James Abbott McNeill Whistler | Page 45

James Abbott McNeill Whistler | Page 45

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James Abbott McNeill Whistler
The Fishing Boat
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Street at Saverne
Undated | Etching with foul biting in black ink on ivory Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Staircase
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in brown ink, with scraping, on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on buff laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Hôtel de la Croix Blanche
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on tan laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper altered to light brown

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black ink on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
De kleine Putney brug The Littl...
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Steel-faced copper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Watercolor over and under graphite on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Crayon and white chalk on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | hand-colored lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1879 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with scraping, on cream chine laid down on off-white plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on chine collé

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, with drypoint cancellation, in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint with scraping, on a prepared half-tint ground, in black on ivory Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Steel-faced copper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in warm black, with selective wiping of plate tone, on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Palaces from The Secon...
1879 | Etching and drypoint with plate tone

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James Abbott McNeill Whistler
Old Hungerford Bridge.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Drury Lane, c.1880-81 (etching; ...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, with drypoint cancellation, in dark brown ink on cream Japanese paper

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James Abbott McNeill Whistler
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Page 45 / 47



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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