Jugdelluk, the Last Stand Made by General Elphinestone

Jugdelluk, the Last Stand Made by General Elphinestone's Army in the Calamitous Retreat, plate 21 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Hulme

(Jugdelluk, the Last Stand Made by General Elphinestone's Army in the Calamitous Retreat, plate 21 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Hulme, 1848 )


James Rattray

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1848  ·  colour lithograph  ·  Picture ID: 274514

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Jugdelluk, the Last Stand Made by General Elphinestone's Army in the Calamitous Retreat, plate 21 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Hulme by James Rattray. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
print · afghan · british soldiers · horses · camels · hills · landscape · kabul · defeat · Private Collection / Bridgeman Images
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Gemälde
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Keilrahmen
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€ 116.48
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Encampment of the 1st Bengal European Regiment, First Anglo-Afghan War 1838-1842 The Third Descent of the Khojak Pass, c.1839 View of the Baba-Naunee Mountain, from Plains and City of Vitoria, from Sketches of Scenery in the Basque Provinces of Spain, with a Selection of National Music, pub. 1838 Encampment of the Kandahar Army under General Nott, outside the walls of Caubul, on the evacuation of Afghanistan by the British, plate 5 from The Second Descent through the Koojah Pass Plains of Vittoria The Troops Emerging from the Narrow Part of the Defile in the Koojah Pass, from Entrance to Nablous, April 17th 1839, plate 41 from Volume I of Ruins of Semua View of the Bromo Volcano Tomb of Aaron, Summit of Mount Horeb Tomb of Aaron, from Serra de Estrella or De Neve (engraved by C. Turner) Encampment of the Aulad-Said, Mount Sinai, February 18th 1839, plate 110 from Volume III of The Valley of Maidan The Encampment at Dadur, with the Entrance to the Bolan Pass Semua Semua Tomb of Aaron, Summit of Mount Horeb, 1839 Hernani, from Sketches of Scenery in the Basque Provinces of Spain, with a Selection of National Music, pub. 1838 Entrance to Nablus The Troops Emerging from the Narrow Part of the Defile in the Koojah Pass Entrance to Nablus First Anglo-Afghan War 1838-1842 No.5. Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River Mount Tabor from the Plain of Esdraelon View of Bala Hissai and the City of Kabul, with the British Cantonments from the Ba Marco Hill Run with the 7th Dragoon foxhounds in Caffir Land, Cape of Good Hope
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Other art prints by James Rattray

Mosque and Tomb of the Emperor Sooltaun Mahmood of Ghuznee, Plate 10 from Temple of Dost Mahommed (1793-1863) King of Caubul and His Youngest Son, Plate 2 from Kandahar Lady of Rank, Engaged in Smoking, plate 29 from City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks Mosque of Goolaum Hoossein Huzrut-Jee, the Great Prophet of the Afghauns, and the Tombs of the Kings at Kandahar, plate 30 from Ladies of Caubul in their In and Out-of-Door Costume, Plate 24 from Kelaut-i-Chiljie, plate 8 from Scenery, Inhabitants and Costumes of Afghanistan, engraved by R. Carrick, 1848 Jugdelluk, the Last Stand Made by General Elphinestone Meerz Fyze, an Oosbeg Elchee, or Ambassador, Plate 22 from Bala Hissar and City of Kabul with the British Cantonments from the Ba Maroo Hill, Hostilities Commencing, plate 16 from Chief Executioner and Assistant of His Majesty the Late Shah, plate 14 from Mahommed Naib Shurreef, a Celebrated Kuzzilbach Chief of Caubul and his Peshkhidmut or Head Attendant, plate 15 from Afghan Foot Soldiers in their Winter Dress, with Entrance to the Valley of Urgundeh, plate 11 from
Discover more works by James Rattray

Other art prints by James Rattray

Mosque and Tomb of the Emperor Sooltaun Mahmood of Ghuznee, Plate 10 from Temple of Dost Mahommed (1793-1863) King of Caubul and His Youngest Son, Plate 2 from Kandahar Lady of Rank, Engaged in Smoking, plate 29 from City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from Ko-i-Staun Foot Soldiery in Summer Costume, Actively Employed among the Rocks Mosque of Goolaum Hoossein Huzrut-Jee, the Great Prophet of the Afghauns, and the Tombs of the Kings at Kandahar, plate 30 from Ladies of Caubul in their In and Out-of-Door Costume, Plate 24 from Kelaut-i-Chiljie, plate 8 from Scenery, Inhabitants and Costumes of Afghanistan, engraved by R. Carrick, 1848 Jugdelluk, the Last Stand Made by General Elphinestone Meerz Fyze, an Oosbeg Elchee, or Ambassador, Plate 22 from Bala Hissar and City of Kabul with the British Cantonments from the Ba Maroo Hill, Hostilities Commencing, plate 16 from Chief Executioner and Assistant of His Majesty the Late Shah, plate 14 from Mahommed Naib Shurreef, a Celebrated Kuzzilbach Chief of Caubul and his Peshkhidmut or Head Attendant, plate 15 from Afghan Foot Soldiers in their Winter Dress, with Entrance to the Valley of Urgundeh, plate 11 from
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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