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Feel the passion of James Ward in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
James Ward
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
James Ward

James Ward

    October 23, 1769   -   November 23, 1859
Genre painting   •   Wikipedia: James Ward

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.

James Ward

    October 23, 1769   -   November 23, 1859
Genre painting   •   Wikipedia: James Ward James Ward

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.

Artworks by James Ward

Artworks by James Ward

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James Ward
Fight between a Lion and a Tiger...
1797 | oil on canvas

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James Ward
A Persian Horse, from 'Celebrate...
Undated | lithograph

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James Ward
 
1840 | Oil on panel

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James Ward
Napoleon's Horse, Marengo
1892 | lithograph

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James Ward
Eagle, a Celebrated Stallion
Undated | oil on canvas

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James Ward
 
140 | Graphite on paper

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James Ward
The Yeldham Oak at Great Yeldham...
1833 | oil on canvas

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James Ward
Rough-coated Collie, 1809
1809 | Oil on cardboard

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James Ward
 
1830 | Oil on panel

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James Ward
‘Copenhagen The Horse rode by th...
Undated | lithograph

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James Ward
Bulls fighting; St. Donat's Cast...
Undated |

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James Ward
Man Struggling with a Boa Constr...
Undated | oil on canvas

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James Ward
Copenhagen, Wellington's favouri...
Undated | oil on canvas

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James Ward
Adonis, a white stallion
Undated |

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James Ward
Kenilworth Castle, Warwickshire,...
1840 | Oil on panel

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James Ward
Ralph John Lambton on his hunter...
Undated | oil on canvas

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James Ward
 
165 | Graphite on paper

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James Ward
Ravager, one of the Lambton Houn...
Undated | oil on panel

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James Ward
A Mare: Possibly a Study for "L'...
1827 |

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James Ward
Ryelands Sheep, the Kings Ram, t...
1801 | Oil on panel

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James Ward
Fall of Phaeton, 1808
1808 | oil on panel

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James Ward
The Old Hall, Tabley, Surrounded...
Undated | pencil on paper

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James Ward
A Mare, Possibly a Study for "L'...
Undated |

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James Ward
Interior of a Stable, 1810
1810 | oil on canvas

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James Ward
Hereford Boar, c.1803-04 (pencil...
Undated | pencil on paper

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James Ward
Looking Upwards from Devils Brid...
352 | Watercolor on paper

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James Ward
‘Marengo’, the favourite charger...
1815 | etching

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James Ward
Man Struggling with a Boa Constr...
Undated | oil on canvas

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James Ward
 
1814 | Ink on paper

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James Ward
The Descent of the Swan, illustr...
Undated | oil on wood

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James Ward
The Rocking Horse, c.1793 (mezzo...
Undated | mezzotint

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William Ward
Konijnenverkoper Selling Rabbit...
Undated | paper

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James Ward
Marengo, engraved by the artist,...
1824 | engraving

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James Ward
 
Undated | Graphite on medium, smooth, cream wove paper mounted on medium, slightly

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James Ward
A Horseman in a Landscape, proba...
Undated | pen and brown ink on paper

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James Ward
Copenhagen, from 'Celebrated Hor...
Undated | lithograph

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James Ward
Portraits of two extraordinary o...
1814 | Oil on panel

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James Ward
Arctic Dog, Facing Right
Undated | Brush on paper

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James Ward
A letter from James Ward, 1851 1904
1904 | pen/ink

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James Ward
Ruins of Richbro Castle, Isle of...
244 | Graphite on paper

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James Ward
Portraits of two extraordinary o...
Undated | oil on panel

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James Ward
An Overshot Mill, c.1802-07 (oil...
Undated | oil on panel

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James Ward
 
undatiert | Graphite on paper

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James Ward
Sketch for 'Gordale Scar', c.181...
Undated | oil on canvas

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James Ward
Sir John Leicester, Bt, Exercisi...
1824 | oil on canvas

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James Ward
A Brown long-eared bat (Plecotus...
Undated | Watercolor over graphite on medium, slightly textured, cream wove paper

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James Ward
Sheep Salving, 1828.
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James Ward
'Rockingham with His Owner, John...
1835 | oil painting

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James Ward
Crouching Man, study for 'The Tr...
Undated | charcoal and chalk on paper

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James Ward
Grey Arabian stallion, the prope...
Undated | oil on canvas

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James Ward
Dr. Syntax, a bay racehorse, sta...
Undated | oil on canvas

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James Ward
A Horseman in a Landscape: Proba...
1814 |

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James Ward
A Mare- Possibly a Study for LAm...
1827 | charcoal on paper

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James Ward
Study of a Mountain with Trees (...
Undated | black chalk on paper

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James Ward
 
1804 | mezzotint

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James Ward
A Human Skeleton (pen und ink wa...
Undated | pen and ink wash and pencil on paper

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James Ward
Fourteen Celebrated Horses: Adonis
Undated | lithograph

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James Ward
Ryelands Sheep, the King's Ram, ...
Undated | oil on panel

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James Ward
Study for 'Gordale Scar', c.1811...
Undated | oil on canvas

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James Ward
 
Undated | oil on panel

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James Ward
Donkeys, c1831 1904
1904 |

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James Ward
Landscape near Swansea, South Wa...
Undated | Oil on panel

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James Ward
Study for the Oil Painting The C...
1820 | Unknown

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James Ward
 
114 | Graphite on paper

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James Ward
 
Undated | oil on canvas

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James Ward
Compassionate Children, engraved...
1793 | coloured engraving

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James Ward
 
Undated | Graphite on medium, smooth, cream wove paper mounted medium, slightly textured, beige laid paper

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James Ward
Design for 'The Waterloo Allegor...
Undated | pen and black ink on paper

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James Ward
Study of a Drayman (A Study for ...
Undated | Graphite on medium, smooth, cream wove paper

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James Ward
 
1813 | oil on canvas

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James Ward
Two Girls (or Lady and Child) on...
213 |

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James Ward
Portrait Of Lord Stanhope 1805-6...
Undated |

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James Ward
Mr. Howards Large Oak, August 5,...
1820 | Graphite on paper

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James Ward
 
Undated | graphite on paper

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James Ward
Group portrait of John, Theophil...
1811 | oil on board

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James Ward
 
Undated | Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper

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James Ward
A Border Leicester Ewe (oil on c...
Undated | oil on canvas

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James Ward
Study for the Fall of Phaethon, ...
1808 | graphite, ink and watercolour on paper

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James Ward
 
Undated | oil on panel

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James Ward
Man Struggling with a Boa Constr...
Undated |

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James Ward
Landscape with Deer under "The B...
Undated | oil on panel

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James Ward
A Bat (pencil & watercolor on pa...
Undated | Pencil and watercolour on paper

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James Ward
Landscape with Farm and Cornstoc...
Undated | pencil on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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