Feel the passion of Francesco Albani in our art prints.

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Feel the passion of Francesco Albani in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Francesco Albani
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Francesco Albani

  1578
  1660
Classicism

Of course, the Baroque was the era of putti in painting. But it is truly not everyone who can fill a painting with dancing cupids and say about himself that he was more than just their painter. After the death of his first wife in the year, the Italian painter Francesco Albani married again. And in his second marriage he became the father of ten children, who are said to have served as models for the many putti that accompany a significant part of his work.

In general, his life plan was a model of straightforwardness: born in Bologna, after his first steps with Denys Calvaert, he moved to the Carracci brothers in their Bolognese academy. His more famous classmate and colleague in first collaborative projects was Guido Reni. They knew each other since Calvaert and left the academy for Rome to work there for Annibale Carracci and to train in religious fresco painting. Artists' biographers conceive the element of tension of rivalry between the two. But why should they compete? Reni, who was later said to have a difficult character, initially took his cue from Raphael and stayed in Rome to work for the time being. For Albani, on the other hand, who developed a less retrospective style, detachment soon followed. Then he became independent and, after stays in Mantua and again in Rome, finally settled in his hometown of Bologna. There he maintained his own workshop, which provided him and his family with the necessary income. As a person and patron he is said to have been of remarkable kindness and modesty. Especially in dealing with his employees, he was said to be very friendly.

Although he first earned his spurs as a performer of the religious and later produced quite a few devotional paintings with his workshop, Albani is fondly regarded as the myth painter among the Bolognese and the pioneer of modern landscape painting. His lines are soft, very friendly colors. His knowledge of mythology is remarkable. For example, his depictions of Europa: the painter followed Ovid's model with absolute fidelity (leaving aside Europa's left hand for a moment). But both aspects should not be separated: because overall he was the painter of myth in landscape. The landscapes always in harmonious division, the mythical figures in it balanced positioned. Even if they are always accompanied by a flock of putti, the viewer does not have to orientate himself for a long time to grasp the essence. And yet he can easily lose himself in the graceful areas or study the depicted scenes in depth.

After a full life and very respected, Francesco Albani finally died at home in Bologna, very old. Unjustly, he has temporarily faded a little into the background in the consciousness of the art world. However, the importance of his work has not suffered, as evidenced by the resurgence of interest in him.

Francesco Albani

  1578
  1660
Classicism

Of course, the Baroque was the era of putti in painting. But it is truly not everyone who can fill a painting with dancing cupids and say about himself that he was more than just their painter. After the death of his first wife in the year, the Italian painter Francesco Albani married again. And in his second marriage he became the father of ten children, who are said to have served as models for the many putti that accompany a significant part of his work.

In general, his life plan was a model of straightforwardness: born in Bologna, after his first steps with Denys Calvaert, he moved to the Carracci brothers in their Bolognese academy. His more famous classmate and colleague in first collaborative projects was Guido Reni. They knew each other since Calvaert and left the academy for Rome to work there for Annibale Carracci and to train in religious fresco painting. Artists' biographers conceive the element of tension of rivalry between the two. But why should they compete? Reni, who was later said to have a difficult character, initially took his cue from Raphael and stayed in Rome to work for the time being. For Albani, on the other hand, who developed a less retrospective style, detachment soon followed. Then he became independent and, after stays in Mantua and again in Rome, finally settled in his hometown of Bologna. There he maintained his own workshop, which provided him and his family with the necessary income. As a person and patron he is said to have been of remarkable kindness and modesty. Especially in dealing with his employees, he was said to be very friendly.

Although he first earned his spurs as a performer of the religious and later produced quite a few devotional paintings with his workshop, Albani is fondly regarded as the myth painter among the Bolognese and the pioneer of modern landscape painting. His lines are soft, very friendly colors. His knowledge of mythology is remarkable. For example, his depictions of Europa: the painter followed Ovid's model with absolute fidelity (leaving aside Europa's left hand for a moment). But both aspects should not be separated: because overall he was the painter of myth in landscape. The landscapes always in harmonious division, the mythical figures in it balanced positioned. Even if they are always accompanied by a flock of putti, the viewer does not have to orientate himself for a long time to grasp the essence. And yet he can easily lose himself in the graceful areas or study the depicted scenes in depth.

After a full life and very respected, Francesco Albani finally died at home in Bologna, very old. Unjustly, he has temporarily faded a little into the background in the consciousness of the art world. However, the importance of his work has not suffered, as evidenced by the resurgence of interest in him.





The most popular works of Francesco Albani

These artworks are particularly popular with our customers.

Apollo and Daphne, c. 1615-1620
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Salmacis in the bath repelled by...
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Adonis Killed by a Wild Boar
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The most popular works of Francesco Albani

These artworks are particularly popular with our customers.


