James Abbott McNeill Whistler | Page 44

James Abbott McNeill Whistler | Page 44

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James Abbott McNeill Whistler
London Bridge
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Cancelled Printing Plate for
Undated | copper

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James Abbott McNeill Whistler
Old Hungerford Bridge
Undated | etching on Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Riva
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in brown on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on tan laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on tan wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with drypoint cancellation, in black ink on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Lithotint in black with scraping, on ivory chine, laid down on off-white plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, drypoint and open bite in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Barber's Shop, Chelsea, c.18...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
Antony's Print Shop, Rue de Sein...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
 
Undated | ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in black ink, with scraping, on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on tan Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on buff laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph on tan laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory wove proofing paper

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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
 
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in black with chine collé on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two scenes on a river
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black with chine collé on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Pencil, ink, and wash on cream wove paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1880 | drypoint/etching

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James Abbott McNeill Whistler
Quiet Canal.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | watercolour on paper

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James Abbott McNeill Whistler
Melon Shop, Hounsditch, c.1886-8...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Bonnet-Shop, c.1884-86 (etch...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in brown on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on Asian wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Mère Gérard
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, scraping, and incising, on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with scraping, on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream Japanese proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping, on ivory Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on grayish white chine, laid down on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in gray-black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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James Abbott McNeill Whistler
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Page 44 / 47



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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