Feel the passion of Peter Lely in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Peter Lely in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Peter Lely
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Peter Lely

These artworks are particularly popular with our customers.

Portrait of James II (1633-1701)...
Undated | oil on canvas

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Portrait of Nell Gwynne, c.1680
Undated | oil on canvas

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Portrait of Louise de Keroualle,...
1671 | oil on canvas

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Portrait of a young woman and ch...
Undated | oil on canvas

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The most popular works of Peter Lely

These artworks are particularly popular with our customers.


Discover more artworks by Peter Lely

Discover more artworks by Peter Lely

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Peter Lely
 
Undated | oil on canvas

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Peter Lely
Portrait of King Charles II (163...
Undated | oil on canvas

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Peter Lely
Portrait of Winston and Arabella...
Undated | oil on canvas

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Peter Lely
Francoise Louise (1644-1710) Duc...
Undated | oil on canvas

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Peter Lely
 
1658 | oil on canvas

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Peter Lely
Diana Kirke, Later Countess of O...
Undated | oil on canvas

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Peter Lely
Portrait of a Lady, said to be N...
Undated |

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Peter Lely
A Man Playing a Violin (oil)
Undated | oil

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Peter Lely
Edward Montagu, 1st Earl of Sand...
Undated | oil on canvas

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Peter Lely
John Graham of Claverhouse, Visc...
Undated | engraving

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Peter Lely
Baroque : Portrait of Charles II...
Undated |

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Peter Lely
Portrait of Barbara Villiers (16...
Undated | oil on canvas

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Peter Lely
Anne, Countess of Southesk
Undated | engraving

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Peter Lely
Elizabeth, Countess of Northumbe...
Undated | engraving

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Peter Lely
John Wilmot, 2nd Earl of Rochester
Undated | colour lithograph

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Peter Lely
Moses saved from river, by Peter...
Undated | oil on canvas

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Peter Lely
Baroque : Portrait of Margaret H...
Undated |

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Peter Lely
The Letter, 1650-60
Undated | oil on canvas

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Peter Lely
Thomas Wriothesley (1607-67) 4th...
Undated | oil

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Peter Lely
Portrait de la reine Henriette M...
Undated | oil on canvas

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Peter Lely
Barbara Villiers, Duchess of Cle...
1670 | oil on canvas

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Peter Lely
Portrait of Henry Spencer (1620-...
1643 | oil on canvas

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Peter Lely
Portrait of the Duke of Richmond...
Undated | oil on canvas

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Peter Lely
'Sarah Jennings, Duchess of Marl...
1942 |

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Peter Lely
Portrait of Nell Gwyn
Undated | engraving

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Peter Lely
Portrait Of The Hon Mrs Lucy Lof...
Undated | oil painting

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Peter Lely
King Charles II (1630-85)
Undated | oil on canvas

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Peter Lely
Margaret Lucas, Duchess of Newca...
1665 | oil on canvas

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Peter Lely
Catherine of Braganza (1638-1705)
Undated | oil on canvas

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Peter Lely
Portrait of a Lady in Blue holdi...
1660 | oil on canvas

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Peter Lely
Portrait of Oliver Cromwell (159...
Undated | oil

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Peter Lely
Portrait of a Lady, probably Mar...
Undated | oil on canvas

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Peter Lely
Diana Bruce, Countess of Rutland
Undated | oil on canvas

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Peter Lely
Susanna And The Elders, 17th cen...
Undated | oil painting

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Peter Lely
Sir Peter Lely, Dutch portrait p...
Undated | engraving

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Peter Lely
Portrait of Mrs Moll Davies, mis...
Undated | oil on canvas

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Peter Lely
The Concert (Lely and his Family...
Undated | oil on canvas

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Peter Lely
The Rape of Europa (oil on canvas)
Undated | oil on canvas

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Peter Lely
Catherine Sedley, Countess of Do...
Undated | oil on canvas

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Peter Lely
Portrait of Mary Bagot, Countess...
Undated | oil on canvas

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Peter Lely
Frances Brooke, Lady Whitmore, l...
1660 |

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Peter Lely
Elizabeth Hamilton, Countess of ...
1660 |

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Peter Lely
Studies of Hands, 17th century (...
Undated | chalk on paper

