Feel the passion of John Linnell in our art prints.

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Feel the passion of John Linnell in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
John Linnell
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

John Linnell

  June 16, 1792
  January 20, 1882
   •   Romanticism   •   Wikipedia: John Linnell

John Linnell (1792 - 1882) was one of the most successful English portrait and landscape painters of his time. As the son of a carver and gilder, he came into contact with art at an early age. Already at the age of 10 Linnell earned his money by selling portraits with chalk and pencil. His father James Thomas Linnell capitalized on his son's talent and had him make copies of paintings by painters like George Morlan, which he sold at a profit. At the age of 13 John Linnell was finally accepted at the Royal Academy School. He was taught by Benjamin West and later by John Varley, whose students at this time included William Hunt and William Mulready. Linnell was a versatile artist who mastered watercolor and oil painting as well as engraving.

Soon Linnell had built a reputation as a portrait painter. Portraiture accounted for most of his income. He was in great demand among the clergy and the nobility. But his deep passion was always for landscape painting. From the 1840s, after almost 30 years as a portraitist, Linnell finally turned exclusively to landscape painting. Although many of his landscape scenes also depicted people and were sometimes titled, such as "Sermon of St. John", "Wheat" or "Journey to Emmanus", people seemed to be rather unimportant. Linnell concentrated much more on the representation of the sky and the surrounding landscape. The paintings often showed unagitated English landscapes. But the paintings were enchanting nevertheless, because Linnell liked to decorate his paintings with sunrises or sunsets. These light conditions ultimately made his works so special. In his spare time, Linnell studied the Bible in the Orignial, wrote commentaries on it and composed poems. He was an admirer of the European Renaissance, especially Albrecht Dürer.

John Linnell was married to Mary Palmer, the eldest daughter of a chapel treasurer. The couple had nine children. His son, Thomas Linnell, also became a successful landscape painter and learned much from his father's work. Linnell was very sympathetic to young artists. Thus he was one of the most important promoters of William Blake and energetically supported him and gave him his first commissions. He is also said to have been a supporter of the Pre-Raphaelites Holman Hunt, Rosetti and Millais when the movement was still struggling with strong resistance. He also took his future son-in-law, Samuel Palmer, under his wing when he was 17 years old. However, the initially good relationship between the two is said to have become increasingly strained later on.

John Linnell

  June 16, 1792
  January 20, 1882
   •   Romanticism   •   Wikipedia: John Linnell

John Linnell (1792 - 1882) was one of the most successful English portrait and landscape painters of his time. As the son of a carver and gilder, he came into contact with art at an early age. Already at the age of 10 Linnell earned his money by selling portraits with chalk and pencil. His father James Thomas Linnell capitalized on his son's talent and had him make copies of paintings by painters like George Morlan, which he sold at a profit. At the age of 13 John Linnell was finally accepted at the Royal Academy School. He was taught by Benjamin West and later by John Varley, whose students at this time included William Hunt and William Mulready. Linnell was a versatile artist who mastered watercolor and oil painting as well as engraving.

Soon Linnell had built a reputation as a portrait painter. Portraiture accounted for most of his income. He was in great demand among the clergy and the nobility. But his deep passion was always for landscape painting. From the 1840s, after almost 30 years as a portraitist, Linnell finally turned exclusively to landscape painting. Although many of his landscape scenes also depicted people and were sometimes titled, such as "Sermon of St. John", "Wheat" or "Journey to Emmanus", people seemed to be rather unimportant. Linnell concentrated much more on the representation of the sky and the surrounding landscape. The paintings often showed unagitated English landscapes. But the paintings were enchanting nevertheless, because Linnell liked to decorate his paintings with sunrises or sunsets. These light conditions ultimately made his works so special. In his spare time, Linnell studied the Bible in the Orignial, wrote commentaries on it and composed poems. He was an admirer of the European Renaissance, especially Albrecht Dürer.

