Feel the passion of Thomas Sully in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Thomas Sully in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Thomas Sully
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Thomas Sully

These artworks are particularly popular with our customers.

Portrait of the McEuen sisters, ...
Undated | oil on canvas

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The Shipwreck of Robinson Crusoe...
1856 | oil on board

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1834 | oil painting

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Foot Impression in the Sand, c.1...
1856 | oil on board

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The most popular works of Thomas Sully

These artworks are particularly popular with our customers.


Discover more artworks by Thomas Sully

Discover more artworks by Thomas Sully

206 artworks found
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Thomas Sully
A Life Study of the Marquis de L...
1824 | oil on canvas

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Thomas Sully
The Love Letter, 1834
1834 | oil on canvas

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Thomas Sully
Dr Edward Hudson, 1810
1810 | oil on canvas

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Thomas Sully
Ganymede, late 19th century
Undated | oil on canvas

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Thomas Sully
Paul Beck, Jr., 1813
1813 | oil on canvas

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Thomas Sully
Portrait of James Cornell Biddle...
1841 | oil on canvas

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Thomas Sully
Daniel La Motte, 1812-1813.
Undated | oil painting

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Thomas Sully
Martha Jefferson Randolph (wood ...
Undated | wood engraving

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Thomas Sully
 
Undated | Watercolor, with pen and brown ink on medium, moderately thick, beige, laid paper

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Portrait of a Girl Reading, 1842
1842 | oil on canvas

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Thomas Sully
Mother and Son, 1840.
Undated |

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Thomas Sully
Portrait of Mary Sicard David, 1...
Undated |

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Robinson Crusoe and Friday in th...
1856 | oil on board

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Thomas Sully
The Coleman Sisters, 1844.
Undated |

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Thomas Sully
 
Undated | Watercolor, graphite, and scratching out on moderately thick, moderately textured, beige, wove paper

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Thomas Sully
Portrait of Esther Fortune Warre...
Undated | oil on canvas

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Thomas Sully
Jane Penn-Gaskell (1809-32) 1829...
Undated | oil on canvas

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Thomas Sully
""Sally Etting"" Jeune femme a l...
Undated |

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Thomas Sully
 
Undated | Watercolor on medium, moderately textured, beige, laid paper

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Sleeping Venus, .
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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Andrew Jackson, 1845.
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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Queen Victoria, 1838.
Undated |

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Thomas Sully
Robinson Crusoe and His Man Frid...
1856 | oil on board

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Thomas Sully
Major General Alexander Macomb (...
Undated | engraving

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Thomas Sully
 
Undated | Watercolor and gouache on moderately thick, rough, cream, wove paper

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Thomas Sully
Lady with a Harp: Eliza Ridgely,...
Undated |

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Thomas Sully
Mademoiselle Ade Sigoigne, 1829
1829 | oil on canvas

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Thomas Sully
Portrait of Stephen Decatur (177...
Undated | oil on panel

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Thomas Sully
Andrew Jackson, after the Battle...
Undated | drawing

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Flirtation (oil on canvas)
Undated | oil on canvas

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Thomas Sully
Lord Byron,
Undated | oil on canvas

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Thomas Sully
Lady Carrying Holly Branches, 1850
1850 | oil on canvas

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
The Leland Sisters, c. 1830.
Undated |

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Thomas Sully
Self-Portrait, 1850.
Undated |

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Thomas Sully
Portrait of William Warren, 1808
1808 | oil on canvas

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Thomas Sully
Boat Building by Robinson Crusoe...
1856 | oil on board

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Thomas Jefferson, 1856
1856 | oil on canvas

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Thomas Sully
Mary Abigail Willing Coale, 1809.
Undated | oil painting

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Thomas Sully
Mrs. Katherine Matthews, 1812-13.
Undated |

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Thomas Sully
 
Undated | Watercolor, graphite, and gouache on moderately thick, moderately textured, beige, wove paper

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Thomas Sully
Blanche Sully (oil on canvas)
Undated | oil on canvas