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Peter Lely
Louise de Penacoet de Kerouaille...
Undated | oil on canvas

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Peter Lely
Jane Bickerton, Duchess of Norfo...
1677 | oil on canvas

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Peter Lely
Edward Hyde, Earl of Clarendon, ...
1667 | oil on canvas

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Peter Lely
Eleanor Needham, Lady Byron, as ...
1663 | oil on canvas

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Peter Lely
John Graham of Claverhouse, 1st ...
1823 | lithograph

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Peter Lely
Diana Kirke, Later Countess of O...
Undated | oil on canvas

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Peter Lely
Margaret Brooke, Lady Denham, c1...
1660 |

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Peter Lely
Maria II. Stuart
1677 | oil on canvas

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Peter Lely
Study for a Portrait of a Woman,...
Undated |

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Peter Lely
Anna Maria Talbot Countess of Sh...
1670 | oil painting

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Peter Lely
James Harrington 1611-1677, Engl...
1799 | engraving

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Peter Lely
Lady Whitmore
Undated | colour lithograph

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Peter Lely
Portrait of Ann Capell
Undated | oil on canvas

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Peter Lely
Henrietta, Countess of Rochester
Undated | engraving

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Peter Lely
Portrait of a Gentleman, 1640-1650
1640 | oil on canvas

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Peter Lely
Henrietta Boyle, Countess of Roc...
1670 |

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Peter Lely
Anne Digby, Countess of Sutherla...
1660 |

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Peter Lely
Catherine of Braganza, Queen of ...
Undated | lithograph

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Peter Lely
Lady Essex Finch, later Countess...
Undated | oil on canvas

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Peter Lely
Louise de Kerouaille (1649-1734)...
Undated | oil on canvas

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Peter Lely
Oliver Cromwell, c.1653
1653 | oil on canvas

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Peter Lely
Prince Rupert (1619-82), c.1666-71
Undated | oil on canvas

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Peter Lely
Portrait of a man, thought to be...
1660 | oil on canvas

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Peter Lely
'Sir Edward Hales and his family...
1656 | oil painting

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Peter Lely
Portrait of a Lady
Undated | oil on canvas

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Peter Lely
Miss Wharton (oil on canvas)
Undated | oil on canvas

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Peter Lely
Portrait of Charles I in armour,...
Undated | oil on canvas

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Peter Lely
Sir Thomas Ingram, Chancellor of...
Undated | oil on canvas

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Peter Lely
Charles II (1630-85) King of Gre...
1736 | engraving

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Peter Lely
Mary Capel, Later Duchess of Bea...
Undated | oil on canvas

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Peter Lely
Judith with the Head of Holofern...
18th century |

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Peter Lely
Portrait of a Lady in Blue
Undated | oil on canvas

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Peter Lely
Horatio, First Viscount Townsend...
1672 | oil painting

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Peter Lely
Portrait of Sir John Maitland, D...
Undated | engraving

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Peter Lely
Portrait of a Lady of the Popham...
Undated | oil on canvas

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Peter Lely
 
1667 | black, white, red, brown and pale blue chalks on light brown pap

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Peter Lely
Rueben Presenting Mandrakes to L...
1640 | oil on canvas

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Peter Lely
Elizabeth Bagot, Countess of Fal...
Undated | engraving

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Peter Lely
Portrait of Mrs. Leneve, c.1657 ...
Undated | oil on canvas

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Peter Lely
Catherine, Countess of Rockingha...
Undated | oil on canvas

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Peter Lely
Richard Jones, 1st Earl of Ranel...
1923 | oil painting

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Peter Lely
Sir Peter Lely, c.1660
1660 | oil on canvas

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Peter Lely
Portrait of a Lady, seated full ...
Undated | oil on canvas

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Peter Lely
Two Poor Knights of Windsor
Undated | Brush on paper

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Peter Lely
Portrait of a young girl in gree...
Undated | oil on canvas

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Peter Lely
Nell Gwynne
Undated | engraving

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Peter Lely
Bust Portrait of a Young Man, so...
Undated | oil on canvas

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Peter Lely

Peter Lely

  September 14, 1618
  November 30, 1680
   •   Baroque   •   Wikipedia: Peter Lely