John Linnell was married to Mary Palmer, the eldest daughter of a chapel treasurer. The couple had nine children. His son, Thomas Linnell, also became a successful landscape painter and learned much from his father's work. Linnell was very sympathetic to young artists. Thus he was one of the most important promoters of William Blake and energetically supported him and gave him his first commissions. He is also said to have been a supporter of the Pre-Raphaelites Holman Hunt, Rosetti and Millais when the movement was still struggling with strong resistance. He also took his future son-in-law, Samuel Palmer, under his wing when he was 17 years old. However, the initially good relationship between the two is said to have become increasingly strained later on.





The most popular works of John Linnell

These artworks are particularly popular with our customers.

Pointing out the Way, 1874
1874 | oil on canvas

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William Blake Wearing a Hat, (in...
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Undated | oil on canvas

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1835 | Oil on cardboard

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The most popular works of John Linnell

These artworks are particularly popular with our customers.


Discover more artworks by John Linnell

Discover more artworks by John Linnell

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John Linnell
Behemoth and Leviathan, after Wi...
Undated | pen and ink and watercolour on paper

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John Linnell
Storm in Harvest, 1856
1856 | oil on canvas

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John Linnell
Four Poster Bed, in the Chinese ...
Undated |

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John Linnell
Richard Trevithick (1771-1833) 1...
1816 | oil on canvas

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John Linnell
The Prophet Balaam and the Angel...
1859 | oil on paper, laid down on canvas

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John Linnell
 
1860 | oil on canvas

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John Linnell
 
Undated | oil on paper

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John Linnell
A wood scene, 1844
1844 | oil on canvas

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John Linnell
 
1818 | Oil on panel

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John Linnell
 
1815 | oil on canvas

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John Linnell
Christ's Appearance to the Two D...
1835 | oil on wood

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John Linnell
Portrait of Sir Humphry Davy (17...
Undated | oil

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John Linnell
The Creation, page 14 from 'Illu...
Undated | pen and ink and wash on paper

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John Linnell
Christ's Appearance to the Two D...
1835 | oil painting

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John Linnell
Noah: The Eve of the Deluge, 1848
1848 | oil on canvas

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John Linnell
 
1858 | Oil on panel

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John Linnell
Sir Robert Peel, 1838
1838 | Oil on panel

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John Linnell
Illustrations of the Book of Job...
Undated | pen and ink and watercolour

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John Linnell
Portrait of Mrs Bolding, 1832 (...
1832 | oil on panel

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John Linnell
Portrait of Thomas Robert Malthu...
1853 | engraving

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John Linnell
A Dusty Road, 1868
1868 | oil on wood

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John Linnell
The Noonday Rest, 1862
1862 | oil on canvas

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John Linnell
Harvesters, 1855
1855 | oil on canvas

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John Linnell
Portrait of Thomas Robert Malthu...
Undated | lithograph

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John Linnell
Noah: The Eve of the Deluge
Undated | oil on canvas

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John Linnell
Christ and the Woman of Sumeria ...
Undated | oil on panel

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John Linnell
Eve Offering the Forbidden Fruit...
1830 | pen and brown ink with watercolour heightened with body colour over graphite on wove paper

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John Linnell
 
Undated | oil on canvas

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John Linnell
Miss Puxley [1826, Royal Academy...
Undated | oil on canvas

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John Linnell
'The timber waggon', 1872.
1872 | oil painting

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John Linnell
A View on the Coast at Hastings,...
1832 | oil on canvas

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John Linnell
 
Undated | oil on panel

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John Linnell
 
Undated | oil on panel

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John Linnell
Redhill, Surrey (oil on canvas)
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John Linnell
 
1858 | Oil on panel

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John Linnell
Harvesting, 1857
1857 | oil on canvas

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John Linnell
 
Undated | oil on canvas

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John Linnell
Sheep at Rest; Minding the Flock...
Undated | oil on canvas

