Copy of Mitridate, re di Ponte, an Opera by Wolfgang Amadeus Mozart, 1770 Title Page of the Frontispiece Inscription on the Side of the Rimini Bridge, ca. 1748 The Geometry by Rene Descartes Frontispiece of Il Cantore Ecclesiastico Page 742 from Historia De Gentivus Septentrionalibus by Magnus Olaus, Rome 1565 Urbis Venetiarum Prospectus Celebriores, Ex Antonii Canal Tabulis XXXVIII. Aere Expressi ab Antonio Visentini in Partes Tres Distributi. Pars Prima [-Pars Tertia] Fifth Edition of His Intended Works First page of musical score of Title Print with a Naked Female Figure with Shield, Helmet, and Book Title Page for "Regions and Rustic Villas" Programme for an Auto da Fe in Lisbon, from Title Page Title Page: Roman Antiquity of the Time of the Republic and the First Emperors, ca. 1748 Page of musical score of L Frontispiece of Recanetum de musica aurea by Stephanus Aureus Title Page of Difesa, by Galileo, 1607
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The Magnificence of Ancient and Modern Rome (vol. 1) Of the Magnificence of Ancient and Modern Rome (vol. 3) The Magnificence of Rome: The Most Remarkable Consisting of a Large Number of Prints in Which the Most Conspicuous Buildings of Modern Rome Are Represented, and the Remains of the Ancient Ones, Including Those Scattered Throughout Italy, with the Addition The Most Beautiful Monuments of Ancient Rome or Collection of the Most Beautiful Pieces of Roman Antiquity That Still Exist: Drawn by Mr. Barbault, Former Royal Pensioner in Rome, and Engraved in 128 Plates with Their Explanation. First page of the musical score of Aria Seria by Domenico Cimarosa Frontispiece from Mozart Title Page Title Page with Framed Title Frontispiece of musical score of Frontispiece of Le Gratie d The Vatican Temple and Its Origin with the Most Conspicuous Buildings of Antiquity and Recently Established There; Published by Knight Carlo Fontana, Deputy Minister and Architect of the Same Famous Temple. With Most of the Rules, and New Architecture and Frontispiece from an Early Copy of Mitridate, re di Ponte, an Opera by Wolfgang Amadeus Mozart, 1770 Title Page of the Frontispiece Inscription on the Side of the Rimini Bridge, ca. 1748 The Geometry by Rene Descartes Frontispiece of Il Cantore Ecclesiastico Page 742 from Historia De Gentivus Septentrionalibus by Magnus Olaus, Rome 1565 Urbis Venetiarum Prospectus Celebriores, Ex Antonii Canal Tabulis XXXVIII. Aere Expressi ab Antonio Visentini in Partes Tres Distributi. Pars Prima [-Pars Tertia] Fifth Edition of His Intended Works First page of musical score of Title Print with a Naked Female Figure with Shield, Helmet, and Book Title Page for "Regions and Rustic Villas" Programme for an Auto da Fe in Lisbon, from Title Page Title Page: Roman Antiquity of the Time of the Republic and the First Emperors, ca. 1748 Page of musical score of L Frontispiece of Recanetum de musica aurea by Stephanus Aureus Title Page of Difesa, by Galileo, 1607
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Other art prints by Giuseppe Vasi

View of the Piazza Navona During the Ferragosto Holiday The Casino and Villa Borghese, near Rome Basilica of Saint Peters, Vatican The Campo Vaccino Dirce Being Tied to a Bull Hercules Farnese View of the Casino della Vigna and the Villa Giulia Beyond, c.1761 Piazza di Spagna, c.1740 The Church of St. John Lateran View of Piazza Colonna, Rome, 1752 The Prima Macchina for the Chinea of 1773: The Temple of Peace The Performance of La Serenata in the Royal Palace of Naples Piazza del Campidoglio The Magnificence of Ancient and Modern Rome (vol. 1) The Seconda Macchina for the Chinea of 1761: A Magnificent Theater
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Other art prints by Giuseppe Vasi

View of the Piazza Navona During the Ferragosto Holiday The Casino and Villa Borghese, near Rome Basilica of Saint Peters, Vatican The Campo Vaccino Dirce Being Tied to a Bull Hercules Farnese View of the Casino della Vigna and the Villa Giulia Beyond, c.1761 Piazza di Spagna, c.1740 The Church of St. John Lateran View of Piazza Colonna, Rome, 1752 The Prima Macchina for the Chinea of 1773: The Temple of Peace The Performance of La Serenata in the Royal Palace of Naples Piazza del Campidoglio The Magnificence of Ancient and Modern Rome (vol. 1) The Seconda Macchina for the Chinea of 1761: A Magnificent Theater
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support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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