Peter Lely was originally born as Pieter van der Faes in the Westphalian town of Soest, which at that time belonged to the Netherlands. He later gave himself the name Lely in reference to the heraldic lily that decorated the gable of his father's house in The Hague. Lely first studied in Haarlem as a student of Pieter de Grebber. With the help of his teacher he was finally accepted into the Luke's Guild in 1637. Lely probably came to London around 1643. There he initially dealt with mythological and religious themes and also made some portraits. His style was strongly influenced by Anthony van Dyck and the Dutch Baroque. This style was very popular in England at that time. As van Dyck had died only a few years earlier, Lely was offered a good opportunity and he was soon able to establish himself as an official portrait painter at court. Even after the execution of Charles I and the establishment of a temporary republic, Lely was able to maintain his status.

With the restoration of the monarchy in 1660, Lely was again appointed official court painter. This time he served under Charles II, who offered him a pension of 200 pounds a year, the same amount that van Dyck received in this position at the time. Lely was also granted English citizenship. He had so many commissions as a court portraitist that he only painted the faces of his models himself. He then left the completion of the paintings to his students and assistants. In this way, Lely was able to produce a considerable number of paintings during his career. Among his most important students were Nicolas de Largillière, John Greenhill and William Wessing. Among Lely's most outstanding portraits are the series of 10 portraits of ladies-in-waiting, now known as "Windsor Beauties". Of its mythological motifs, "Nymphs at a fountain" stands out in particular. This is mainly due to the fact that Lely rarely made paintings of this kind. Lely died working on his easel. He was painting a portrait of the Duchess of Somerset. Only a year earlier, King Charles II had knighted him.

Lely was not only a popular and talented artist of his time. He was also a great art connoisseur and collector. He was particularly fond of the old masters such as Veronese, Tizian, Rubens and Claude Lorrain. He had bought many works after the execution of Charles I, when his art collection was dissolved by the Commonwealth. Lely also prepared the mezzotint in England. This is a gravure printing process developed in the Netherlands. He wanted to increase the circulation of his own works with this printing process.

Peter Lely

Peter Lely
  September 14, 1618
  November 30, 1680
   •   Baroque   •   Wikipedia: Peter Lely

Peter Lely was originally born as Pieter van der Faes in the Westphalian town of Soest, which at that time belonged to the Netherlands. He later gave himself the name Lely in reference to the heraldic lily that decorated the gable of his father's house in The Hague. Lely first studied in Haarlem as a student of Pieter de Grebber. With the help of his teacher he was finally accepted into the Luke's Guild in 1637. Lely probably came to London around 1643. There he initially dealt with mythological and religious themes and also made some portraits. His style was strongly influenced by Anthony van Dyck and the Dutch Baroque. This style was very popular in England at that time. As van Dyck had died only a few years earlier, Lely was offered a good opportunity and he was soon able to establish himself as an official portrait painter at court. Even after the execution of Charles I and the establishment of a temporary republic, Lely was able to maintain his status.

With the restoration of the monarchy in 1660, Lely was again appointed official court painter. This time he served under Charles II, who offered him a pension of 200 pounds a year, the same amount that van Dyck received in this position at the time. Lely was also granted English citizenship. He had so many commissions as a court portraitist that he only painted the faces of his models himself. He then left the completion of the paintings to his students and assistants. In this way, Lely was able to produce a considerable number of paintings during his career. Among his most important students were Nicolas de Largillière, John Greenhill and William Wessing. Among Lely's most outstanding portraits are the series of 10 portraits of ladies-in-waiting, now known as "Windsor Beauties". Of its mythological motifs, "Nymphs at a fountain" stands out in particular. This is mainly due to the fact that Lely rarely made paintings of this kind. Lely died working on his easel. He was painting a portrait of the Duchess of Somerset. Only a year earlier, King Charles II had knighted him.

Lely was not only a popular and talented artist of his time. He was also a great art connoisseur and collector. He was particularly fond of the old masters such as Veronese, Tizian, Rubens and Claude Lorrain. He had bought many works after the execution of Charles I, when his art collection was dissolved by the Commonwealth. Lely also prepared the mezzotint in England. This is a gravure printing process developed in the Netherlands. He wanted to increase the circulation of his own works with this printing process.





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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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