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John Linnell
Lady Torrens and Her Family, 1820
1820 | oil on canvas

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John Linnell
W.A. Garrett and Family, 1830
1830 | oil on wood

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John Linnell
The Birds Nest
Undated | oil on canvas

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John Linnell
John Gage, 1817
1817 | oil on board

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John Linnell
 
Undated | oil on canvas

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John Linnell
View of Southampton, 1819
1819 | oil on canvas

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John Linnell
The Sheep Drive, 1863.
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John Linnell
Ploughing at Shoreham (pencil an...
Undated | pencil and chalk on paper

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John Linnell
The Sandpits, 1856
1856 | oil painting

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John Linnell
Christ and the Woman of Samaria ...
Undated | oil on panel

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John Linnell
 
Undated | watercolour

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John Linnell
Portrait of William Blake (1757-...
1820 | Brush on paper

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John Linnell
Kensington Gravel Pits (oil on c...
Undated | oil on canvas

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John Linnell
Design for a room by Linnell Joh...
Undated | watercolour

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John Linnell
Portrait of Anne Law née Towry, ...
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John Linnell
 
Undated | oil on panel

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John Linnell
My Garden at Redhill, 1859
1859 | oil on canvas

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John Linnell
A Fine Evening After Rain, a Sce...
Undated | oil on panel

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John Linnell
 
Undated | oil on board

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John Linnell
Shepherd Boy, 1831
1831 | Oil on panel

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John Linnell
The Barley Harvest
1875 | engraving

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John Linnell
Sand Pits, Hampstead Heath, 1849
1849 | oil on canvas

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John Linnell
Portrait of Chambers Hall, 1835 ...
1835 | black and red chalk

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John Linnell
Two Sheep
Undated | Brush on paper

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John Linnell
The River Kennet, near Newbury, ...
1815 | oil on canvas laid on panel

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John Linnell
 
1824 | pencil on paper

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John Linnell
The birds nest, from from magazi...
Undated | color lithograph

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John Linnell
John Varley (1778-1842) 1820
1820 | Oil on panel

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John Linnell
PD.61-1950 Miniature of William ...
1821 | watercolour on ivory

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John Linnell
 
1847 | Oil on panel

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John Linnell
A River Landscape, Sunset (oil o...
Undated | oil on panel

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John Linnell
 
Undated | oil on panel

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John Linnell
William Blake (1757-1827) in Con...
Undated | Brush on paper

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John Linnell
Mrs Clare
1834 | Oil on panel

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John Linnell
Studies of Horses, Men and Carri...
1811 | pen and brown ink on paper

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John Linnell
Sunset over a Moorland Landscape...
Undated | oil on panel

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John Linnell
Portrait of a Mother and Child, ...
Undated | watercolour

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John Linnell
Joseph Mallord William Turner, 1838
1838 | oil on canvas

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John Linnell
 
Undated | oil on paper laid on board

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John Linnell
The Wildflower Gatherers, 1831.
Undated |

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John Linnell
Design for Rococo Chimney Piece,...
1754 | pen and ink and watercolour on paper

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John Linnell
Portrait of a Young Man aside a ...
Undated | oil on canvas

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John Linnell
Mother and Child (oil on canvas)
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John Linnell
'Collin's Farm, North End, Hamps...
1831 | oil painting

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John Linnell
Hampstead Heath, c.1855-56 (oil ...
Undated | oil on canvas

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John Linnell
 
Undated | oil on canvas

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John Linnell
 
Undated | oil on canvas

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John Linnell
 
Undated | oil on canvas

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John Linnell
View of Amwell Hill, near Ware, ...
1814 | Unknown

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John Linnell
Portrait of Mrs W.S. Fry and her...
1840 | pencil, coloured chalks and watercolour

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John Linnell
A Cottage in a Wooded Landscape ...
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John Linnell
'A Coast Scene', 1860
1860 | oil painting

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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