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Thomas Sully
 
Undated | oil

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Thomas Sully
David Hosack, engraved by Asher ...
Undated | engraving

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Thomas Sully
Daniel Dashiel Warner (1815-80) ...
1864 | oil on canvas

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Thomas Sully
Gouverneur Morris (1752-1816) 1808
1808 | oil on canvas

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Thomas Sully
Visit to the Wreck, c.1856
1856 | oil on board

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Thomas Sully
 
Undated | Watercolor on moderately thick, rough, beige, wove paper

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Thomas Sully
Mrs Mordecai Lewis, 1843
1843 | oil painting

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Thomas Sully
Portrait of Marie Joseph Paul Yv...
Undated | oil on canvas

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Thomas Sully
[Untitled] (Seven Figure Studies...
Undated | iron gall ink and watercolor on beige, medium-weight, moderately textured antique laid paper

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Child Asleep The Rosebud, 1841.
Undated |

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Thomas Sully
The Mc Ilvaine Sisters, 1834
1834 | oil on canvas

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Thomas Sully
The Passage of the Delaware in 1...
Undated | engraving

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Thomas Sully
Alfred Sully, ca. 1839.
Undated |

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Thomas Sully
James Madison, 1809.
Undated |

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Thomas Sully
Mrs. William Griffin, 1830.
Undated |

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Thomas Sully
 
Undated | Watercolor and scratching out on moderately thick, moderately textured, beige, wove paper

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Thomas Sully
 
Undated | Watercolor, graphite, and gouache on moderately thick, moderately textured, beige, wove paper

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Thomas Sully
Mrs. James Montgomery, Jr., ca. ...
Undated |

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Thomas Sully
Portrait of Margaret Siddons Kin...
1812 | oil on canvas

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Thomas Sully
Edward James Roye (1815-72) 1864
1864 | oil on canvas

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Thomas Sully
Thomas Ash II, 1807.
Undated | oil painting

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Thomas Sully
 
Undated | Watercolor and gouache on medium, slightly textured, beige, wove paper

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Thomas Sully
In His Cave, c. 1856
1856 | oil on board

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Thomas Sully
 
Undated | Watercolor, graphite and brown wash on moderately thick, slightly textured, beige, laid paper

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Thomas Sully
 
1812 | oil on canvas

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Thomas Sully
Elizabeth Huddell Cook (later El...
Undated | oil on canvas

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
John Vaughan, c. 1823.
Undated | oil painting

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Thomas Sully
 
Undated | Watercolor on moderately thick, rough, cream, wove paper

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Thomas Sully
 
Undated | Watercolor, pen and brown ink, graphite and gouache on medium, moderately textured, cream, wove paper

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Thomas Sully
Saving the Life of Friday, c.1856
1856 | oil on board

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Portrait of Thomas Jefferson, c....
Undated | oil on canvas

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Thomas Sully
Major John Biddle, 1818.
Undated |

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Thomas Sully
James Pollard Espy, 1849.
Undated | oil painting

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Thomas Sully
 
Undated | oil on canvas

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Thomas Sully
Two Drawings on One Sheet: Lands...
Undated | Watercolor and gouache on moderately thick, rough, cream, wove paper

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Thomas Sully
Benjamin Rush, engraved by Richa...
Undated | engraving

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Thomas Sully
Study for "Portrait of James Cor...
Undated | Brush and oil paint on paperboard

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Thomas Sully
John Finley, 1821.
Undated |

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Thomas Sully
The Student, 1839.
Undated |

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Thomas Sully
 
Undated | oil on canvas

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Page 1 / 3



Thomas Sully

  1783
  1872
   •   American Art

In the coronation year of Queen Victoria, the American portrait painter Thomas Sully received the commission to paint the young woman. The ruler of the world's largest empire at the time and the sovereign artist were both on familiar ground and yet the commission became something very special for both of them. Queen Victoria sat in the royal portrait studio almost daily during the first phase of her reign and was eager to have her portrait painted. In March 1838, Victoria had her first session with Thomas Sully. "Am I in the position you require Mr. Sully?" asked the Queen? What happened next was arguably unique in the history of majestic portraiture: the painter was allowed to guide the Queen's body into the pose he desired. Enraptured by the portrait session, she noted the evening's encounter with Thomas Sully in her diary. The result is a beautiful depiction. Victoria is in a state of motion, walking towards the throne and turning her head as if responding to a call. It is a moment that seems personal and alive.

