Feel the passion of James Ward in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!


Österreichische Kunstmanufaktur

Feel the passion of James Ward in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
James Ward
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of James Ward

These artworks are particularly popular with our customers.

Napoleon's Horse, Marengo
1892 | lithograph

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Fight between a Lion and a Tiger...
1797 | oil on canvas

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A Persian Horse, from 'Celebrate...
Undated | lithograph

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Eagle, a Celebrated Stallion
Undated | oil on canvas

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The most popular works of James Ward

These artworks are particularly popular with our customers.


Discover more artworks by James Ward

Discover more artworks by James Ward

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James Ward
 
140 | Graphite on paper

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James Ward
The Yeldham Oak at Great Yeldham...
1833 | oil on canvas

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James Ward
 
1840 | Oil on panel

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James Ward
 
165 | Graphite on paper

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James Ward
Adonis, a white stallion
Undated |

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James Ward
 
1814 | Ink on paper

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James Ward
‘Copenhagen The Horse rode by th...
Undated | lithograph

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James Ward
 
1830 | Oil on panel

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James Ward
Drawing of a Man's Skeleton (bro...
Undated | brown pen and ink on paper

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James Ward
Fall of Phaeton, 1808
1808 | oil on panel

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James Ward
Rough-coated Collie, 1809
1809 | Oil on cardboard

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James Ward
Interior of a Stable, 1810
1810 | oil on canvas

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Ubekendt KKSgb7508 KKSgb7512
Siddende ko
Undated | Pencil and watercolor

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Ubekendt KKSgb7508 KKSgb7512
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James Ward
Landscape near Swansea, South Wa...
Undated | Oil on panel

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James Ward
 
311 | pencil on paper

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James Ward
 
137 | Watercolor on paper

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James Ward
 
undatiert | Watercolor on paper

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James Ward
 
Undated | oil on panel

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James Ward
 
1803 | Graphite on paper

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James Ward
Lord Southamptons Shooting Pony
1822 | Graphite on paper

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James Ward
 
298 | pencil on paper

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James Ward
The Falls of the Clyde after a F...
1852 | oil on canvas

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James Ward
 
200 | Graphite on paper

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James Ward
 
1813 | oil on canvas

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James Ward
 
1828 | Oil on panel

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James Ward
A Human Skeleton (pen und ink wa...
Undated | pen and ink wash and pencil on paper

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James Ward
 
Undated | Graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured beige laid paper

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James Ward
A Little Boy with Red Shoes (Chi...
168 | Watercolor on paper

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James Ward
Snowdon, An Approaching Storm, 1...
1853 | pen and grey wash on paper

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James Ward
A Wild Boar, Asleep or Dead, 1814
1814 | pen and ink on paper

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James Ward
The Triumph of Arthur (1769-1852...
Undated |

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James Ward
 
149 | Watercolor on paper

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Ubekendt KKSgb7508 KKSgb7512
Head of a bull
Undated | Pencil and watercolor

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Ubekendt KKSgb7508 KKSgb7512
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James Ward
 
undatiert | Watercolor on paper

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James Ward
 
330 | Ink on paper

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James Ward
 
276 | Graphite on paper

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James Ward
 
undatiert | Graphite on paper

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Ubekendt KKSgb7508 KKSgb7512
Head of a cow
Undated | pen, brown ink and wash

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Ubekendt KKSgb7508 KKSgb7512
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James Ward
 
Undated | Mezzotint, printed in color

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James Ward
Fourteen Celebrated Horses: Adon...
Undated | lithograph/lithograph/lithograph

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James Ward
'Fanny', a Favourite Dog, 1822
1822 | oil on wood

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James Ward
'Fighting horses', 1808
1808 | oil painting

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James Ward
Cossack Horse, from Celebrated H...
Undated | lithograph

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James Ward
Adonis, King George III"s Favour...
Undated | oil on panel

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James Ward
 
133 | Graphite on paper

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Ubekendt KKSgb7508 KKSgb7512
Peasant boy with a jug on his bag
Undated | Pencil and watercolor

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James Ward
James Ward, British painter and ...
1910 |

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James Ward
Landscape with Sheep
Undated | oil on canvas

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James Ward
The Reverend Thomas Levett and f...
1811 | oil on canvas

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James Ward
Regent's Park, London; painted 1...
Undated | engraving

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James Ward
Count Platoff's favourite charge...
Undated | oil on canvas

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James Ward
Interior of a Stable, c.1830-40 ...
Undated | oil on panel

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James Ward
Lord Stanhope (1753-1816) as a B...
Undated | pencil on paper

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James Ward
Grey Arabian stallion, the prope...
1817 | oil on canvas

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James Ward
A Dongola Horse, c1850, c1879.
1850 | lithograph

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James Ward
Portret van Adam Duncan The Rig...
Undated | paper

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James Ward
Portret van Adam Duncan The Rig...
Undated | paper

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James Ward
 
1795 | oil on canvas

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James Ward
Horses Foreleg- Possibly a Study...
146 | Graphite on paper

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James Ward
Portrait of `Vic', a Spanish Blo...
Undated |

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James Ward
A Mill (graphite)
Undated | graphite

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James Ward
 
1833 | Graphite on paper

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Ubekendt KKSgb7508 KKSgb7512
 
Undated | Pencil and watercolor

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Ubekendt KKSgb7508 KKSgb7512
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James Ward
 
333 | Watercolor on paper

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James Ward
Cattle, Donkeys and Pigs by a Po...
Undated | oil on panel

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James Ward
A Canopied Boat and Two Rowing B...
171 | Watercolor on paper

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James Ward
Study of a Climbing Plant (Pumpk...
Undated | pencil heightened with white on blue paper

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James Ward
 
Undated | Gray wash over graphite on medium, smooth, cream wove paper

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James Ward
Dalmatian Dogs
Undated | oil on canvas

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James Ward
Ruins of Richbro Castle, Isle of...
244 | Graphite on paper

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James Ward
 
Undated | Watercolor over graphite on medium, smooth, cream wove paper

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James Ward
Studies of a Tiger; above, Head ...
undatiert | Graphite on paper

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James Ward
A Mare: possibly a study for 'L'...
Undated | charcoal heightened with white on paper

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James Ward
 
undatiert | Graphite on paper

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James Ward
Portraits of two extraordinary o...
1814 | Oil on panel

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James Ward
The Beggars Oak, Bagots Park, Au...
1820 | Graphite on paper

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James Ward
 
1793 | oil on canvas

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James Ward
 
Undated | Watercolor over graphite on medium, modertately textured, beige laid paper mounted on moderately thick, smooth, beige wove paper

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James Ward
A Thatched Cottage and Trees at ...
Undated | pen and watercolour on paper

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James Ward
Sheep Shearing, 1828, 1938
1828 | oil painting

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James Ward
Study of a Sleeping Dog (black c...
Undated | black chalk on buff paper

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James Ward
Joseph Wright of Derby by James ...
1807 | mezzotint

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James Ward
The Dairy Farm, engraved by the ...
1801 | Mezzotint engraving

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James Ward
 
Undated | oil on panel

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James Ward
 
1814 | Watercolor on paper

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Page 1 / 6



James Ward

James Ward

  October 23, 1769
  November 23, 1859
   •   Genre painting   •   Wikipedia: James Ward

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.

James Ward

James Ward
  October 23, 1769
  November 23, 1859
   •   Genre painting   •   Wikipedia: James Ward

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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