Discover more artworks by Francesco Albani

Discover more artworks by Francesco Albani

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Francesco Albani
Diana and Actaeon
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Francesco Albani
The Rape of Europa
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Francesco Albani
 
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Francesco Albani
Actaeon metamorphoses into a stag
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Francesco Albani
 
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Francesco Albani
 
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Francesco Albani
Dance of the Cupids, c.1630
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Francesco Albani
Diana and Actaeon, c. 1640.
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Francesco Albani
 
undatiert | oil on canvas

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Francesco Albani
Christ served by angels - Painti...
Undated | oil on canvas

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Francesco Albani
 
1630 | painting

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Nicolas Colombel
The Rape of Europe
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Francesco Albani
The baptism of Christ - Painting...
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Francesco Albani
Predication of Saint John the Ba...
1630 | Unknown

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Francesco Albani
 
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Francesco Albani
Diana and Actaeon, c. 1617.
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Francesco Villamena
Allegorie op kardinaal Pompeio A...
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Francesco Albani
Jupiter and Pandora
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Francesco Albani
Venus and Adonis Painting by Fra...
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Francesco Albani
Lamentation of Christ with St Jo...
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Francesco Albani
Penitent Mary Magdalene, 1640
1640 | oil on canvas

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Francesco Albani
Jacob protecting Rachel
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Francesco Albani
Susanna and the Elders'.
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Francesco Albani
Putto Alato spezza gli strumenti...
undatiert | oil on canvas

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Francesco Albani
 
1630 | painting

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Francesco Albani
Element of the Earth, 1625-28
1625 | Oil on canvas

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Filippo Lauri
 
Undated | oil on canvas

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Francesco Albani
La toilette de Venus ou l'Air Pe...
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Francesco Rosaspina
Putti dansend om een boom
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Francesco Albani
Element of Water, 1625-28
1628 | Oil on canvas

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Francesco Albani
Angel playing lute
16 |

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Francesco Albani
Element of Fire, 1625-28
1625 | Oil on canvas

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Francesco Albani
Venus and Mars (oil on canvas)
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Francesco Albani
Madonna and Child with Angels (d...
Undated | oil on slate

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Francesco Albani
Element of the Air, 1625-28
1625 | Oil on canvas

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Jean Daullé
Moeder met kind aan de borst ter...
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Francesco Albani
Madonna
17 |

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Francesco Albani
Madonna with the Child and angels
1610 | painting

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Francesco Albani
Christ and The Woman of Samaria ...
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Francesco Albani
Adonis Led to Venus by Cherubs
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Francesco Albani
Jupiter sends Mercury to Apollo
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Francesco Albani
 
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Francesco Albani
Moses Saved from Drowning
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Etienne Picart
Christus verschijnt aan Maria Ma...
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Francesco Albani
 
1610 | Oil on copper

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Francesco Albani
 
Undated | red chalk

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Francesco Albani
Penitent Magdalene
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Jean Daullé
Moeder met kind aan de borst ter...
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Francesco Albani
The Holy Family with St. Elizabe...
Undated | oil on copper

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Francesco Albani
The Holy Family (oil on metal)
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Francesco Albani
Vénus et Adonis
1630 | oil on canvas

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Francesco Albani
 
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Francesco Albani
""Suzanne et les vieillards"" (S...
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Francesco Albani
Landscape with the visitation
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Francesco Albani
Andrea Calvi b.1590, 1636.
1636 | oil painting

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Francesco Albani
Virgin and Child Adored by Saint...
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Francesco Albani
Venus, reclining under a rustic ...
Undated | pen and ink with wash on paper

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Francesco Albani
Madonna and Child with Angels (o...
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Francesco Albani
Noli me tangere (on canvas)
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Francesco Albani
St. Peter freed from prison
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Francesco Albani
 
1610 | Unknown

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Francesco Albani
 
Undated | oil on copper

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Francesco Albani
 
Undated | oil on canvas

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Francesco Albani
Holy Women at Chirsts Tomb
17 |

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Francesco Albani
St Elizabeth in glory
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Francesco Albani
 
Undated | Black chalk, with pen and brown and black ink and traces of red chalk, on blue-gray laid paper, laid down

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Francesco Albani
 
Undated | pen and ink and wash on paper

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Francesco Albani
 
Undated | Graphite on tan laid paper, squared in graphite, edge mounted on cream wove card

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Francesco Albani
Virgin and Child Adored by Saint...
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Francesco Albani
Holy Family with St Elizabeth an...
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Francesco Albani
The Holy Family (oil on copper)
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Francesco Albani
The Holy Family (oil on metal)
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Francesco Albani
Deploration, with Saint John apo...
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Francesco Albani
Acteon metamorphose en cerf - Ac...
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Francesco Albani
French: Vénus et Adonis  Venus ...
1630 |

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Francesco Albani
Adonis conduit pres de Venus par...
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Francesco Albani
Le repos de Venus et de Vulcain ...
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Francesco Albani
Acteon metamorphose en cerf - Ac...
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Francesco Albani
Sleeping Eros 
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Francesco Albani
Saint Francois d' Assise en orai...
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Francesco Albani
Apollon et Daphne - Apollo and D...
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Francesco Albani
Le Christ et la Madeleine …
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Francesco Albani
Love gods disarmed by the nymphs...
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Francesco Albani
Apollon et Daphne - Apollo and D...
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Francesco Albani
 
1660 |

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Francesco Albani
 
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Francesco Albani
La Nativite - Nativity …
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Francesco Albani
French: Le Père Éternel et l'an...
1650 |

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Francesco Albani
La toilette de Venus - Venus at ...
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Francesco Albani
Salmacis et Hermaphrodite - Salm...
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Francesco Albani
The Holy Family in a landscape
17 |

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Francesco Albani
Noli me tangere
1620 |

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Francesco Albani
Madonna with the Child and angels
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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