The life journey of Thomas Sully hides the reasons that might have led to this intimate collaboration. Sully was born in England. His parents emigrated to America with their sons and settled in South Carolina. Thomas decided to pursue an artistic education and returned to his homeland to study. He took lessons from Benjamin West, whose painting style impressed him so much that he adopted it. Sully concentrated on painting portraits. Back in America, the artist settled in Philadelphia and quickly gained a reputation as one of the best portraitists in the country. Thomas Sully developed vivid and expressive full-body portraits that had a positive impact on his career. At a time when American financial markets were weakening, Sully planned his return to England. Accompanied by his daughter, the painter was about to embark on a study trip when the commission for the Queen's portrait arrived. Thomas Sully was familiar with courtly protocol and the painter still had close ties to the country of his birth, but he lacked a fearsome respect for it. The American painter with English roots encountered the monarchy on an interpersonal level.

Sully understood how to play with his clients' aesthetic perceptions. Although he was allowed to paint prominent politicians and military heroes of his day, it was the depictions of society's women that made him famous. Picturesque, flowing and highly romantic are the images of the fine ladies. Sully fulfilled the desire for idealized beauty and a shade more elegance than was actually present. His perfect brushwork creates the impression of flawlessness and conjures up works that, beyond reality, present a feminine image of femininity.

Thomas Sully

  1783
  1872
   •   American Art

In the coronation year of Queen Victoria, the American portrait painter Thomas Sully received the commission to paint the young woman. The ruler of the world's largest empire at the time and the sovereign artist were both on familiar ground and yet the commission became something very special for both of them. Queen Victoria sat in the royal portrait studio almost daily during the first phase of her reign and was eager to have her portrait painted. In March 1838, Victoria had her first session with Thomas Sully. "Am I in the position you require Mr. Sully?" asked the Queen? What happened next was arguably unique in the history of majestic portraiture: the painter was allowed to guide the Queen's body into the pose he desired. Enraptured by the portrait session, she noted the evening's encounter with Thomas Sully in her diary. The result is a beautiful depiction. Victoria is in a state of motion, walking towards the throne and turning her head as if responding to a call. It is a moment that seems personal and alive.

The life journey of Thomas Sully hides the reasons that might have led to this intimate collaboration. Sully was born in England. His parents emigrated to America with their sons and settled in South Carolina. Thomas decided to pursue an artistic education and returned to his homeland to study. He took lessons from Benjamin West, whose painting style impressed him so much that he adopted it. Sully concentrated on painting portraits. Back in America, the artist settled in Philadelphia and quickly gained a reputation as one of the best portraitists in the country. Thomas Sully developed vivid and expressive full-body portraits that had a positive impact on his career. At a time when American financial markets were weakening, Sully planned his return to England. Accompanied by his daughter, the painter was about to embark on a study trip when the commission for the Queen's portrait arrived. Thomas Sully was familiar with courtly protocol and the painter still had close ties to the country of his birth, but he lacked a fearsome respect for it. The American painter with English roots encountered the monarchy on an interpersonal level.

Sully understood how to play with his clients' aesthetic perceptions. Although he was allowed to paint prominent politicians and military heroes of his day, it was the depictions of society's women that made him famous. Picturesque, flowing and highly romantic are the images of the fine ladies. Sully fulfilled the desire for idealized beauty and a shade more elegance than was actually present. His perfect brushwork creates the impression of flawlessness and conjures up works that, beyond reality, present a feminine image of femininity.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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